Lindsay Morris

Waiting

2010

Archival pigment print Signed and numbered on label, verso 19 x 13 inches, image (Edition of 10 + 2 APs) 30 x 20 inches, image (Edition of 10 + 2 APs) 40 x 27 inches, image (Editi...

Digital C-print Signed, dated, and numbered, verso 20 x 24 inches (Edition of 15) 24 x 30 inches (Edition of 3) 30 x 40 inches (Edition of 5) This photograph is offered by ClampAr...

Archival pigment print Signed and numbered on label, verso 13 x 19 inches, image (Edition of 10 + 2 APs) 20 x 30 inches, image (Edition of 10 + 2 APs) 27 x 40 inches, image (Editi...

Archival pigment print Signed and numbered on label, verso 20 x 20 inches, image (Edition of 10 + 2 APs) 40 x 40 inches, image (Edition of 5 + 2 APs) This photograph is offered by...

Susan Swihart is a photographic artist, born and raised in Massachusetts, now living in Los Angeles, CA. Her photographs are enquiries into the nature of identity and the persistence of memory. She received a BS in Art with a Concentration in Visual and Media Design from Northeastern University. A two-time Critical Mass finalist, her work has been included in numerous solo and group shows and collected Internationally. Susan Swihart If Only A personal narrative of self portrait work that explores the challenges of being a wife, mother, artist, daughter and friend in the middle of a crossroads, at the middle of my life, not quite sure who I am now or what direction I am heading. It’s a period that feels out of balance, a time where I struggle with the concept of aging and lost youth and the pursuit of having it all when I’m not really sure I want it. Often feeling that the person I thought I was has disappeared, replaced by familial needs and that slow and steady march through time as I shepherd my family forward. I am a participant observer in a life where I watch my children grow and take our place, while at the same time observe parents deteriorate. I’m lost somewhere in the middle with little room or time for personal growth or a clear understanding where I fit on the spectrum of my life. Not much time to reflect, but plenty of time...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson has had ...

Molly’s current photographic work explores themes of memory, the passage of time, a sense of place, and the natural world, using both painting and photography. Her unique silver gela...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...