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Ludovico TuminelloBaths of Caracalla - Vintage Photo by Ludovico Tuminello - Early 20th CenturyEarly 20th Century
Early 20th Century
About the Item
Baths of Caracalla is a vintage black and white photograph realized by an anonymous artist in the 20th Century.
Good conditions except for some foxing.
- Creator:Ludovico Tuminello (1824 - 1907)
- Creation Year:Early 20th Century
- Dimensions:Height: 7.09 in (18 cm)Width: 9.85 in (25 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1332261stDibs: LU650310765902
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Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013
Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005
Cornell University Review, August 2000
O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996
Gleuck, Grace, Review, The New York Times, December 1996
McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993
Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990
Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990
Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990
Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986
Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978
Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977
Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975
Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975
Wright, Charles, "Paint Art Racist", The Village Voice, April 1971
Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971
Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970
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