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Lynda ChurillaBahamian Recess, Bahamas2012
2012
$1,250
£949.15
€1,085.43
CA$1,746.43
A$1,942.41
CHF 1,014.27
MX$23,637.10
NOK 12,953.75
SEK 12,148.33
DKK 8,100.97
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About the Item
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
When one thinks of the summertime, a million different smells, sights, sounds, and memories manifest. Each year, Rice curates a summertime salon show that captures this multiplicity, displaying a diversity of styles, themes, nuances, and artist techniques. For 2015, Rice has brought together the works of 51 artists mosaicking the walls of the gallery walls from floor to ceiling with nearly a hundred photographs, their various sizes, color schemes and subject matter expertly laid out to fit together like the pieces of an eclectic puzzle.
Rice’s installation design is carefully orchestrated so that the individual pieces work off each other. “This is my favorite exhibit even though it takes months to curate and a week to install. It is my curatorial showcase. Visitors always linger longer than any other show; there is something for everyone. I love the moment when the viewer is first drawn to an image,” says Rice. “Sometimes it’s indefinable; a moment when the viewer not only shares but also reconnects to an experience remembered.”
The invitational image, “1952 Vincent Black Shadow” takes its title from the bike famed for it’s record-breaking speeds. Within the faded sepia-toned pallet the striking figure of a bikini-wearing woman is stretched horizontally, as if flying, upon this legendary motorcycle. She is juxtaposed against a background of silos shrouded in fog. She appears as if the force of the motorcycle has streamlined her body backwards. Yet in this frozen moment the motorcycle remains stationary upon a tabletop.
From the photograph you gain entrée into a world of evocative images that invite you to while away the afternoon. At once modern and sentimental, playful and reflective, the exhibition is an expression of the aesthetic cultivated by the gallery for the last 25 years. It is both an opportunity to display the artists Rice has nurtured for decades, as well as a chance to invite newcomers into the gallery space.
Beach, Water, Color, Sky, Clouds, Landscape, Bahamas , swim, swimming, diving. Ocean, play
- Creator:
- Creation Year:2012
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- More Editions & Sizes:24x20Price: $1,75040x30Price: $3,000
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU116543652

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The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. The show will run through January 5, 2020. At 1000 Feet is Boaz’s first solo exhibition at the Robin Rice Gallery.
As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above.
Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track.
As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease.
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