21st Century and Contemporary Figurative Photography

'Teenage Kicks' C-type Limited Edition by Jamie Beeden, personal work. A portrait of a young girl at a club in Tufnell Park, London 2003. Jamie's body of work includes varied maga...

Michael James O’Brien draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural ...

Two participants in the event mug it up in style during the LGBTQ FETISH Folsom Street Fair. BDSM Leather . Signed dated and numbered 3/15 lower right rec...

Underwater photograph of a man diving in a pool, leaning toward a flower. A very bright photograph with plenty of sun and positivity. Original digital print on aluminum plate signed...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...

Wash 50 cents by Peter Brown is a color photograph depicting a white laundromat building, with a minimal sign stating "Wash 50¢" in red text. C-Print Paper size: 24 x 20 in. Image s...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

"Fragrant Attraction" is a framed photograph on aluminum by Tom Chambers, depicting a woman in a colorful landscape holding a vase of fresh flowers and surrounded by fluttering wildl...

"Cow On Blue No. 1" is a framed contemporary photograph on aluminum by Randal Ford depicting a cow named Shirley set against a pastel blue background. This piece is finished in a wh...

"Swimming Suit 3" Photography 31" x 31" in Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Avail...

Traintracks (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Arti...

Roger Ballen Haunted, from the series 'The Theatre of Apparitions', 2013 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 86 x 9 cm (39 3/8 x 33 7/8 x 3 1/2 in.) ...

Reprint of a vintage photograph titled "Monsieur (Louis) and Madame Paulhan of France ready to fly a Farman model lll in Los Angeles - 1910 from an original photograph by an unknown ...

Beautiful Nature shot of Lion. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing beauty in all its forms—wh...

Three Girls IV (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

Claus Goedicke (German) Kitchen Rag (Some Things Series) Archival Pigment Print on Hahnemühle Photo Rag Year: 2013 Size: 23.38 x 16.53 on 24.4 x 17.32 inches (59.4 x 42 on 62 x 44 cm...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

An underwater photograph of a naked young woman wrapped in bright tulle. Original gallery quality archival pigment print on archival paper signed by the artist. Limited edition of 1...

"Swimming Suit 3" Photography 24" x 24" in Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Avai...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy...

"Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and trans...

'Caitlin aka Jane Bond III' (Heavenly Falls) - 2016 20x20cm, Edition of 10, Archival C-Print based on the Polaroid, Not mounted. Certificate and signature label, artist inventor...

An underwater photograph of a naked young women with dark hair on red background. The pool is built in the garden and you can see bright green trees ...

Lord Fauntleroy Melanie Sherman 240522-87 Pigment Print Year: 2024 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame with...

Jules and Jim (Renée's Dream), - 2007, from the 29 Palms, CA series, 40x39cm, Edition 3/10, Analog C-Print, hand-printed by the artist, based on the Polaroid, Certificate and sig...

Burning Motel Memories (Strange Love) - 2005 40x50cm, Edition of 10. Archival C-Print, based on a Polaroid. Signature label and certificate, artist Inventory No. 9926. Not moun...

Available Sizes: 18 x 18 Edition of 3 30 x 30 Edition of 3 45 x 45 Edition of 3 60 x 60 Edition of 3 Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing...

1191, 2022 by Salvatore Arnone From the ONE series Photography and pastel on Hahnemuhle paper Paper size: 225 H x 165 W cm. Printed area: 210 H x 150 W cm. Production time is 2 to 3 ...

An underwater black and white nude photograph of a female dancer performing in a swimming pool. Original gallery quality print signed by the artist. Digital archival pigment print ...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. THIS VINTAGE SILVER GELATIN PRINT IS FROM AN EDITION OF 3. The photograph of Tanner were originally shot on a Polaroid Land 360 from my series ‘Diary Non Diary’. Sebastian Perinotti...

Modena by Frank Schott 48 x 64 inches / 122cm x 163cm edition of 7 signed 30 x 40 inches / 76cm x 102cm edition of 25 signed archival quality fine art pigment print limited art ed...

A Man and a Woman - abstract in bathroom (Sidewinder), triptych - 2005 Edition of 10, installed 20x70cm including gaps, 20x20cm each. Digital C-Print, based on a Polaroid. Artist In...

This elegant underwater photograph captures a ballet dancer in pointe shoes and flowing white tutu, suspended in deep teal waters. The rich contrast between the pristine white costume and the moody blue-green aquatic environment creates a dreamlike atmosphere. Sher's composition bridges classical dance and contemporary underwater photography, exploring themes of grace transcending physical boundaries. The work continues the tradition of fine art photography that documents performance art in unexpected contexts, transforming the familiar ballet pose into a surreal meditation on weightlessness and artistic expression beneath the surface. "Four years ago I wrecked my sailboat and was selfmedicating with vodka at a Russian restaurant when I suddenly noticed a cute girl hanging from the ceiling right above my glass. She was not only beautiful, she was a dancer too, and she agreed to model for me underwater. Two days later, if you stopped by my pool you’d see a fully dressed ballerina with her hands underwater and me wriggling at the bottom around her dance e shoes. I kept asking her to tie and untie her pointe hypnotized by the small hands entwined in ribbons and light. I took quite a few pictures that day. This one is my favorite." Alex Sher Original gallery quality archival pigment print on archival paper signed by the artist. Limited edition of 24 Paper size: 18x24" Image size 17.2x23.5" Publications: 2024 🇷🇴 VOUS ROMANIA (Bucharest, Romania) 2022 🇺🇸 Redwood Art...

This beautiful photograph is part of the "Water Geomaids" series which consists of 13 different images. It comes signed and numbered and is part of an edition of 12. We also offer other available sizes for these images (please contract us for more information). It will be shipped in a tube although we also offer some framing options in the US. The unseen need not be lost. Looking past the obvious and focusing on the lesser-known perspective introduces a parallel universe. Through using domestic objects and the human form in our environment, I work to orchestrate unique visions that are meticulously balanced in the ultimate pursuit of equilibrium. My goal is to inspire all those who see my work to begin looking at the world around them in a new way, evolving their view to uncover the undiscovered beauty in everyday things. color photography staged photography seascape photography pool photography

Hug My Soul - 2019 Edition of 10 - 20x20 cm. Archival C-Print based on the Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works and Lives: UK Clare M...

In the early 1990s, David LaChapelle (b.1963) ushered in a new era of fashion photography. He created ground-breaking images with hyper-glossy, celebrity-obsessed, surrealism. LaCha...

"No Time" Black & White Photography 39 x 49 in Ed. 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Avail...

"Elder Morris" is an original piece by Shawn Theodore made from hand-crafted paper collage and acrylic and archival ink on Epson Hot Press Natural paper on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection.This pieces measures 36”h x 48”w and comes with a gallery-issued Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

An underwater photograph of a topless dancer diving in red tutu skirt. Original digital print on archival paper signed by the artist. Paper size: 18" x 24" Image size: 16.5" x 24" L...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Printed on Photo Lustre. This is #5 of an edition of 8. A Certificate of Authentici...

This photograph by Fidel Santos depicts a Renaissance-style statue of Primavera, the Roman goddess of spring, fertility, and renewal. Her serene expression and floral adornment evoke...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Anna Archinger A Modern Princess (of India) (Equine Art, Horse, Marwari, Rare Breed) Archival Pigment Print on Canson® Infinity Platine Fibre Rag Year: 2025 Image Size: 11.7 x 8.3 x ...

"Crown Chakra" Black & White Photography 24" x 24" in Edition of 10 by Oleg Char Not framed. Ships rolled in tube. Available sizes: Edition of 20: 18 x 18 inch Edition of 10: 2...

Text by Nancy Webb It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level. Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings. Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...

A striking underwater fine art photograph captures a floating figure in a crimson dress against a deep black background. The composition masterfully blends contemporary underwater ph...

Agneta II by Blank Barbie pop art work of the iconic Agneta Fältskog of Swedish music super band ABBA. Japan 1978 paper size 30x30 inches / 76 x 76 cm unframed - framing availabl...

"Pola Girls 12" Nude Polaroid Photography - Unique piece by Larsen Sotelo 4.2" x 3.5" inch - including white Polaroid frame 3.1" x 3,1" inch - image area ...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

TIE Fighter Beatles by B A T I K Pop art work featuring the Fab Four Paul McCartney , George Harrison, Ringo Starr and John Lennon running away from Star Wars TIE fighters chasing...

Kindling - 2016 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-2002. N...

'I'm frozen in my Memory of Love that once was' (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs, Archival C-Print print, based on the original Polaroid,...

A beautiful and mysterious underwater photograph of a young naked woman slowly falling down through the pool water. Her strong body drops a bizarre shadow on the bottom of the pool ...

Doug Rickard (American b.1968) Limited Edition Archival Pigment Print. Features the work titled; A New American Picture - Detroit. Signed on verso and numbered 4/5. Work: 26 in. x 41 1/2 in. Frame: 26 1/2 in. x 42 in. Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America, bleak places that are forgotten, economically devastated, and abandoned. With an informed and deliberate eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. A New American Picture depicts American street scenes, located using the internet platform Google Street View. Over a four-year period, Rickard took advantage of Google’s massive image archive to virtually explore the roads of America looking for forgotten, economically devastated, and largely abandoned places. After locating and composing scenes of urban and rural decay, Rickard re-photographed the images on his computer screen with a tripod- mounted camera, freeing the image from its technological origins and re-presenting them on a new documentary plane. The low-resolution images that Rickard favors have a dissolved, painterly effect, and are occasionally populated with figures who acknowledge the camera, but whose faces are blurred, masking their identity. The photographs are thus imbued with an added surrealism and anonymity, which reinforces the isolation of the subjects and emphasizes the effects of an increasingly stratified American social structure. Rickard’s work evokes a connection to the tradition of American street photography, with knowing references to Walker Evans, Robert Frank and Stephen Shore. He both follows and advances that tradition, with a documentary strategy that acknowledges an increasingly technological world—a world in which a camera mounted on a moving car can generate evidence of the people and places it is leaving behind. Collectively, these images present a photographic portrait of the socially disenfranchised and economically powerless, those living an inversion of the American Dream.Doug Rickard (born 1968) is an American artist and photographer. He uses technologies such as Google Street View and YouTube to find images, which he then photographs on his computer monitor. His photography has been published in books, exhibited in galleries and held in the permanent collection of the San Francisco Museum of Modern Art. Rickard is best known for his book A New American Picture (2010). He is founder and publisher of the website on contemporary photography, American Suburb X, and the website These Americans which publishes some of his collection of found photographs. This work features a black, African American man in the foreground walking in a bleak neighborhood in Detroit, Michigan. Rickard was born in San Jose, California and brought up in Los Gatos in the San Francisco Bay Area. His father was a prominent pastor and many family members were preachers and missionaries, with a "very Reaganesque, patriotic view of America", a country "special and unique". Rickard studied United States history—slavery, civil rights—and sociology, at University of California, San Diego, and "lost his faith in this family vision. His adult view of America was a land not just of great achievement but also of massive injustice." At age 12 he witnessed his father having a secret extramarital affair, that years later in 1988 he confessed to his congregation. Rickard says this experience prompted him "to look for the fault lines in the American dream." He lives in Shingle Springs, near Sacramento, California. For his series A New American Picture, Rickard "wanted to look at the state of the country in these areas where opportunity is non-existent and where everything is broken down", where "the American dream was shattered or impossible to achieve". It is said that this work comments on United States politics, poverty, racial equality and the socioeconomic climate, class; the use of technology in art, privacy, surveillance, and the large quantity of images on the web. He cites as influences the photobooks American Photographs (1938) by Walker Evans, The Americans (1958) by Robert Frank, Uncommon Places (1982) by Stephen Shore and American Night (2003) by Paul Graham. The work was first exhibited as part of Anonymes: Unnamed American in Photography and Film, curated by David Campany and Diane Dufour at Le Bal, Paris, in 2010. To mark that occasion Rickard produced the first edition of the book, with the publisher White Press. Its first American museum show was at New York's Museum of Modern Art. Select Publications: Aperture Remix. New York: Aperture, 2012. A series of books made in homage to another Aperture publication, each in an edition of 5 copies. Rickard's was a response to Uncommon Places by Stephen Shore. The other publications were by Rinko Kawauchi, Vik Muniz, Alec Soth, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico and James Welling. Produced in conjunction with the exhibition Aperture Remix. A New American Picture. Nazraeli Press Six by Six, set 4 v. 5. Portland, OR: Nazraeli, 2012. Edition of 100 copies. The other volumes are by Robert and Kerstin Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Issei Suda. Staking Claim: a California Invitational. San Francisco: Modernbook, 2013. Photographs by Rickard as well as Matthew Brandt, Susan Burnstine, Eric William Carroll, John Chiara, Chris Engman, Robbert Flick, Todd Hido, Siri Kaur, Mona Kuhn, Matt Lipps, David Maisel, Klea McKenna, Mark Ruwedel, Paul Schiek and Christina Seely. Catalogue of an exhibition held at the Museum of Photographic Arts, San Diego, CA. Select Exhibitions: Solo exhibition 2012: Yossi Milo Gallery, New York, October–November 2012. Group Exhibitions 2010: Anonymes: L’Amérique sans nom: Photographie et Cinéma (Anonymous: Unnamed America in Photography and Film), Le Bal, Paris, September–December 2010. A thematic exhibition with works by Rickard as well as Jeff Wall, Walker Evans, Chauncey Hare, Lewis Baltz, Standish Lawder, Sharon Lockhart...

A tourist bus adorned with punchy hi-key graphics passes in front of a soaring Times Square billboard of similar nature. Street Photographer Mithcell Funk captures the precise momen...

An underwater black and white photograph of a topless young female dancer in the pool. Original gallery quality archival pigment print on archival paper signed by the artist, furnis...

'Wedding Day I' (Till Death do Us part) - 2005, 24.8 x 34.5cm, Edition 4/10, analog C-Print, hand-printed by the artist, based on a Polaroid Certificate and Signature label. Art...

The Journey I - 2019 Influenced by 1950s and 1980s cinema, The Journey sees a young woman heading off into the unknown where fate and chance all come into play. Edition of 10 - 40 ...

ABOUT THIS ARTIST: Photographer Anne Menke occupies the unique realm where high fashion meets bohemian travel and a free spirit. Her editorial work exudes a sense of glamour often amidst a backdrop of far flung, exotic locales. Menke has photographed couture on the mountains of Peru and beauty contests on the plains of Mongolia. Her eye for the authentic-- somehow she's an insider wherever she goes-- has informed her campaigns for clients including Tommy Hilfiger, Nine West, Keds, Clarins, L’Oreal, Aveda, Banana Republic, Ralph Lauren, Macy’s, J. Crew, Nike, Wrangler and Hush Puppies . Menke was born in Germany and has lived and worked in London, Paris, and New York City. Currently, she splits her time between New York City and Sayulita, Mexico where she surfs and chartered a green school, The Costa Verde International school project. Mexico is also the perfect base for her frequent photography excursions. In 2001 Menke published a photography book "Our New York" in conjunction with Tommy Hilfiger. Her second book was published in 2012 titled “See the world beautiful” and is about her personal work from the last 15 years. Over last 2 years she had exhibitions in New York and Mexico. Anne Menke is part of our ongoing collaboration with Trunk Archive...