Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Unknown
Dacia Maraini's Thearte - Photo - 1970s

1970s

$94.52
£70.85
€80
CA$129.85
A$144.96
CHF 75.96
MX$1,774.51
NOK 964.68
SEK 909.57
DKK 608.99

About the Item

Dacia Maraini's Thearte is a  vintage photo, realized in 1973. The artwork is a well-balanced compostion.
  • Creation Year:
    1970s
  • Dimensions:
    Height: 9.45 in (24 cm)Width: 7.09 in (18 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1464431stDibs: LU650313809942

More From This Seller

View All
Dacia Maraini's Theatre - Vintage Photo - 1970s
Located in Roma, IT
Dacia Maraini's Theatre  is a  vintage photo, realized in the 1970s. The artwork is a well-balanced composition.
Category

1970s Modern Figurative Photography

Materials

Photographic Paper

Dacia Maraini - Vintage Photo - 1970s
Located in Roma, IT
Dacia Maraini is a  vintage photo, realized in the 1970s. The artwork is a well-balanced composition.
Category

1970s Modern Figurative Photography

Materials

Photographic Paper

Dacia Maraini - Vintage Photo - 1970s
Located in Roma, IT
Dacia Maraini is a  vintage photo, realized in the 1970s. The artwork is a well-balanced composition.
Category

Early 20th Century Modern Figurative Photography

Materials

Photographic Paper

Photo of Iva Zanicchi - Photo- 1970s
Located in Roma, IT
Photo of Iva Zanicchi a Portrait is a vintage black and white photograph realized in the 1970s. Good conditions except for some discoloration.
Category

20th Century Modern Figurative Photography

Materials

Photographic Paper

Photo of Marina Malfatti - 1970s
Located in Roma, IT
Photo of Marina Malfatti  is a vintage black and white photograph realized in the 1970s. Good conditions.
Category

1970s Modern Figurative Photography

Materials

Photographic Paper

"Giusva" Fioravanti - Vintage photo - 1970s
Located in Roma, IT
"Giusva" Fioravanti is a black and white vintage photo, realized in 1970s. The photo depicts the neo-fascist terrorist, Giuseppe Valerio Fioravanti, known as "Giusva", when he did t...
Category

Mid-20th Century Contemporary Figurative Photography

Materials

Photographic Paper

You May Also Like

John Vaccaro's Play House of the Ridiculous performing Persia: A Desert Cheapie
By Jack Mitchell
Located in Senoia, GA
John Vaccaro's Play House of the Ridiculous performing ‘Persia: A Desert Cheapie’ in 1972, photographed for The New York Times. This is an 8 x 10" vintage s...
Category

1970s Pop Art Black and White Photography

Materials

Silver Gelatin

Alwin Nikolais Modern Dance Company Performing 'Imago'
By Jack Mitchell
Located in Senoia, GA
11 x 14" vintage silver gelatin photograph, of the Alwin Nikolais Modern Dance Company performing 'Imago', 1980. Comes directly from the Jack Mitchell Archives with a certificate of ...
Category

1990s Pop Art Black and White Photography

Materials

Silver Gelatin

Large Harry Bowers Vintage C Print Photograph From Ten Photographs Fashion Photo
By Harry Bowers
Located in Surfside, FL
HARRY BOWERS T E N P H O T O G R A P H S I DON'T LOOK FOR PHOTOGRAPHS I INVENT THEM I recall my first meeting with Harry Bowers in California a few years ago. As he produced his large-scale prints, I was at first flabbergasted, not only by their size, but by their seamless perfection. Technique appeared to be everything but then technique as technique simply vanished. After the first moment, tech­nique was no longer an issue, but rather a passageway to the imagery. Suffice it to say about Harry Bowers' working style that he is an obsessive man. Trained as an engineer, he has turned that discipline to art. His lenses, equipment and darkroom, much of it exactingly manu­factured by himself to answer certain needs, serve the desire of the artist to take photographic tech­nique to its ultimate perfection in invisibility and transparency. I respect obsession in art, and particularly in photography, because obsession in photography passes beyond the easy, middle ground of image making to a more demanding, more difficult, yet more rewarding end. Bowers' obsession is to eliminate "photography as technique." No grain, no decisive moments, no journalism, or, seemingly, direct auto­biographical endeavors appear in his work. Bowers is an artist of synthesis who controls his environment if only in the studio exactly to his liking. The images he creates are formal structures, saucy stories on occasion, which may offer hints of a darker, more frightening sexuality, but what you see is the end product of an experiment in which nothing save the original insight perhaps is left to chance. We seem fascinated with the idea of replication of reality in art. Popular painting frequently reproduces a scene "with the accuracy of a photograph," and photographs may "make you feel as though you were right there." The very invisibility of the photographic medium is important to Bowers, in that it allows him to maneuver his subject matter without concern for rendering it in an obvious art medium which would interfere with the nature of the materials he uses. The formal subtleties of Bowers' recent work are as delicious and ambiguous in their interrelationships as the best Cubist collages, yet while those col­lages always suggest their parts through edge and texture, these photographs present a structure through a surface purity. Bowers' earlier works, for example, the Skirts I Have Known series, were formed of bits of clothing belong­ing to Bowers and his wife or found at local thrift shops. These works fused an elegance of pattern and texture, reminiscent of Miriam Shapiro...
Category

1980s Arte Povera Photography

Materials

Photographic Paper, C Print

Rare Harry Bowers Vintage C Print Photograph From Ten Photographs Fashion Photo
By Harry Bowers
Located in Surfside, FL
HARRY BOWERS T E N P H O T O G R A P H S I DON'T LOOK FOR PHOTOGRAPHS I INVENT THEM I recall my first meeting with Harry Bowers in California a few years ago. As he produced his large-scale prints, I was at first flabbergasted, not only by their size, but by their seamless perfection. Technique appeared to be everything but then technique as technique simply vanished. After the first moment, tech­nique was no longer an issue, but rather a passageway to the imagery. Suffice it to say about Harry Bowers' working style that he is an obsessive man. Trained as an engineer, he has turned that discipline to art. His lenses, equipment and darkroom, much of it exactingly manu­factured by himself to answer certain needs, serve the desire of the artist to take photographic tech­nique to its ultimate perfection in invisibility and transparency. I respect obsession in art, and particularly in photography, because obsession in photography passes beyond the easy, middle ground of image making to a more demanding, more difficult, yet more rewarding end. Bowers' obsession is to eliminate "photography as technique." No grain, no decisive moments, no journalism, or, seemingly, direct auto­biographical endeavors appear in his work. Bowers is an artist of synthesis who controls his environment if only in the studio exactly to his liking. The images he creates are formal structures, saucy stories on occasion, which may offer hints of a darker, more frightening sexuality, but what you see is the end product of an experiment in which nothing save the original insight perhaps is left to chance. We seem fascinated with the idea of replication of reality in art. Popular painting frequently reproduces a scene "with the accuracy of a photograph," and photographs may "make you feel as though you were right there." The very invisibility of the photographic medium is important to Bowers, in that it allows him to maneuver his subject matter without concern for rendering it in an obvious art medium which would interfere with the nature of the materials he uses. The formal subtleties of Bowers' recent work are as delicious and ambiguous in their interrelationships as the best Cubist collages, yet while those col­lages always suggest their parts through edge and texture, these photographs present a structure through a surface purity. Bowers' earlier works, for example, the Skirts I Have Known series, were formed of bits of clothing belong­ing to Bowers and his wife or found at local thrift shops. These works fused an elegance of pattern and texture, reminiscent of Miriam Shapiro...
Category

1980s Photography

Materials

Photographic Paper

Man Ray, Composition, Man Ray, Electa Editrice Portfolios (after)
By Man Ray
Located in Southampton, NY
Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...
Category

1980s Surrealist Figurative Photography

Materials

Lithograph

Ka. Te. Mi., Slatina, C2
By Vojtech Sláma
Located in Denton, TX
Edition of 35 Signed, titled, dated and numbered by Vojtech V. Sláma
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin