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Mrs. Gilles - Vintage Photo - Early 20th Century

Early 20th Century

Old Days  - Historical Photo is a vintage black and white photograph realized in the early 20th Century. Good conditions.

Old Days  - Historical Photo is a vintage black and white photograph realized in the Early 20th Century. Good conditions.

Old Days  - Historical Photo is a vintage black and white photograph realized in the Early 20th Century. Good conditions.

Mrs. Gilles is a vintage black and white photograph realized in the Early 20th Century. Good conditions.

Framed and signed photography. Late 19th Century. In original condition, with minor wear consistent with age and use, preserving a beautiful patina.  

Vintage ferrotyped silver print Signed in ink, recto Artist credit stamp, verso 10 x 8 inches, sheet This photograph is offered by ClampArt, located in New York City. Born in Vienna in 1895, Trude Fleischmann became a prominent society photographer in the 1920s. Her Vienna studio...

A fabulous vintage black and white photo of a lady dressed in a traditional manner and covered in jewels.  

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lizzie Nichols and Perkins, 1913 15 x 15 inch gelatin silver print Image Size: 10.75 x 11 inches Frame size: 18 x 18 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...