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White House on Wheels - Vintage Photograph - Mid 20th Century

Mid 20th Century

White House on Wheel is a vintage black and white photograph realized in the U.S in the mid-20th Century in a series on American life in the 20th Century. With the typed note of the...

Art Museums in The U.S. - American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20th C...

Home Furniture- American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20th Century. W...

New American Fright Car- American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series of American life in the 20th Ce...

Julius Shulman (October 10, 1910 – July 15, 2009) was an American architectural photographer best known for his photograph "Case Study House #22, Los Angeles, 1960. Pierre Koenig, Architect." The house is also known as the Stahl House. Shulman's photography spread California Mid-century modern around the world. Through his many books, exhibits and personal appearances his work ushered in a new appreciation for the movement beginning in the 1990s. His vast library of images currently resides at the Getty Center in Los Angeles. His contemporaries include Ezra Stoller and Hedrich Blessing Photographers. In 1947, Julius Shulman asked architect Raphael Soriano to build a mid-century steel home and studio in the Hollywood Hills. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright's or Pierre Koenig's remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close friends, Richard Neutra and Raphael Soriano, was first brought to light by Shulman's photography. The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Shulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a building's surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs. Many of the buildings photographed...

Photography made by Brassai in 1935 in Paris. Gelatin silver bromide. Stamped by Brassai.

Vintage photo gravure by the photographer René Jacques, circa 1940. Wood frame with passe-partout and high quality museum's glass. In original condition, with minor wear consiste...

Vintage photo gravure by the photographer Theodore Jung, circa 1940. Wood frame with passepartout and high quality museum's glass. In original condition, with minor wear consiste...