Herbert George Ponting

Apsley Cherry-Garrard on Return From the Barrier, 29 January 1912

Miles Davis, 1950 - Bob Willoughby (Portrait Photography) Worldwide Shipping Available Signed by Christopher Willoughby, executor of the Estate, inscribed with title and photographer's copyright information, numbered and stamped with photographer's estate copyright ink stamp on reverse. American photographer Bob Willoughby (1927-2009) had a photographic career that coincided with the Golden Age of film. As the first on set film photographer, Willoughby revolutionised the documentation of Hollywood. Willoughby was the first 'outside’ photographer employed by studios to document the making of films. His work forms a visual who’s who of cinema, rock and jazz music, theatre and dance over 20 years. Iconic images of a multitude of stars from the 1950s and 60s, including Dustin Hoffman and Anne Bancroft on the set of The Graduate, Dean Martin and Frank Sinatra casually playing Blackjack at the Sands Hotel, Las Vegas, Audrey Hepburn between takes on the set of My Fair Lady, Chet Baker recording the music for My Funny Valentine...

Monk at Jokhang Temple, Lhasa, Tibet, 2000 - Steve McCurry(Portrait Photography) Signed and numbered on photographer's edition label on reverse Digital c-type print 2014 20 x 24 in...

Afghan Girl, Peshawar, Pakistan, 1984 - Steve McCurry (Colour Portrait) Signed and affixed with photographer's edition label and numbered on reverse Digital c-type print Printed o...

Rabari Tribal Elder, Rajasthan, India, 2010 - Steve McCurry (Colour Photography) Signed and affixed with photographer's edition label and numbered on reverse Digital c-type print ...

Julian Schnabel at his Outdoor Studio, Montauk, New York, 13 August 2001 Schnabel's magnificent open-air studio benefits fully from the special light of Long Island's East End as oi...

Jean-Paul Goude & Toukie Smith in NYC Subway, 1976 Photographed by Jonathan Becker Contemporary 14" x 14.5" Platinum/Palladium Print Edition Nº 1 of 6 Ce...

Elaine's Kitchen - Andy Warhol and Elaine, New York, 1976 Photographed by Jonathan Becker Contemporary 14" x 14.5" Platinum & Palladium Print Edition Nº 1 of 3 Certificate of Origin Signed and Titled by the Photographer in Edition and Emboss-stamped in the Margin/Recto Printing & Edition Notes along with Copyright Stamp and Applicable Providence on Verso Printed by hand at the photographer's studio in the traditional Platinum & Palladium process on 100% cotton rag paper. Platinum & Palladium prints are known for their unrivaled longevity and unparalleled subtlety. Print cost includes wrapping/packing/crating for shipment in double-tubing. ______ Jonathan Becker (Steven Kasher Gallery bio by Mark Rozzo) Literate flair, acute visual intuition, love of mischief and spontaneity, and global wanderlust: These are among the hallmarks of the work of Jonathan Becker, whose photography spans four decades and includes iconic portraits (often for Vanity Fair) of a multiplicity of subjects, including Robert Mapplethorpe, Martha Graham, Madonna, Elia Kazan, Prince Charles, Eudora Welty, André Leon Talley, Ai Weiwei, Diana Vreeland and Jack Kevorkian. Becker - whose work was first published in Andy Warhol’s Interview in 1973 - was born in 1954 and raised in New York City. In the mid-1970s, he moved for a year to Paris, where he was mentored by his hero, Brassaï. Upon return to New York, Becker drove a cab, toting his camera and parking to complete magazine assignments. A 1981 exhibition of Becker’s work at New York’s Rentschler Gallery included a series of arresting images of patrons taken inside the kitchen at Elaine’s, the storied hangout on New York’s Upper East Side. This exhibition, curated by art director Bea Feitler brought Becker to the attention of Frank Zachary, editor-in-chief of Town & Country. Zachary invited Becker to work for the magazine, where the young photographer further developed his passion for journalistic portraiture alongside Slim Aarons, who, after Brassaï, became Becker’s guiding light. Becker was then enlisted by Bea Feitler to contribute portraits to the prototype of Vanity Fair’s 1983 re-launch. His participation led to a highly prolific association with the magazine as Contributing Photographer, continuing to this day. Becker has also contributed portraits and reportage to The New Yorker, Vogue, W, The Paris Review, amongst truly most major publications. In complement to his editorial work, Becker has accepted a limited number of private and family portrait commissions each year, some accompanied by privately published books, and in the course of his three-years-long project for the Rockefeller Foundation, Becker documented its vast array of philanthropic grant recipients on four continents abroad. Six trade books comprised entirely of Becker’s photographs have been published including Bright Young Things...

Andy Warhol and his corsets at the fourth factory, New York, 1986 "Andy had to wear corsets ever after he was shot in the abdomen. The ever-devoted Brigid "Polk" Berlin dyed them f...