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Edward Sheriff CurtisAstina Camp Plate 1751908
1908
About the Item
This is a plate 175 Astina Camp print by Edward Sheriff Curtis. This was one of the first professional photographers of the 20th century and he is internationally famous for his western scenes and portraits. This photograph has been exhibited in both the Gerald Peters Gallery and the Andrew Smith Gallery in Santa Fe, NM and has been authenticated and appraised by the leading collectors and experts on this master photographer. This picture is the larger out of the two sizes that Curtis produced and shows the plate number, title, signature, and date. It comes with wood frame and is matted. This is an extraordinary piece that is in very good condition with slight foxing. A great example of his mastery in the photography world. On the back it states that this is printed on tissue and the apparent foxing on the top is only due to lighting, no damage to the image.
- Creator:Edward Sheriff Curtis (1868 - 1952, American)
- Creation Year:1908
- Dimensions:Height: 48.75 in (123.83 cm)Width: 25.75 in (65.41 cm)
- Medium:Tissue Paper
- Period:
- Condition:
- Gallery Location:Fredericksburg, VA
- Reference Number:1stDibs: LU2574213169232
Edward Sheriff Curtis
Born in France and raised in New York City, Jean-Anthony du Lac moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge's panorama of San Francisco still hangs in one prominent San Francisco hotel; and he was instrumental in organizing Proposition P in the early 1970s, which sought to preserve the old San Francisco skyline by limiting the height of all downtown skyscrapers. The majority of his life a mystery, Jean left behind no material possessions, save for a single key to a solitary padlock.
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