Erin Dougherty

House (The Desert in Sepia) - 21st Century, Polaroid, Landscape

2019

Chruch (The Desert in Sepia) - 2019 Where once there was water there is no more, the Oasis is gone. 20x24cm, Edition of 7, plus 2 Artist proofs. Archival C-Print based on a Polaroid. Signed on back with Certificate. Not mounted. Erin Dougherty...

Oasis #1 (The Desert in Sepia) - 2019 Where once there was water there is no more, the Oasis is gone. 20x24cm, Edition of 7, plus 2 Artist proofs. Archival C-Print based on a Po...

Oasis #2 (The Desert in Sepia) - 2019 Where once there was water there is no more, the Oasis is gone. 40x49cm, Edition of 7, plus 2 Artist proofs. Archival C-Print based on a Pol...

Names (The Desert in Sepia) - 2019 Where once there was water there is no more, the Oasis is gone. 20x24cm, Edition of 7, plus 2 Artist proofs. Archival C-Print based on a Polaro...

Ankony Farm pigment print on watercolor paper 13 x 16, edition of 25 $1500 20 x 24, edition of 25 $2500 This Sepia-toned print of Ankony Farm was taken by photographer, James Bleecker. The photograph depicts the barns on a farm in Rhinebeck, New York. The light reflects beautifully over the landscape, shining through an overcast sky. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry...

High contrast contemporary photography by Houston, TX photographer Casey Williams. This photograph depicts a snapshot of a balcony or terrace with white wooden railings...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Chaco Terada, originally from Japan, was trained at a young age in the art of calligraphy. When Chaco was in her twenties she had the opportunity to work on her calligraphy in ten countries as a part of the cultural exchange programs, Up with People and The Ship for World Youth. When her time with those groups ended she moved to the United States, where she discovered photography and started incorporating it with calligraphy. Chaco has led demonstrations and has taught calligraphy workshops at the Dallas Museum of Art, The Crow Asian Art Museum, Greenhill School, and Saint Mark’s School of Texas among others. Chaco’s artwork has been exhibited in Dallas, Santa Fe, New York and Los Angeles and Paris. Process Statement My work uses the Japanese and Chinese calligraphic characters that I have practiced since childhood. I take a line...