Jade Doskow

Green Mystery House, color photograph

2011/2020

30"x30" archival pigment print photograph, ed. 5 signed and editioned on reverse by the New York artist, Phillip Buehler This photograph is from “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Following the Soviet Union’s detonation of its first thermonuclear bomb in 1953, the United States began actively developing an intercontinental ballistic missile (ICBM). The Titan II Missile program was a Cold War weapons system featuring fifty-four launch complexes in three states. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

14"x21" mounted photograph with back-brace for hanging. edition of 3 . Júlia Pontés is an environmental aerial photographer based in São Paulo and New York. This photograph captures the intense beauty and the environmentally devastating impact of mining in Brazil. The human and environmental impact of open pit mines and mining in Brazil are often obscured by the region’s mountainous terrain, relatively inaccessible to the local population. Working in collaboration with a pilot, Pontés has been photographing from above, sometimes flying in forbidden air space to capture these stunning images of the mining industry and increasing awareness. (b.1983 - Minas Gerais...

A Vision you can't Capture #03 (29 Palms, CA) - 2007 A piece from the project: 29 Palms, CA 50x61cm, Edition 2/5. Analog C-Print printed on Fuji Archive Paper, hand-printed by th...

Ocean Blue (Stranger than Paradise) - 1997 48x58cm, Edition of 5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, not mounted si...