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Jasper GoodallBurnt Place Twilight's Path Forest by Night Fine Art Print2019
2019
$3,823.88
£2,750
€3,255.43
CA$5,219.88
A$5,871.21
CHF 3,045.27
MX$71,221.99
NOK 38,612.17
SEK 36,336.21
DKK 24,286.40
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About the Item
"Burnt Place" - After the fire swept through, the forest was left scorched and barren. The ground is still warm and the unstirring air is thick with the scent of charred wood. Scorched, lifeless pines stand solemn and mournful in the shadows of the Burnt Place.
About the Twilight's Path project:
"We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not- knowing - into a dark, unconscious place." Jasper Goodall's nocturnal landscapes are a close encounter with this undomesticated realm. Each photograph asks the implicit question: what lies beyond the light?
Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it.
Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown.
Artwork info:
Print size 100 x 67 cm / Framed: 104 x 71 cm approx / 40 x 28 inches approx
Edition 2/8
Print is mounted on aluminium Dibond, float mounted, hardwood frame (Oak, Walnut etc options), finished with antireflective art glass.
Lead time: 2 - 3 weeks
Shipping of framed print: work would be created for protection for overseas shipping - more options available
- Creator:Jasper Goodall (1973, British)
- Creation Year:2019
- Dimensions:Height: 27.96 in (71 cm)Width: 40.95 in (104 cm)Depth: 1.58 in (4 cm)
- More Editions & Sizes:52 x 74 cm, Edition of 8 +2APPrice: $2,433
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1967211128602
Born in Birmingham in 1973, Jasper Goodall studied at the University of Brighton, graduating in 1995 from the BA Illustration course. He went on to become a highly influential illustrator and has worked with high profile clients from fashion brands to rock bands. Widely published and much referenced, he was best known for his editorials in The Face Magazine, Dazed & Confused and his creation of ethereal imagery for the English rock band Muse. He has had joint and solo shows in Tokyo, Hamburg and London. In 2014 he left the world of commercial image making and spent several years training as a counsellor at the Psychosynthesis Trust in London. This hiatus provided the opportunity to take stock and re-imagine his creative output in a new and very different form, and he began using a camera to make images. He has returned to a creative practice with a radically different body of work, using photography as a means of expression. Drawing on historical references, from Victorian taxidermy dioramas to romantic painting he seeks to articulate the hushed, waiting presence that is palpably felt between the dark boughs of a forest at night. "Through photography I seek to invoke reverence for the natural world. Using artificial lighting I depict the nocturnal landscape referencing the enchanted settings used in fairytales where the dark forest is understood as a metaphor for the unconscious.
These mysterious realms, although threatening, contain the potential for discovering riches if we can move past fear.
I hope that my images evoke a sense of the landscape containing magic, for if we can begin to relate to the natural world not as a resource to plunder, but an entity to come to know, love and revere, we may rekindle a much needed sacred relationship." - Jasper Goodall
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