Patricia Galagan

Cochiti Canyon

2017

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas and the Four Corners region. Gibson's luminous black-and-white landscapes demonstrate a remarkable sensitivity to light and mood. Dramatic clouds, imminent storms and an occasional lighting strike...

Patricia Galagan’s photography often concerns the aftermath of upheaval in the landscape. Her work has been shown at Blue Sky Gallery in Portland, Oregon, the New Mexico Museum of Ar...

Archival Pigment Print on Glass Plate Backed with 24kt Gold Leaf, Framed by the Artist GOLDEN STARDUST. The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. ...

Edward Ranney is an internationally recognized photographer who has photographed the natural and man-altered landscape for over forty years. The Andean coastal desert of southern Peru is particularly known for the geoglyphs created by the Nazca culture around 500 AD. The image shown is selected from The Lines, the monograph published by the Yale University Art Gallery in 2014. In contrast to the aerial viewpoint favored by contemporary photographers in the depicting these glyphs, Ranney’s photographs, made between 1985 and 2009, are made on ground level using a 5x7 large format camera. The physical contact with the desert spaces transformed by Nazca cultural traditions gives us an immediate sense of the challenging natural world in which the Nazca flourished. More importantly, when viewed from the ground, they glyphs – or lines – transform a harsh environment into an understandable, even intimate, cultural space. Born in 1942, educated at Yale University, internationally recognized landscape photographer Edward Ranney is the recipient of numerous awards and grants including NEA grants (1974 and 1982), a Guggenheim Memorial Fellowship (1977), and Fulbright Fellowships (1964 and 1993). His work is represented in public and private collections alike including The Museum of Modern Art, New York and San Francisco, The Museum of Fine Arts, Santa Fe and Houston, the Victoria and Albert Museum, London, and The Art Institute of Chicago. His photographic monographs...

In "WEST The American Cowboy", Anouk revisits this enduring iconic symbol of America's pioneering spirit. The new series inspire with a fresh and contemporary perspective of the Amer...

Signed, titled, dated, and print date. Paper size: 20 x 24 in. Image size: 16 x 20 in. "At least twice a year, Ridley ventures to Big Bend with his 8 x 10 view camera capturing stunning, expansive black and white images of the Rio Grande River, including the Chisos Mountain range, Dog Canyon, Emory Peak, Pine Canyon, Cattail Falls, and Punta de la Sierra...

Signed, and titled in pencil on margin by Jack Ridley Archival pigment print, 32 x 40 in. Jack Ridley was born in Dayton, Ohio in 1948. He spent his earliest years at Edwards Air Force in California where he first developed an appreciation of high desert landscapes. His family eventually settled in Ft. Worth, TX, and later Dallas, where Ridley currently lives and works. Ridley has been photographing Texas landscapes in black and white with large format cameras for over thirty years. Traveling to the far ridges of Texas, Ridley sets up camp for weeks at a time, thoughtfully composing and creating timeless images of Texas’ most beautiful natural spaces such as Big Bend National Park, Rio Grande National Park and The Guadalupe Mountains...

20"x30" photograph, edition of 5 archival pigment print signed on reverse The beauty of Zoe Wetherall's work is in the structured geometry of natural and man-made forms. This serie...