Stephen Mallon

6000 Ton Lift

photograph, edition of 5, unframed This photograph is from Stephen Mallon's series: "Prelude" - an examination of the "Prelude F.L.N.G.,"* the "largest offshore floating facility...

photograph, edition of 5, unframed This photograph is from Stephen Mallon's series: "Prelude" - an examination of the "Prelude F.L.N.G.,"* the "largest offshore floating facility ever built." In keeping with his previous series (which have included projects about planes, ships, and subway cars) Mallon again looks at large scale industrial operations, this time REALLY large scale. The Prelude is 1,600 feet long and displaces 600,000 tons of water. Designed to process natural gas...

This is a large scale photograph, limited edition of 5, signed by the artist on the reverse. Available unframed, please inquire about framing options. In this photograph, the vibran...

40"x60" large scale photograph. This is a large scale photograph, limited edition of 5, signed by the artist on the reverse. Available unframed, please inquire about framing options...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...

"Scotland 0041" Landscape Photography 36" x 44" Edition of 12 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic ...

Signed. Photograph mounted to black paper & paper mounted to large Album Sheet. Vintage gelatin silver print