Items Similar to April is the Cruelest Month - Contemporary, Landscape, Polaroid, Analog
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Stefanie SchneiderApril is the Cruelest Month - Contemporary, Landscape, Polaroid, Analog1999
1999
$380
£283.84
€329.07
CA$527.62
A$591.39
CHF 307.92
MX$7,221.18
NOK 3,909.49
SEK 3,705.84
DKK 2,455.21
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
April is the Cruelest Month - The Getaway (The Last Picture Show) - 1999
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Artist inventory Number 344.
Not mounted.
exhibited Galerie Sturm, Stuttgart, 2003 (S) / published: "I love you" CD and Edition / e. reijseger + f. d´andrea / stefanie schneider - Jazz cd - booklet designed by stefanie schneider (2002).
CD publisher Winter & Winter, Munich., Edition published by the artist.
Stefanie Schneider's photographs evoke scintillating moments suspended between daydreams and waking reality. Each scene, captured in the southwestern United States, radiates a surreal enchantment. The artist's role appears minimal yet pivotal, providing the decisive impulse that sets the imagery into motion. The figures in her photographs remain as elusive as the motivations behind their actions, and the narratives woven through her sequences are tantalizingly open to interpretation.
Atmospheric disturbances in Schneider's work emerge as the result of a deliberate narrative arrangement, compelling viewers to navigate between visual mementos and the gaps in memory they conjure. Yet, her artistry is no less purposeful in its engagement with medium. Despite the inherent unpredictability of expired Polaroid film, Schneider wields it with calculated intent. The photo-chemical self-developing process, altered by age and decay, transforms the initial exposure into something alien yet mesmerizing. This dysfunction is a cornerstone of MIND SCREEN, a multi-part work that explores the fragility of reality, authenticity, and comprehension.
Schneider juxtaposes this brittleness with a magical realism steeped in chimeras, crafting dreamlike sequences that resist definitive narratives. She entrusts viewers with the responsibility of piecing together presumed storylines, refusing to offer a manual for interpretation. Instead, her work draws us into a realm where the unreal reigns—shimmering scenes that evoke the mirage of a road movie, a moment of violence, or a tragic self-sacrifice.
Film genres are invoked and subverted in a single breath: Paris, Texas by Wim Wenders is reimagined through a rose-tinted lens, Thelma & Louise becomes an anthem of collective heroism, and The Good, the Bad and the Ugly dissolve into mutual destruction. Schneider's imagery shimmers and flickers like an elusive vision, pulling viewers into a dream they cannot escape or verify. Reality and fantasy intertwine, leaving us captivated in a cinematic reverie where nothing is certain, yet everything feels achingly real.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1999
- Dimensions:Height: 7.88 in (20 cm)Width: 7.88 in (20 cm)Depth: 0.04 in (1 mm)
- More Editions & Sizes:20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-PrintPrice: $380
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652315676012
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1996
1stDibs seller since 2017
1,028 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Morongo Valley, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllFlora - Planet of the Apes 08 - 21st Century, Polaroid, Abstract
By Stefanie Schneider
Located in Morongo Valley, CA
Flora - Planet of the Apes 08 - 1999
58x56cm,
Edition of 10 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Signature label and C...
Category
1990s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Buried - Contemporary, Landscape, Figurative, expired, Polaroid, analog
By Stefanie Schneider
Located in Morongo Valley, CA
Buried (Stranger than Paradise) - 1999
Edition of 10,
58x56cm,
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on a Polaroid. Artist inventory Numb...
Category
1990s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Into the Sun) - Contemporary, Polaroid, Photography
By Stefanie Schneider
Located in Morongo Valley, CA
Untitled (Into the Sun) - 2001
48x47cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory No. 1329.
N...
Category
Early 2000s Contemporary Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Silver Bullet (Wastelands) - Contemporary, Analog, Polaroid, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Silver Bullet (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23475.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Autumn Drift (The Last Picture Show) - Polaroid, analog, landscape
By Stefanie Schneider
Located in Morongo Valley, CA
Autumn Drift (The Last Picture Show) 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and signature label.
Artist ...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Winter Landscape - Contemporary, Polaroid, 21st Century, Landscape
By Julia Beyer
Located in Morongo Valley, CA
Winter Landscape, 2016, 40 x 40 cm, edition of 10,
digital C-Print based on a Polaroid,
hand-numbered and signed on the back by artist.
unmounted
Artist Statement
“Since my childh...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
You May Also Like
Expired_14_2020 - Photograph by Serena Zeppilli
Located in Roma, IT
This photograph Expired_14_2020 was taken by the Italian photographer Serena Zeppilli.
It is part of the series "I was looking for something that I...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Photographic Paper
$612 Sale Price
25% Off
Untitled, from the series 'Buried'– Stephen Gill, Colour, Abstract, Art, Sky
By Stephen Gill
Located in Zurich, CH
Stephen GILL (*1971, Great Britain)
Untitled, from the series 'Buried', 2007
C–type print
Image 21.5 x 21.5 cm (8 1/2 x 8 1/2 in.)
Sheet 30.2 x 23.8 cm (11 7/8 x 9 3/8 in.)
Frame 34 ...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
Land & Sea VII (A)
By Colleen Fitzgerald
Located in Sante Fe, NM
Edition of 5
Colleen Fitzgerald's series, "Stamina," provides new approaches to conventional subjects by utilizing the materials and tools of photography in non-traditional ways. A unique physical process combines aspects of sculpture and photography, subverting the idealized two-dimensional photograph and providing a new entry point to the enduring photographic subjects of natural landscapes, seascapes, and more.
To create the photographs, unexposed large sheets of positive film are cut and bent into three dimensional shapes before being exposed inside a camera outfitted with a custom film holder that accepts the film as a three-dimensional object instead of as a standard, flat sheet. The results on the shaped film can...
Category
2010s Contemporary Color Photography
Materials
Pigment
Expired_08_2020 -Photograph by Serena Zeppilli - 2020
Located in Roma, IT
This photograph Expired_08_2020 was taken by the Italian photographer Serena Zeppilli.
It is part of the series "I was looking for something that I...
Category
21st Century and Contemporary Modern Figurative Photography
Materials
Photographic Paper
$612 Sale Price
25% Off
Land & Sea VII (B)
By Colleen Fitzgerald
Located in Sante Fe, NM
Edition of 5
Colleen Fitzgerald's series, "Stamina," provides new approaches to conventional subjects by utilizing the materials and tools of photography in non-traditional ways. A unique physical process combines aspects of sculpture and photography, subverting the idealized two-dimensional photograph and providing a new entry point to the enduring photographic subjects of natural landscapes, seascapes, and more.
To create the photographs, unexposed large sheets of positive film are cut and bent into three dimensional shapes before being exposed inside a camera outfitted with a custom film holder that accepts the film as a three-dimensional object instead of as a standard, flat sheet. The results on the shaped film can...
Category
2010s Contemporary Color Photography
Materials
Pigment
Blue Moon - Large Scale Color Polaroid Photographic Print Framed
By Pia Clodi
Located in Zürich, CH
Blue Moon - Still Life Photographic Print Framed
120x120cm
Austrian Contemporary Photographer Pia Clodi, demonstrates immense skill through her analog photography, which is often p...
Category
21st Century and Contemporary Contemporary Abstract Photography
Materials
Photographic Film, Photographic Paper, Polaroid
$1,826 Sale Price
20% Off
More Ways To Browse
Oui Magazine
Phalaenopsis Orchid
Pirelli Calendar Vintage
Raff Art
Saul Leiter Photos
Slim Aaron Wendy Vanderbilt
Slim Aarons Cal Neva
Slim Aarons Surfing In Biarritz
Streamliner Racing Car
Van Ravenstein
Vintage Clown Pants
Vintage Tobacco Press
Alyssa Fortin Photography
Anna Nicole Smith
Bruce Bleach
Carre Christian Dior Vintage
Fur Boa
Gwendolyn Brooks