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Style: Post-Modern
Manhattan Skyline
Located in Kansas City, MO
Wolff Buchholz
Title: Manhattan Skyline
Medium: Photograph
Year: 1990
Signed, dated and titled by hand
Edition: 6
Size: 11.9 × 16.4 inches
Category
1990s Post-Modern Landscape Photography
Materials
Silver Gelatin
Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print
By Mikael Levin
Located in Surfside, FL
Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints.
(American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki.
Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre.
Lisa Hostetler
Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999
Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica.
SELECT GROUP EXHIBITS
2018 Marquee Projects...
Category
Early 2000s Post-Modern Landscape Photography
Materials
Silver Gelatin
Vineyards, Landscape Photograph by David Hamilton
Located in Long Island City, NY
David Hamilton was a British photographer and film director best known for his photography of young women and girls. In addition to he composed photographs of flowers, men, landscape...
Category
1990s Post-Modern Landscape Photography
Materials
Silver Gelatin
$2,800 Sale Price
20% Off
Eiffel Tower At Dusk With Dramatic Sky, Paris France
Located in Miami, FL
Eiffel Tower Paris's most iconic and romantic landmark is depicted in a romantic and moody light.
Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, p...
Category
2010s Post-Modern Landscape Photography
Materials
Archival Ink, Archival Paper, Inkjet, Archival Pigment
The Mirage Hotel and Casino, Las Vegas - Framed Color Photograph
Located in Long Island City, NY
Artist: Unknown
Title: The Mirage Hotel and Casino, Las Vegas
Medium: Photograph
Size: 84 in. x 70.5 in. (213.36 cm x 179.07 cm)
Frame Size: 89.5 x 76 inches
Category
Late 20th Century Post-Modern Landscape Photography
Materials
Photographic Paper
Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print
By Mikael Levin
Located in Surfside, FL
Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints.
(American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki.
Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre.
Lisa Hostetler
Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999
Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica.
SELECT GROUP EXHIBITS
2018 Marquee Projects...
Category
Early 2000s Post-Modern Landscape Photography
Materials
Silver Gelatin
Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print
By Mikael Levin
Located in Surfside, FL
Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints.
Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki.
Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre.
Lisa Hostetler
Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999
Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundacion Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003.
SELECT GROUP EXHIBITS
2018 Marquee Projects...
Category
Early 2000s Post-Modern Landscape Photography
Materials
Silver Gelatin
Untitled ("Motion-Sound" Landscape)
Located in New York, NY
From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71)
Printed April 1974
Edition of 130
Credit stamp, verso
7 x 7 inches, image
15 x 12 inches, mount
This artwork is offered by ClampArt, located in New York City.
“Meatyard searched continually for a non-objective art that would be wordless poetry, spontaneous music without sound. The ‘Motion-Sound’ pictures of his later years brought Meatyard’s passion for music and, paradoxically, the silence of Zen Buddhism together in photography. In creating the series, he focused the camera on a natural scene (or one containing plain rural architecture) and then moved it slightly. The result of this action is an image that suggests sound while abstracting natural forms. The landscapes of the ‘Motion-Sound’ series are in stark contrast to the evocative, more traditional views of the Red River Gorge that Meatyard was executing during the same years.”
—Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), p. 122
An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
Category
Late 20th Century Post-Modern Landscape Photography
Materials
Silver Gelatin
Downtown New York City Skyline, 1981 Aerial Photograph
Located in Long Island City, NY
Artist: Unknown
Title: Downtown New York City Skyline
Year: 1981
Medium: Color Photograph
Edition: 4/150
Size: 30 in. x 40 in. (76.2 cm x 101.6 c...
Category
1980s Post-Modern Landscape Photography
Materials
Photographic Paper
Large Chromogenic Mounted C Print Photograph Greece, Ocean Scene with Boat Photo
Located in Surfside, FL
Philippe Cheng (American, b. 1961)
"Untitled, Greece, 2005",
signed, titled and dated verso, C-print (chromogenic print)
mounted on aluminum with UV ultra non-glare plexiglass
P...
Category
Early 2000s Post-Modern Landscape Photography
Materials
Metal
Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print
By Mikael Levin
Located in Surfside, FL
Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints.
(American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki.
Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre.
Lisa Hostetler
Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999
Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica.
SELECT GROUP EXHIBITS
2018 Marquee Projects...
Category
Early 2000s Post-Modern Landscape Photography
Materials
Silver Gelatin
Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print
By Mikael Levin
Located in Surfside, FL
Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints.
Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki.
Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre.
Lisa Hostetler
Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999
Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundacion Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003.
SELECT GROUP EXHIBITS
2018 Marquee Projects, Bellport, NY: "By the Sea: Mikael Levin, Vera Lutter, Steel Stillman, James Welling"
Hohenems Jewish Museum, Hohenems, Austria: "Say Shibboleth! On Visible and Invisible Borders"
2014 Centre d'art Contemporain Faux Mouvement, Metz: "Travail d'archives"
2013 Galerie Michele Chomette, Paris. "Sleeping Beauties IV"
2011 Musée d'art et d'histoire du Judaïsme, Paris. "War Story" in "A journey through the MAHJ's Contemporary Collection"
2010 Bibliotheque Nationale de France, Paris. "Qumran"
2009 The Solo Project, Basel; Gilles Peyroulet Gallery. "New York Moments: Mikael Levin and Rudy Burckhardt"
1996 Galerie F-15 Alby, Moss, Norway: "James Welling and Mikael Levin"
1993 Grand Palais, Paris: "Salon Decouverts" ( Curated by Jean-Claude Lemagny)
1990 Brooklyn Museum, New York: "New Acquisitions"
Musem Ludwig, Cologne:"Vom Landschafsbild zur Spurensicherung"
1989 Fotografiska Museet, Stockholm: "Lewis Baltz and Mikael Levin"
1987 One Penn Plaza, New York: "Beautiful Photographs" (Curated by Gene Thornton)
1985 Pavillon des Arts, Paris: "La Photographie Creative" (Curated by J.C. Lemagny)
Caves Sainte-Croix, Metz, France: "Construire le Paysage de la Photographie"
SELECT PUBLIC COLLECTIONS
Jüdisches Museum, Berlin (a selection from War Story in the permanent installation.)
Whitney Museum of American Art, New York
Metropolitan Museum, New York
International Center of Photography, New York
Jewish Museum, New York
Bibliothèque Nationale, Paris
Centre national d'art et de culture George Pompidou, Paris
Fonds National d'Art Contemporain, Paris
Princeton University Art Museum, Princeton, NJ
Victoria and Albert Museum, London
Israel Museum, Jerusalem
Moderna Museet, Stockholm
Statens Konstrad, Stockholm
Canadian Center for Architecture, Montréal
From the David C. and Sarajean Ruttenberg Collection
The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art...
Category
Early 2000s Post-Modern Landscape Photography
Materials
Silver Gelatin
Untitled (Overview of cul-de-sac)
By Bill Owens
Located in Denton, TX
Signed, print date, misc. notation in pencil on verso.
Series: Suburbia
Bill Owens was born and raised in California. After volunteering in the Peace Corps he picked up photography ...
Category
1970s Post-Modern Landscape Photography
Materials
Silver Gelatin
Alamo Square Victorian Houses, San Francisco - Architecture
Located in Miami, FL
Alamo Square Painted Ladies with modern skyscrapers in background, San Francisco.
Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, printed later. ...
Category
2010s Post-Modern Landscape Photography
Materials
Archival Ink, Archival Paper, Inkjet, Archival Pigment
Golf on Solar Eclipse, Contemporary Polaroid Photograph by Eve Sonneman, 1989
By Eve Sonneman
Located in Long Island City, NY
Artist: Eve Sonneman, American (1946 - )
Title: Golf on Solar Eclipse
Year: 1989
Medium: Polaroid Photograph
Edition: 2
Size: 24 in. x 20 in. (60.96 cm x...
Category
1980s Post-Modern Landscape Photography
Materials
Polaroid
Bluebonnets, Spicewood Springs, Texas
By Jim Bones
Located in Denton, TX
Edition of 30
Signed, titled, dated, and numbered
Artist Copyright Stamp
Texas Wildflower Portfolio 1979
Category
20th Century Post-Modern Landscape Photography
Materials
Dye Transfer
Eiffel Tower At Dusk With Dramatic Sky, Paris France
Located in Miami, FL
Eiffel Tower Paris's most iconic and romantic landmark is depicted in a romantic and moody light.
Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, p...
Category
2010s Post-Modern Landscape Photography
Materials
Archival Ink, Archival Pigment, Inkjet, Archival Paper
Golden Gate Bridge San Francisco Bay with Sailboats
Located in Miami, FL
San Francisco's most iconic scene is capture in Golden Gate Bridge San Francisco Bay with Sailboats.
Popular Photography Giant Billboard in Times Square on 48th Street.
Popular Ph...
Category
2010s Post-Modern Landscape Photography
Materials
Archival Paper, Inkjet, Archival Pigment, Archival Ink
Ducks In Central Park Pond In Autumn
Located in Miami, FL
Central Park in autumn with skyline in the background.
Shipping should be around $100. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numb...
Category
2010s Post-Modern Landscape Photography
Materials
Archival Paper, Inkjet, Archival Pigment
Amboseli Migrations #1, Kenya, 2014
Located in Santa Monica, CA
Jay Mark Johnson
Amboseli Migrations #1
Kenya, 2014
25” x 48.5“ (framed)
Archival pigment, paper, aluminum
Edition of 1/9
$10,500
Category
2010s Post-Modern Landscape Photography
Materials
Paper, Archival Pigment
San Francisco China Town Lanterns Street Photography by Mitchell Funk
Located in Miami, FL
China Town Lanterns
Signature: Signed , dated lower right and numbered verso 4 /15, Unframed, on Hahnemühle paper. Other sizes available.
San Francisco
Category
2010s Post-Modern Landscape Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Swept Away #1 Belgrade, Serbia, 2008
Located in Santa Monica, CA
Jay Mark Johnson
Swept Away #1
Belgrade, Serbia, 2008
Durst Lambda print, film, aluminum
40” x 96”
Edition 2/3
$28,500
Category
2010s Post-Modern Landscape Photography
Materials
Film, Lambda
Eva Kein Auto Hamburg, Germany, 2008
Located in Santa Monica, CA
Jay Mark Johnson
Eva Kein Auto
Hamburg, Germany, 2008
Durst Lambda print, film, aluminum
40” x 105”
Edition 2/3
$28,500
Category
2010s Post-Modern Landscape Photography
Materials
Film, Lambda
L'enigma dell Punklichkeit #1 Hamburg, Germany, 2008
Located in Santa Monica, CA
Jay Mark Johnson
L'enigma dell Punklichkeit #1
Hamburg, Germany, 2008
Archival pigment, paper, aluminum
23” x 48” (framed)
Edition 6/9
$10,500
Category
2010s Post-Modern Landscape Photography
Materials
Paper, Archival Pigment
Hedge Fun - Naples - Street Art by the Wealthy
By Robert Funk
Located in Miami, FL
Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. In Naples, Florida Street Art abounds. It's a city with perhaps more flowers than weeds. Hedge Fun ...
Category
2010s Post-Modern Landscape Photography
Materials
Archival Ink, Archival Pigment
Victoria Falls #96, Zimbabwe, 2014
Located in Santa Monica, CA
Jay Mark Johnson
Victoria Falls #96
Zimbabwe, 2014
Durst Lambda print, film, aluminum
40” X 288” Triptych (40” x 96” each)
$75,000 ($28,500 each)
Category
2010s Post-Modern Landscape Photography
Materials
Paper, Lambda
Price Upon Request
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For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia.
Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena.
Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Fall 2021.
Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles.
__________________
Solo Exhibitions
2021
Mona Kuhn: Works, Edwynn Houk Gallery, New York
Mona Kuhn: Works, Flowers Gallery, London
Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai
Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara
2020
Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg
Mona Kuhn: Early Depictions, Flowers Gallery, London
Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan
2019
Bushes and Succulents, Euqinom Gallery, San Francisco
Mona Kuhn: She Disappeared, Jackson Fine Art, Atlanta
Mona Kuhn: Experimental, Fruit Factory, Durham Triangle, North Carolina
2018
Mona Kuhn: New Works, Part II, Galerie Catherine Hug, Paris, France
2017
Mona Kuhn: The First Chapter, Euqinom Projects, San Francisco, California
2016
Mona Kuhn: New Works, Galerie Catherine Hug, Paris, France
Acido Dorado, Galeria Pilar Serra, Madrid, Spain
Mona Kuhn: New Works, Euqinom Gallery, San Francisco, California
2015
Private, Ravestijn Gallery, Amsterdam, The Netherlands
Private, Galerie Ernst Hilger, Vienna, Austria
2014
Acido Dorado, Edwynn Houk Gallery, New York
Acido Dorado, Flowers Gallery, London, UK
Private, Jackson Fine Art, Atlanta, Georgia
2012
Bordeaux Series, Galerie Particuliere, Paris, France
Native, Galeria Pilar Serra, Madrid, Spain
Bordeaux Series, Jackson Fine Art, Atlanta, Georgia
Bordeaux, Flowers Gallery, New York
Native, Brancolini Grimaldi, Florence, Italy
2011
Bordeaux, Flowers Gallery, London, UK
2010
Native, Flowers Gallery, London, UK
Native, Flowers Gallery, New York
2009
Native, M+B Gallery, Los Angeles, California
Native, Jackson Fine Art, Atlanta, Georgia
2008
Evidence, Jarach Gallery, Venice, Italy
2007
Evidence, Scott Nichols Gallery, San Francisco, California
Evidence, Charles Cowles Gallery, New York
Mona Kuhn, Estiarte Gallery, Madrid, Spain
Evidence, Jackson Fine Art, Atlanta, Georgia
Less Than Innocent, M+B Gallery, Los Angeles, California
2005
Mona Kuhn – Recent Color Work, Charles Cowles Gallery, New York
Mona Kuhn-Close, Jackson Fine Art, Atlanta, Georgia
Unbounded Youth, Fahey/Klein Gallery, Los Angeles, California
2004
Mona Kuhn-Color, Camerawork, Berlin, Germany
New Work, G. Gibson Gallery, Seattle, Washington
Corporeal Space, Galerie F5.6, Munique, Germany
Mona Kuhn - Color Photographs, Scott Nichols Gallery, San Francisco, California
Still Memory, PhotoEye...
Category
21st Century and Contemporary Post-Modern Landscape Photography
Materials
Photographic Film, Photographic Paper, Silver Gelatin
$15,000
H 60 in W 45 in D 0.3 in
'Pounding Heart' Large scale triptych photograph. Ocean, sea, Beach cottage wave
Located in Penzance, GB
'Pounding Heart'
Archival photographic triptych. Limited Edition of 25. Unframed.
_________________
The wild Atlantic explodes in a raw release of energy, the graceful formation of ...
Category
2010s Post-Modern Landscape Photography
Materials
Photographic Paper, Archival Ink, Archival Paper, Digital, Giclée, Archi...
$1,237
H 34 in W 60 in D 0.1 in
She Disappeared into Complete Silence (AD6539) - large scale abstract photograph
By Mona Kuhn
Located in San Francisco, CA
In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction.
She turns to a highly austere and restrained reductionist geometry and ...
Category
21st Century and Contemporary Post-Modern Landscape Photography
Materials
Photographic Film, Photographic Paper, Silver Gelatin
$15,000
H 45 in W 60 in D 0.3 in
She Disappeared into Complete Silence (AD6754) - monochromatic desert photograph
By Mona Kuhn
Located in San Francisco, CA
In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction.
She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms.
AD6754 (She Disappeared into Complete Silence)
45" x 60" / 114cm x 152cm
edition of 8 + 2AP
30" x 40" / 76cm x 102cm
edition of 8 + 2AP
limited edition photograph printed under artist supervision + accompanied by signed artist certificate:
artist signature labels are 8x10 in size
signed, editioned, dated and titled by the artist, and stamped for authenticity
label
__________________
About the artist
Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art.
For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia.
Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena.
Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes and Succulents (2018) with a debut at Musee Jeu de Paume in Paris in 2019. Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road with Steidl accompanies a multi-dimensional museum exhibition in Germany and the US.
Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, the Los Angeles County Museum of Art, The Hammer Museum, the Perez Art Museum in Miami, the Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris, The Whitechapel Gallery and Royal Academy of Arts in London, Musée de l’Elysée in Switzerland, Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Australian Centre for Photography and Taipei Fine Arts Museum in Taiwan.
Mona Kuhn currently lives and works in Los Angeles.
__________________
Solo Exhibitions
2024
Mona Kuhn: Between Modernism and Surrealism, Houk Gallery, New York, NY
2023
Mona Kuhn: Kings Road, Galerie XII, Paris, France
Mona Kuhn: Kings Road, Kunsthaus-Göttingen, Germany
Mona Kuhn: Kings Road, Jackson Fine Art...
Category
21st Century and Contemporary Post-Modern Landscape Photography
Materials
Photographic Film, Photographic Paper, Silver Gelatin
$15,000
H 45 in W 60 in D 0.3 in
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Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print
By Mikael Levin
Located in Surfside, FL
Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints.
(American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki.
Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre.
Lisa Hostetler
Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999
Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica.
SELECT GROUP EXHIBITS
2018 Marquee Projects, Bellport, NY: "By the Sea: Mikael Levin, Vera Lutter, Steel Stillman, James Welling"
Hohenems Jewish Museum, Hohenems, Austria: "Say Shibboleth! On Visible and Invisible Borders"
2014 Centre d'art Contemporain Faux Mouvement, Metz: "Travail d'archives"
2013 Galerie Michele Chomette, Paris. "Sleeping Beauties IV"
2011 Musée d'art et d'histoire du Judaïsme, Paris. "War Story" in "A journey through the MAHJ's Contemporary Collection"
2010 Bibliotheque Nationale de France, Paris. "Qumran"
2009 The Solo Project, Basel; Gilles Peyroulet Gallery. "New York Moments: Mikael Levin and Rudy Burckhardt"
1996 Galerie F-15 Alby, Moss, Norway: "James Welling and Mikael Levin"
1993 Grand Palais, Paris: "Salon Decouverts" ( Curated by Jean-Claude Lemagny)
1990 Brooklyn Museum, New York: "New Acquisitions"
Musem Ludwig, Cologne:"Vom Landschafsbild zur Spurensicherung"
1989 Fotografiska Museet, Stockholm: "Lewis Baltz and Mikael Levin"
1987 One Penn Plaza, New York: "Beautiful Photographs" (Curated by Gene Thornton)
1985 Pavillon des Arts, Paris: "La Photographie Creative" (Curated by J.C. Lemagny)
Caves Sainte-Croix, Metz, France: "Construire le Paysage de la Photographie"
SELECT PUBLIC COLLECTIONS
Jüdisches Museum, Berlin (a selection from War Story in the permanent installation.)
Whitney Museum of American Art, New York
Metropolitan Museum, New York
International Center of Photography, New York
Jewish Museum, New York
Bibliothèque Nationale, Paris
Centre national d'art et de culture George Pompidou, Paris
Fonds National d'Art Contemporain, Paris
Princeton University Art Museum, Princeton, NJ
Victoria and Albert Museum, London
Israel Museum, Jerusalem
Moderna Museet, Stockholm
Statens Konstrad, Stockholm
Canadian Center for Architecture, Montréal
From the David C. and Sarajean Ruttenberg Collection
The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art, sculpture, graphics, old watches and photographs-lots and lots of photographs. They started collecting them in the 1960s when the medium was still the stepchild of the arts. They kept collecting until they had more than 3,000 prints, 99 of which are in the Art Institute exhibit, ``The Intuitive Eye: Photographs from the Collection of David C. and Sarajean Ruttenberg.``The show encompasses the entire history of with black-and-white and color prints from every genre, It includes street photography by Walker Evans and Garry Winogrand, glamour shots by Edward Steichen and Richard Avedon, nudes by Robert Mapplethorpe and Nicholas Muray...
Category
Early 2000s Post-Modern Landscape Photography
Materials
Silver Gelatin
Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print
By Mikael Levin
Located in Surfside, FL
Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints.
(American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki.
Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre.
Lisa Hostetler
Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999
Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica.
SELECT GROUP EXHIBITS
2018 Marquee Projects, Bellport, NY: "By the Sea: Mikael Levin, Vera Lutter, Steel Stillman, James Welling"
Hohenems Jewish Museum, Hohenems, Austria: "Say Shibboleth! On Visible and Invisible Borders"
2014 Centre d'art Contemporain Faux Mouvement, Metz: "Travail d'archives"
2013 Galerie Michele Chomette, Paris. "Sleeping Beauties IV"
2011 Musée d'art et d'histoire du Judaïsme, Paris. "War Story" in "A journey through the MAHJ's Contemporary Collection"
2010 Bibliotheque Nationale de France, Paris. "Qumran"
2009 The Solo Project, Basel; Gilles Peyroulet Gallery. "New York Moments: Mikael Levin and Rudy Burckhardt"
1996 Galerie F-15 Alby, Moss, Norway: "James Welling and Mikael Levin"
1993 Grand Palais, Paris: "Salon Decouverts" ( Curated by Jean-Claude Lemagny)
1990 Brooklyn Museum, New York: "New Acquisitions"
Musem Ludwig, Cologne:"Vom Landschafsbild zur Spurensicherung"
1989 Fotografiska Museet, Stockholm: "Lewis Baltz and Mikael Levin"
1987 One Penn Plaza, New York: "Beautiful Photographs" (Curated by Gene Thornton)
1985 Pavillon des Arts, Paris: "La Photographie Creative" (Curated by J.C. Lemagny)
Caves Sainte-Croix, Metz, France: "Construire le Paysage de la Photographie"
SELECT PUBLIC COLLECTIONS
Jüdisches Museum, Berlin (a selection from War Story in the permanent installation.)
Whitney Museum of American Art, New York
Metropolitan Museum, New York
International Center of Photography, New York
Jewish Museum, New York
Bibliothèque Nationale, Paris
Centre national d'art et de culture George Pompidou, Paris
Fonds National d'Art Contemporain, Paris
Princeton University Art Museum, Princeton, NJ
Victoria and Albert Museum, London
Israel Museum, Jerusalem
Moderna Museet, Stockholm
Statens Konstrad, Stockholm
Canadian Center for Architecture, Montréal
From the David C. and Sarajean Ruttenberg Collection
The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art, sculpture, graphics, old watches and photographs-lots and lots of photographs. They started collecting them in the 1960s when the medium was still the stepchild of the arts. They kept collecting until they had more than 3,000 prints, 99 of which are in the Art Institute exhibit, ``The Intuitive Eye: Photographs from the Collection of David C. and Sarajean Ruttenberg.``The show encompasses the entire history of with black-and-white and color prints from every genre, It includes street photography by Walker Evans and Garry Winogrand, glamour shots by Edward Steichen and Richard Avedon, nudes by Robert Mapplethorpe and Nicholas Muray...
Category
Early 2000s Post-Modern Landscape Photography
Materials
Silver Gelatin
Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print
By Mikael Levin
Located in Surfside, FL
Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints.
(American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki.
Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre.
Lisa Hostetler
Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999
Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica.
SELECT GROUP EXHIBITS
2018 Marquee Projects, Bellport, NY: "By the Sea: Mikael Levin, Vera Lutter, Steel Stillman, James Welling"
Hohenems Jewish Museum, Hohenems, Austria: "Say Shibboleth! On Visible and Invisible Borders"
2014 Centre d'art Contemporain Faux Mouvement, Metz: "Travail d'archives"
2013 Galerie Michele Chomette, Paris. "Sleeping Beauties IV"
2011 Musée d'art et d'histoire du Judaïsme, Paris. "War Story" in "A journey through the MAHJ's Contemporary Collection"
2010 Bibliotheque Nationale de France, Paris. "Qumran"
2009 The Solo Project, Basel; Gilles Peyroulet Gallery. "New York Moments: Mikael Levin and Rudy Burckhardt"
1996 Galerie F-15 Alby, Moss, Norway: "James Welling and Mikael Levin"
1993 Grand Palais, Paris: "Salon Decouverts" ( Curated by Jean-Claude Lemagny)
1990 Brooklyn Museum, New York: "New Acquisitions"
Musem Ludwig, Cologne:"Vom Landschafsbild zur Spurensicherung"
1989 Fotografiska Museet, Stockholm: "Lewis Baltz...
Category
Early 2000s Post-Modern Landscape Photography
Materials
Silver Gelatin
Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print
By Mikael Levin
Located in Surfside, FL
Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints.
Born ...
Category
Early 2000s Post-Modern Landscape Photography
Materials
Silver Gelatin
Jerusalem, Israel Western Wall Ed of 5 Vintage Silver gelatin Photograph Print
By Mikael Levin
Located in Surfside, FL
Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints.
Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki.
Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre.
Lisa Hostetler
Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999
Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundacion Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003.
SELECT GROUP EXHIBITS
2018 Marquee Projects, Bellport, NY: "By the Sea: Mikael Levin, Vera Lutter, Steel Stillman, James Welling"
Hohenems Jewish Museum, Hohenems, Austria: "Say Shibboleth! On Visible and Invisible Borders"
2014 Centre d'art Contemporain Faux Mouvement, Metz: "Travail d'archives"
2013 Galerie Michele Chomette, Paris. "Sleeping Beauties IV"
2011 Musée d'art et d'histoire du Judaïsme, Paris. "War Story" in "A journey through the MAHJ's Contemporary Collection"
2010 Bibliotheque Nationale de France, Paris. "Qumran"
2009 The Solo Project, Basel; Gilles Peyroulet Gallery. "New York Moments: Mikael Levin and Rudy Burckhardt"
1996 Galerie F-15 Alby, Moss, Norway: "James Welling and Mikael Levin"
1993 Grand Palais, Paris: "Salon Decouverts" ( Curated by Jean-Claude Lemagny)
1990 Brooklyn Museum, New York: "New Acquisitions"
Musem Ludwig, Cologne:"Vom Landschafsbild zur Spurensicherung"
1989 Fotografiska Museet, Stockholm: "Lewis Baltz and Mikael Levin"
1987 One Penn Plaza, New York: "Beautiful Photographs" (Curated by Gene Thornton)
1985 Pavillon des Arts, Paris: "La Photographie Creative" (Curated by J.C. Lemagny)
Caves Sainte-Croix, Metz, France: "Construire le Paysage de la Photographie"
SELECT PUBLIC COLLECTIONS
Jüdisches Museum, Berlin (a selection from War Story in the permanent installation.)
Whitney Museum of American Art, New York
Metropolitan Museum, New York
International Center of Photography, New York
Jewish Museum, New York
Bibliothèque Nationale, Paris
Centre national d'art et de culture George Pompidou, Paris
Fonds National d'Art Contemporain, Paris
Princeton University Art Museum, Princeton, NJ
Victoria and Albert Museum, London
Israel Museum, Jerusalem
Moderna Museet, Stockholm
Statens Konstrad, Stockholm
Canadian Center for Architecture, Montréal
From the David C. and Sarajean Ruttenberg Collection
The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art, sculpture, graphics, old watches and photographs-lots and lots of photographs. They started collecting them in the 1960s when the medium was still the stepchild of the arts. They kept collecting until they had more than 3,000 prints, 99 of which are in the Art Institute exhibit, ``The Intuitive Eye: Photographs from the Collection of David C. and Sarajean Ruttenberg.``The show encompasses the entire history of with black-and-white and color prints from every genre, It includes street photography by Walker Evans and Garry Winogrand, glamour shots by Edward Steichen and Richard Avedon, nudes by Robert Mapplethorpe and Nicholas Muray...
Category
Early 2000s Post-Modern Landscape Photography
Materials
Silver Gelatin
Hamlet the Pig
By Kristina Gale
Located in East Hampton, NY
Hamlet the Pig on a Farm / Field in the Hamptons
C-Print Photograph
series of 100 #3
Contemporary Art + Folk Art
Category
2010s Post-Modern Landscape Photography
Materials
C Print
Redbud in Bloom, Hidden Passage, Glen Canyon. April 10, 1963
By Eliot Porter
Located in Denton, TX
Edition of 250
Signed, copyright stamp and numbered.
Eliot Furness Porter (1901 – 1990) was an American photographer recognized for his rich color photographs of nature...
Category
20th Century Post-Modern Landscape Photography
Materials
Dye Transfer
H 15.75 in W 12.5 in D 0.1 in
Post-modern landscape photography for sale on 1stDibs.
Find a wide variety of authentic Post-Modern landscape photography available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape photography created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Mitchell Funk, Jay Mark Johnson, Mikael Levin, and Jim Bones. Frequently made by artists working with Paper, and Archival Pigment Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Modern landscape photography, so small editions measuring 10 inches across are also available. Prices for landscape photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $550 and tops out at $75,000, while the average work sells for $4,250.
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