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Portrait of Christopher Lambert - Vintage Photograph - 1980s

1980s

Christopher Lambert (Greystoke, The Legend of Tarzan) - Vintage Photo is a vintage black and white photograph realized in 1984. Good conditions.

Christopher Lambert - Vintage Photo is a vintage black and white photograph realized in 1986 on the set of "Highlander". Good conditions.

Luca Barbarossa - Vintage Photograph is a vintage black and white photograph realized in the 1980s. Good conditions.

Fausto Leali is a vintage black and white photograph realized in the 1980s, it is from a series of vintage photographs of the music, cinema, and art of Italy with celebrities of the...

This photograph titled "Frank Horst, Hamburg 1989" is an original gelatin silver print by famous German photographer and artist Michael Andreas Russ, born 1945. It is signed, titled...

Nothing to Lose (Sidewinder) - 2005 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory No. 3142...

This is a unique work. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation inventory number. The work comes ...

Between the Lines - The Getaway (The Last Picture Show) - 1999 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Artist Inventory #694. Signature label and Certificate. Not mounted. Stefanie Schneider's photographs evoke scintillating moments suspended between daydreams and waking reality. Each scene, captured in the southwestern United States, radiates a surreal enchantment. The artist's role appears minimal yet pivotal, providing the decisive impulse that sets the imagery into motion. The figures in her photographs remain as elusive as the motivations behind their actions, and the narratives woven through her sequences are tantalizingly open to interpretation. Atmospheric disturbances in Schneider's work emerge as the result of a deliberate narrative arrangement, compelling viewers to navigate between visual mementos and the gaps in memory they conjure. Yet, her artistry is no less purposeful in its engagement with medium. Despite the inherent unpredictability of expired Polaroid film, Schneider wields it with calculated intent. The photo-chemical self-developing process, altered by age and decay, transforms the initial exposure into something alien yet mesmerizing. This dysfunction is a cornerstone of MIND SCREEN, a multi-part work that explores the fragility of reality, authenticity, and comprehension. Schneider juxtaposes this brittleness with a magical realism steeped in chimeras, crafting dreamlike sequences that resist definitive narratives. She entrusts viewers with the responsibility of piecing together presumed storylines, refusing to offer a manual for interpretation. Instead, her work draws us into a realm where the unreal reigns—shimmering scenes that evoke the mirage of a road movie, a moment of violence, or a tragic self-sacrifice. Film genres are invoked and subverted in a single breath: Paris, Texas by Wim Wenders is reimagined through a rose-tinted lens, Thelma...