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Vanessa MarshLandscape #432018
2018
$2,200
£1,662.93
€1,911
CA$3,063.49
A$3,408
CHF 1,786.52
MX$41,644.97
NOK 22,749.08
SEK 21,415.11
DKK 14,264.88
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About the Item
"I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For images with layered landscapes, multiple drawings are placed on the paper which is then exposed at intervals and a drawing removed at the end of each interval. The stars are created by exposing the paper to light through a mask with small holes poked into it. The darkroom aspect of the process creates a photogram negative, which I then scan and invert into a positive image digitally. The final images are pigment prints on archival rag paper." -- Vanessa Marsh
Vanessa Marsh was born in Seattle, Washington, and currently works in Oakland, California. Marsh first became interested in Photography when her mother gave her a Nikon E series camera in 9th grade. She earned her MFA in 2004 from California College of the Arts. Marsh has exhibited widely including the Contemporary Jewish Museum in San Francisco, Dolby Chadwick Gallery in San Francisco, Foley Gallery in New York, and photo-eye Gallery in Santa Fe. She has received fellowships from the Headlands Center for the Arts, The MacDowell Colony, Kala Art Institute and was AIR at Rayko Photo Center.
- Creator:Vanessa Marsh (1978, American)
- Creation Year:2018
- Dimensions:Height: 20 in (50.8 cm)Width: 20 in (50.8 cm)
- More Editions & Sizes:30x30"Price: $3,00040x40"Price: $4,600
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Sante Fe, NM
- Reference Number:1stDibs: LU13424097642
Vanessa Marsh
Vanessa Marsh is a photographer living and working in Oakland, CA. Marsh makes her images by first creating drawings on clear mylar. These drawings are then laid on top of light-sensitive paper in the darkroom and then the paper is exposed to light. For images with layered landscapes, multiple drawings are placed on the paper which is then exposed at intervals, and a drawing is removed at the end of each interval. The stars are created by exposing the paper to light through a mask with small holes poked into it. The darkroom aspect of the process creates a photogram negative, which she then scans and inverts into a positive image digitally. The final images are pigment prints on archival rag paper.
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By Vanessa Marsh
Located in Sante Fe, NM
Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...
Category
2010s Contemporary Landscape Photography
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Archival Ink
Landscape #36
By Vanessa Marsh
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I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...
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Price Upon Request
Landscape #42
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I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...
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Landscape #38
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Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...
Category
2010s Contemporary Landscape Photography
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Landscape #32
By Vanessa Marsh
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I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink
Landscape #40
By Vanessa Marsh
Located in Sante Fe, NM
I make the images by first creating drawings on clear mylar. These drawings are then laid on top of light sensitive paper in the darkroom and then the paper is exposed to light. For ...
Category
2010s Contemporary Landscape Photography
Materials
Archival Ink
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