Vertical Nude Photography

An underwater nude photograph of young woman with beautiful blond hair. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with ...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed About the work : Work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play, “cosplay”, is being performed in streets. A similar kind of simulation is being acted out in the district of Harajuku, where Houge found some of his motifs. There is no authenticity here, no western “essence” or “reality”; instead, the virtual conquers the carnal body in a purified play of surface, image and the hyperreal. This is exotic. All the while as we are conscious of these notions as pinnacle points in a western idea of the post-modern. But in this sense Japan has always been “post-modern”. It has always integrated the most refined culture and technology from the outside while somehow retained an identity for itself. So, what would this identity be? Houge takes the view of ritual and play. Indeed, Japanese culture seems to be grounded solely on ritual, in business and in sex, in its relation to nature and in religion. This play transcends the notion of authenticity altogether, unlike the West which is haunted by the “ghost” of origin and beginnings. In Japan, “now” would mean just that; it is a “no looking back”, but rather a flow of intensities integrated in the play and ritual of the ever-present, okurimono. There is no threat of being eaten up by western culture and technology here, for, like in Zen practice, the ritual oversees everything and has no historical drag. Japan becomes weightless, shot into orbit outside the material of earth itself. Is acting out the role as Lewis Caroll’s Victorian girl driven by a sense of nostalgia? I think not. It is a striving for a moment of perfected presence, in dialogue with Houge’s optical machine. It is the moment of Now. The girl, the Zen garden and the image shares in a perfection modified by small uncertainties, coincidental imperfections that become somewhat oblique points of entry for us - a discarded handkerchief or seemingly unremarkable shapes and reflections in the prismatic play of surfaces. There is a ghostly, otherworldly quality in these images, even in the fleeting blossoming cherrytree and the play of shadows across a concrete minimalism. The doubly exposed or reflected light on the lens reminds us of the uncertain beginnings in photography’s history, with its widespread belief that the camera was able to perceive more than the naked eye, like spirits and ghosts. In Houge’s images there are different specters, skeletal, natural shapes on the one hand, the machine and the virtual on the other. Here, like some scene from the film Blade Runner, there is an uncanny confusion and mix between the human and non human. Maybe the search for a perfect moment in the perpetual flow of things is a romantic or melancholic longing for transcendent wholeness, a drive that is harnessed in a rigorous attention to visual detail. This compulsive discipline might seem absurd to any western observer, while longing itself form a common ground and will ultimately be the basis in our meeting. Erling Bugge Bio: Christian Houge (born in Oslo 1972) Based in Oslo, Norway, I have been making photographs for over twenty years and new insights continue to open. By exploring the relation, and conflict, between Nature and culture, I get a better understanding about Mans` condition. I am interested in the consequences of Humankinds progression and how science often is the result of our conquering of Nature, both on Earth and beyond. Mans` ego, consumer society, the last remnants of pure Nature and identity are recurring elements in my work. I often juxtapose the visually aesthetic with an underlying uneasiness. This often emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. Looking at our actions and place in environment, which we are so dependent on, is a recurring theme in all my exploration and can use everything from digital cameras to large format and panoramic analog cameras for specific projects. I have exhibited extensively in galleries and museums in my native country Norway, as well as the US, England, France and China. The series `Death of a Mountain`(2016-2021) is nominated for the 2021 Leica Oskar Barnack Award, as well as receiving an arts grant from Norwegian Arts Council. Most recently, my series `Residence of Impermanence` 2017-2019 has been exhibited at five museums and several galleries already (including a solo show at Fotografiska, Stockholm (2019), and Les Recontres d`Arles, Haugar Artmuseum, Preus Muaeum of Photography and 2019 (Galerie Omnius, Arles). In 2021, this series received ten nominations for the Prix Pictet Award with the theme FIRE. `Residence of Impermanence` is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West...

Figure No. 91 2007 Signed and numbered in pencil, verso Inquire for information on other sizes from 14 x 11 inches to 40 x 30 inches (Total edition of 12). Portfolios of 28 signed a...

Reminiscent of the dreamy elegance of a bygone era, Mitchell Funk transforms a tourist location into the quintessence of timeless Paris chic. To achieve this the photographer had to rid the Trocadero of toursits. Next came choosing the right camera angle and lighting the scene dramatically. The photo recalls Brian Ferry...

A woman combing her hair by a waterfall at Rose Hall, Jamaica, December 1971. Visual description: A tanned white woman smiles and combs her long brown hair by a waterfall at Rose H...

Reminiscent of the dreamy elegance of a bygone era, Mitchell Funk transforms a tourist location into the quintessence of timeless Paris chic. To achieve this the photographer had to rid the Trocadero of toursits. Next came choosing the right camera angle and lighting the scene dramatically. The photo recalls Brian Ferry...

Since 1995 I have used a great deal of my time to study the lines and curves of the female body. Long before that I already had the idea that the female body contains every line, ev...

Untitled 07 (Saigon) - 2003 Edition of 5, plus 2 Artist Proofs. 58x56cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Artist inventory Number 475. Not mou...

Hard Luck Princess (Till Death do Us part) - 2005 49x48cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid, Certificate and Signature label Artist Invent...

"We Are Particles 2" Photography 50" x 40" inch Edition of 12 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) Ships in a tube 2019 ABOUT Rob Woodcox Rob Woodcox...

2022 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 9.5 x 7 inches (24.1 x 17.8 cm), image 12.25 x 9.75 inches (31.1 x 24.8 cm), fra...

Since 1995 I have used a great deal of my time to study the lines and curves of the female body. Long before that I already had the idea that the female body contains every line, ev...

Toned Photographic Print Comes unframed Male nude . About the Artist: Short Biography in a Nutshell: A fun journey My first foray into the art world was receiving a summer schola...

Figure No. 130 2008 Signed and numbered in pencil, verso Also offered: Portfolio of 28 archival pigment prints (Edition of 10) Special price of $4,000 for the entire portfolio. In...

This work was done generation before digital and photoshop. Signed, Dated, number Lower left recto, unframed, 3/15 other size available, printed later Mitchell Funk is a pioneer o...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine at that time. Today they swarm like bees to place their own hot ads in gay publications. I had been photographing on assignment for Dance Magazine well before After Dark was created. Being a friend of William (Bill) Como, the Editor, and being gay, I was called into service, for the life of the publication, to photograph many of the handsome young men and women, who were featured in After Dark. Needless to say, this was enjoyable work for me, Because, mixed in with the hot-looking young guys and gals sent to my studio were some famed performers like Debbie Reynolds, Giancarlo Giannini, Arnold Schwarzenegger, Natalie Wood, Placido Domingo, Sergio Franco...

Slim Aarons' 1976 photograph of bathers at the Hôtel du Cap Eden-Roc in Antibes, France, is a masterful capture of vintage glamour and the epitome of Mediterranean elegance. This iconic image, steeped in the lore of the French Riviera, juxtaposes the serene turquoise pool with the rugged beauty of the coastline, creating a visual dialogue between nature and human ingenuity. The composition, featuring sunbathers in minimal swimwear against a backdrop of majestic rocks and distant mountains, evokes a timeless sense of leisure and luxury. Aarons' lens immortalizes a moment in time where the world's elite converge to bask in the sun-drenched splendor of this legendary retreat. The Hôtel du Cap Eden-Roc, made famous by F. Scott Fitzgerald's "Tender is the Night," has long been a sanctuary for the titans of literature, film, art, music, politics, and high society. This photograph not only captures the physical allure of the locale but also its storied history as a playground for the influential and the illustrious, which includes figures from literature and music (Cole Porter, Fitzgerald, Hemingway, Stefan Zweig, Noël Coward), film (Marlene Dietrich, Alain Delon, Elizabeth Taylor, who brought all of her husbands there, and every Hollywood A-lister in town for Cannes), art (Chagall, Picasso, Matisse), music (John and Yoko, Jane and Serge, Ella Fitzgerald), politics (Churchill, De Gaulle, the Kennedys), and high society (the Duke of Windsor and Wallis Simpson). Aarons' work, with its precise attention to color and composition, invites collectors to own a piece of this casual glamor, where every detail speaks to a legacy of opulence and sophistication. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Hôtel du Cap Eden-Roc, 1976 (Printed Later) Slim Aarons Estate Edition 6 sizes available Framing options available Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * Undercurrent Projects is pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Antibes is a resort town between Cannes and Nice on the French Riviera (Côte d’Azur). It’s known for its old town enclosed by 16th-century ramparts with the star-shaped Fort Carré. This overlooks luxury yachts moored at the Port Vauban marina. The forested Cap d’Antibes peninsula, dotted with grand villas, separates Antibes from Juan-les-Pins, a chic resort with buzzing nightlife and the Jazz à Juan music festival. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. He's also been credited with inspiring the sun-soaked, escapist style of top Instagram influencers. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday.” Internal: Vintage Slim Aarons, Vintage Hotel du Cap Eden-Roc photograph, Vintage Antibes...

Untitled 2021 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 8 x 6 inches (20.3 x 15.2 cm), image 17.5 x 14.5 inches (44.5 x 36.8 cm)...

Jeff Robb is a British artist, who graduated with Distinction from the Royal College of Art in 1992 with a master's degree in fine art Holography. Shortly after graduating, he was in...

Voyeur Edition of 25 signed and numbered by the artist A shadow play of a sculpture in the museum. JJK is a pseudonym for one of the world's most successful photo artists. In his s...

Signed, titled, dated, and numbered in pencil, verso Archival pigment print (Edition of 10) This work is offered by ClampArt in New York City.

Organza dream - Signed limited edition archival pigment print, Edition of 5 Signed + numbered by artist with certificate of authenticity , unframed This is an Archival Pigment pr...

Archival pigment print Signed and numbered, verso 14 x 11 inches (Edition of 15) 24 x 20 inches (Edition of 10) This photograph is offered by ClampArt, located in New York City.

[“Nude, Davenport, Iowa,” 1942; “Composite, Made in California,” 1975] Mounted vintage gelatin silver print Signed, l.l. Also signed, titled, and dated, verso 10 x 8 inches, sheet ...

"Kate Moss 7. Bronze & Green" Photography 56x40 in Ed. 1/1 by Kate Garner Hahnemuhle fine art archival paper Not framed. Ships in a tube. Kate Garner: Seeker, Sage, and Preservat...

1972—Charley Weaver makes a poolside phone call under a white fringe umbrella on a cream rotary phone at Las Brisas in Acapulco, Mexico. She wears a yello...

"Kissing Eden" Photography 40" x 32" in Ed. 1/3 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 20 x 16 inch Edition of 7 30 x 24 inch Edition of 3 40...

Venus (detail), Sandro Botticelli Workshop, Painting Gallery, Berlin, Photograph 53.4 x 40 inches ed. of 7 $4400 66.7 x 50 ed. of 5 $6800 signed a...

2004 Signed and numbered, verso Archival pigment print (Edition of 5) 24 x 20 inches This work is offered by CLAMP in New York City.

"Blue Kate Moss Triplet" Photography 50" × 46" in Edition of 25 by Kate Garner Signed & dated. Comes with COA Archival Hahnemuhle art paper Not framed. Ships in a tube. Garner's...

Soldier (Adam) 2021 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid in vintage frame (Edition of 5) 7 x 4.75 inches (17.8 x 12.1 cm), image 11 x 9 in...

"Untouched 1" Photography 28" x 20" inch Edition 2/20 by Lika Brutyan Archival pigment print on Hahnemühle Photo Rag Baryta. Not Framed. Ships in a tube. Lika Brutyan is American p...

This work is unique. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. Work comes with a Certifica...

John Casado - Untitled 20256, figurative black and white female nude. 2001 - Unique lith silver gelatin photographic unique print. image = 22 x 17 1/4 or 55.9 x 43.8 centimeters /...

Johanna • Paris, 2006 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series is ...

Vintage black and white photograph, photography by Josef Ehm. "Resting Model II", circa 1960s, gelatin silver print. Framed size 10.5" x 13.5" . Image measures 8.5" x 6.5" Josef Ehm: Czech, 1909-1989. Born in Habartov. Apprenticed in professional photography studios until 1928. Taught at the State...

"Kissed Orchids" Nude Floral Photography 30" x 24" in Ed. 1/7 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 20 x 16 inch Edition of 7 30 x 24 inch E...

"Between 1982 and 1987 Andy Warhol produced several hundred works each comprising several identical photographs stitched together with thread. At the edges of the work excess thread ...

Ruth - Signed limited edition archival pigment print, 1995 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity , unframed Please note. There are three sizes of this archival pigment print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Archival pigment print available sizes : 50 x 37 cm / 19,68 x 14,56 in - Edition of 5 75 x 55 cm / 29.53 x 21.66 in - Edition of 5 105 x 77 cm / 41,34 x 30,31 in - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. categories : Black and white photography, 20th. century, Archival pigment print, Sensual, Nude, fashion, model, Grainy, Photographic film, Analogue, Analog, Monochromatic, Fine Art, Vintage...

"Pola Girls 7" Nude Polaroid Photography - Unique piece by Larsen Sotelo 4.2" x 3.5" inch - including white Polaroid frame 3.1" x 3,1" inch - image area C...

John Casado - Untitled 20256, figurative black and white, dramatic nude male photograph from 2000 - Unique lith silver gelatin photographic print. imag...

"A part" is a black & white framed archival pigment print (photograph) from a hand-etched photogram from artist Jenny Lynn's "Personal Myths" series. Includes images of nudes, glove...

Exposure, Kristen Pazik, Milan, 2000 55 x 43 inches - Edition of 10 Framed (black or white)

"Doubleend" is a black & white framed silver gelatin collage photograph in a surrealist style with images of nude, clock, clouds, and other abstract elements from artist Jenny Lynn's...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Artist’s Photograph of His Own Work c. 1980s Signed in pencil, verso Polaroid 3.125 x 3 inches (7.9 x 7.9 cm), image 8 x 7 inches (20.3 x 17.8 cm), sheet This work is offered by ...

John Casado - Untitled 20243 figurative black and white, male bodybuilder nude, figurative photograph. 1995 - Unique lith silver gelatin photograph...

John Casado - Untitled 20247, figurative black and white masked female nude. 2001 - Unique lith silver gelatin photographic print. image = 22 1/2 x 18 3/8 or 57 x 46.7 centimeters ...

"Two Birds" Black & White Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fini...

Attila Richard Lukacs (b. 1962) is one of Canada's most distinctive if not revolutionary Canadian figurative painters. Lukacs established his reputation in the 1980s by creating astonishing large-scale paintings that depicted skinheads, construction workers, and other masculine archetypes in elaborate and erotic scenes. The physical presence of the Lukacs' male subjects stands out as one of the artist's most distinctive aesthetic elements. With meticulous attention to form and proportions, Lukacs skillfully renders his young men with expressive brushwork and an intense, moody palette reminiscent of the old masters. Despite the monumental scale of his canvases, Lukacs begins his creative process with a much more intimate and modern-day tool: the Polaroid. Because of its immediacy and simplicity, it became an essential part of his process in the 80's and 90's. As a result, the artist amassed a trove of over 1,200 Polaroids that depict lovers, friends, and anonymous models in various poses that serve as a starting point for his paintings. In this grid of Polaroids, "Bar Back" is a young man posing nude on top of a first aid kit. The exceptional warmth and rich hues infuse this series of 12 Polaroids with a sensual and painterly quality, a characteristic that is undoubtably present throughout the artist's oeuvre. From 2009-2012 a large touring exhibition devoted to Lukacs' Polaroids was shown at several museums across Canada including Museum London and the Art Gallery of Alberta. Working with Michael Morris...

"Pola Girls 15" Nude Polaroid Photography - Unique piece by Larsen Sotelo 4.2" x 3.5" inch - including white Polaroid frame 3.1" x 3,1" inch - image area ...

This 1980s portrait photograph, captured by society photographer Slim Aarons, features Catherine Wilke joining the topless sunbathers at the Hotel Punta Tragara on the island of Capr...

"Second Nature" is a black & white framed archival pigment print (photograph) from a hand-etched photogram from artist Jenny Lynn's "Personal Myths" series Includes image of nude wit...

"Gray Cardinal" Photography 49" x 39" in Edition of 3 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x ...

Daybreaker (Bombay Beach) - 2024 24x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL202...

Color photography printed in high quality on matte photographic paper. The dimensions are 21 x 30cm. Claudia Ferreiro (Santiago de Compostela, 1996) explores memory and identity li...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...