Evfrosina Lavrukhina

Speechless

2009

Iconic Photo Mosaic Storyteller Robin Austin has always been a storyteller – whether earlier in his career, marketing successful global companies, or as the co-founder and creative visionary of Fusion 5, a global branding firm, or now as an artist – creating a rich landscape reflecting images of our shared cultural heritage. Each signed and limited edition work is a visual celebration of the moments captured in time. The genius of Robin’s art...

In this project, Vladimir Clavijo-Telepnev draws a line between sensuality and explicit sexuality in depicting a woman's body. Modern photography offers two main approaches to the su...

Bells Ringing (Sidewinder), 2005 - Edition 2/5, 104x424cm (installed), each piece 48x46cm, 16 analog C-Prints, based on 16 expired Polaroids, hand-printed by the artist on Fuji ...

Letters from Madame - Touch, from the series mme.xposed, 2006, Archival C print based on the Polaroid, beautiful on Fine art Bright white by Hahnemuhle, mounted on Dibond - uncoated in shadow frame, Hand signed & numbered by the artist edition of 7 - nr 2 25x25cm Carmen De Vos - Artist statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...