Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 18

Katie Eleanor
Eye Infection As A Result Of Ingesting Poison - Print of the hand colour photo

2015

About the Item

© Katie Eleanor, IV., Eye Infection As A Result Of Ingesting Poison Series: Saint Wanderer's Hospital, 2015 Archival Pigment Print of the hand Coloured Photograph on cotton fine art paper, custom frame 7 1/2 × 5 7/10 in 19 × 14.5 cm (unframed print) 35 x 30.5 cm (Framed : Museum mount-board, antireflective art glass in hardwood custom frame) Edition of 15 Framed or Unframed option available Saint Wanderer’s Hospital depicts a fictional tale birthed from the artist’s inherent need to find splendour in the idea of sickness. Rooted first from her own words, Katie used the idea of illustrating as a form of personal art therapy by immersing herself in the realm of the otherworldly characters. Every aspect of each scene was created by Katie alone, from building and designing the sets to printing and hand-colouring the final images. In this act, over the year long course of the projects creation, the artist managed to make certain turmoil in her personal life bearable. In the world of the hospital, the artist adapts the role of medical photographer – creating accurate portraits of each character’s condition as a record for the hospitals future use. The final series comprises of 8 ‘specimen cased’ photographic prints and a 9 minute Super 8 film that is subtitled by the artist’s original fictions tale. Katie Eleanor (b.1993) is a photographic artist living and working in London. She studied Photographic Arts at the University of Westminster, graduating in 2015. Her practice revolves around illustrating enigmatic narratives that bridge the gap between fantasy and reality. Once she has a concept for her stories, she paints the performers, designs and makes the costumes, and creates the sets to photograph them. Using analogue photography and contemporary printing techniques, the resulting black and white prints are then meticulously hand- coloured by the artist. Katie's work has received press by The Royal Photographic Society, and her fashion stories have been published by magazines such as Hunger and Notion. Her latest body of work, The Sialia Marbles, presented at MMX Gallery, was her second exhibition in the gallery and her first solo show. Her work has been recently sold to numerous private art and photography collections. Unframed Prints available - minus frame cost and free shipping worldwide - Please enquire for an offer
  • Creator:
    Katie Eleanor (1993, British)
  • Creation Year:
    2015
  • Dimensions:
    Height: 13.78 in (35 cm)Width: 12.01 in (30.5 cm)Depth: 1.19 in (3 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Frame Included
    Framing Options Available
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU1967210952022

More From This Seller

View All
Hand-coloured Print of weeping mythical sculpture angels in Walnut Frame
Located in London, GB
Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...
Category

18th Century Victorian Nude Photography

Materials

Cotton, Walnut, Paint, Photographic Film, Ink, Spray Paint, Watercolor, ...

Hand coloured framed print of semi nude sculpture like marble statue of female
Located in London, GB
Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018 Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...
Category

2010s Romantic Portrait Prints

Materials

Glass, Oak, Paint, Watercolor, Photographic Paper, Archival Pigment

Omphalopagus monster, an orphan from Saint Wanderer's Hospital, tinted print
Located in London, GB
© Katie Eleanor, VIII. "Omphalopagus monster, an orphan" Series: Saint Wanderer's Hospital, 2015 Archival Pigment Print of the hand Coloured Photograph on cotton fine art paper, custom framed 7 1/2 × 5 7/10 in 19 × 14.5 cm (unframed print) 35 x 30.5 cm (Framed : Museum mount-board, antireflective art glass in hardwood custom frame) Edition of 15 Framed or Unframed option available - please enquire 'Saint Wanderer’s Hospital' series depicts a fictional tale birthed from the artist’s inherent need to find splendour in the idea of sickness. Rooted first from her own words, Katie used the idea of illustrating as a form of personal art therapy by immersing herself in the realm of the otherworldly characters. Every aspect of each scene was created by Katie alone, from building and designing the sets to printing and hand-colouring the final images. In this act, over the year long course of the projects creation, the artist managed to make certain turmoil in her personal life bearable. In the world of the hospital, the artist adapts the role of medical photographer – creating accurate portraits of each character’s condition as a record for the hospitals future use. The final series comprises of 8 ‘specimen...
Category

2010s Medieval Nude Photography

Materials

Cotton, Cotton Canvas, Watercolor, Archival Pigment

Joe Jackson; Look Sharp, 1979, Vintage Gelatin Silver Print, winklerpicker shoes
Located in London, GB
Brian Griffin Joe Jackson - Look Sharp, 1979 Vintage Gelatin Silver Print, Framed; museum mount board, antireflective art glass, oak frame Image size; 11 4/5 × 15 7/10 in 30 × 40 cm...
Category

1970s Symbolist Black and White Photography

Materials

Glass, Oak, Photographic Film, Photographic Paper, Black and White, Brom...

Cleansing A Shrike/ Blackbird's Bath - Hand coloured Print in Walnut frame
Located in London, GB
Hand-coloured portrait of a bird-like spirit, immobilised in marble, cleansing in a spring-time bath. A character formed from Naiads (a Greek nymph of flowing water), and exploring the idea of a ritualistic cleansing to wash away sombre deeds. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...
Category

21st Century and Contemporary Victorian Nude Photography

Materials

Walnut, Paint, Ink, Spray Paint, Watercolor, Archival Paper, Photographi...

Siren immobilised in marble locked in embrace and galleon ship in the background
Located in London, GB
Handcoloured portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category

2010s Romantic Portrait Prints

Materials

Photographic Film, Watercolor, Photographic Paper, Archival Pigment

You May Also Like

MATERNITÉ (grande planche)
By Eugène Carrière
Located in Santa Monica, CA
Lithograph printed from 3 stones on Japan paper
Category

19th Century Symbolist Portrait Prints

Materials

Lithograph

Kraft und Mut (Courage and Strength), German antique engraving
Located in Melbourne, Victoria
'Kraft und Mut' (Courage and Strength) German wood-engraving, 1903. 320mm by 230mm (image) 280mm by 410mm (sheet)
Category

Early 20th Century Symbolist Figurative Prints

Materials

Engraving

Serenity. 1992., paper, lithograph, 65x50, 3 cm
By Alain Rothstein
Located in Riga, LV
Serenity. 1992., paper, lithograph, 65x50,3 cm
Category

1990s Symbolist Portrait Prints

Materials

Paper, Lithograph

Suzanne Benton, Child of Fortune, 2017, Monoprint
By Suzanne Benton
Located in Darien, CT
“I still look at and learn from the art of the past, and enjoy making interpretations of works which I admire.” Henry Moore Infanta, Floating Balance, Point in Time, and Visionary are monoprints with Chine collé from Suzanne Benton's Paintings in Proust series. This grouping also includes the dry-point etching with Chine collé. Infanta (edition of 10). The monoprints (unique prints) employ the collage technique, chine collé (glued paper). Collé papers are pre-inked and hand-painted. Dimensional printing plates emboss texture onto the prints. The plates are inked individually for each solo print. The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been devoted to Indian and Turkish miniature painting...
Category

2010s Symbolist Portrait Prints

Materials

Monoprint

Suzanne Benton, Suspended in Time, 2014, Monoprint
By Suzanne Benton
Located in Darien, CT
“I still look at and learn from the art of the past, and enjoy making interpretations of works which I admire.” Henry Moore Infanta, Floating Balance, Point in Time, and Visionary are monoprints with Chine collé from Suzanne Benton's Paintings in Proust series. This grouping also includes the dry-point etching with Chine collé. Infanta (edition of 10). The monoprints (unique prints) employ the collage technique, chine collé (glued paper). Collé papers are pre-inked and hand-painted. Dimensional printing plates emboss texture onto the prints. The plates are inked individually for each solo print. The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been devoted to Indian and Turkish miniature painting...
Category

2010s Symbolist Portrait Prints

Materials

Monoprint

Suzanne Benton, Renaissance Maiden, 2017, Monoprint
By Suzanne Benton
Located in Darien, CT
“I still look at and learn from the art of the past, and enjoy making interpretations of works which I admire.” Henry Moore Infanta, Floating Balance, Point in Time, and Visionary are monoprints with Chine collé from Suzanne Benton's Paintings in Proust series. This grouping also includes the dry-point etching with Chine collé. Infanta (edition of 10). The monoprints (unique prints) employ the collage technique, chine collé (glued paper). Collé papers are pre-inked and hand-painted. Dimensional printing plates emboss texture onto the prints. The plates are inked individually for each solo print. The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been devoted to Indian and Turkish miniature painting...
Category

2010s Symbolist Portrait Prints

Materials

Monoprint

Recently Viewed

View All