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Klaus Kampert160.07.11 by Klaus Kampert (Tribute to Modigliani series) - nude photography2011
2011
$2,067.54
£1,549.75
€1,750
CA$2,840.45
A$3,171.10
CHF 1,661.61
MX$38,817.34
NOK 21,102.43
SEK 19,896.91
DKK 13,321.64
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About the Item
160.07.11 is a limited-edition black & white photograph by contemporary artist Klaus Kampert from the series entitled Tribute to Modigliani. In this series, Klaus Kampert pays tribute to the painter Amedeo Clemente Modigliano. Just like him, Modigliani used to consider himself first a sculptor before focusing on drawing and painting of nudes and portraits. The postures of the model are like Modigliani's sitting nudes.
Prints of Klaus Kampert's photographs are sold in limited edition.
This picture is available in 2 different formats:
* 100 x 73 cm : edition of 10 copies
* 55 x 40 cm : edition of 15 copies
Each print is numbered and signed by the artist.
- Creator:Klaus Kampert (1953 - 2024, German)
- Creation Year:2011
- Dimensions:Height: 21.66 in (55 cm)Width: 15.75 in (40 cm)
- More Editions & Sizes:100 x 73 cm : edition of 10 Price: $3,544
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803112617782
Klaus Kampert
The photographic work of Klaus Kampert is an uninterrupted dialogue between light and the naked bodies of his models, perceived as an infinite repertoire of forms and expressions. In a setting often reduced to the essential, the artist does not cease to explore the images and emotions that might emerge from this dialogue. With his perfect mastery of the light and the collaboration of classical dancers capable of expressing the full range of emotions through their movements, over the years Klaus Kampert has developed a style whose aim seems to be to capture the very essence of our humanity. “My photography approaches the nudity of bodies as a way to get closer to the spirit and emotions of the human being, through body language. The body is the envelope of the soul: it is both the shelter and the interpreter, the ‘teller’.”
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