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Klaus Kampert163.05.12 by Klaus Kampert - Colour nude framed photograph, woman's body, waterContemporary
Contemporary
About the Item
163.05.12 is a limited-edition colour photograph by contemporary artist Klaus Kampert from the series "Water Creatures".
This photograph is a limited edition of 15 copies, it is sold framed with a black shadow box. Dimensions of the image are 44 × 55 cm (15.7 × 21.7 in). All prints are signed and numbered.
The subject of Klaus Kampert’s photography revolves around the body, and its movement and the emotion that it conveys. He works almost exclusively with ballet dancers for their exceptional physical capabilities as they too strive for beauty, grace and perfection. Their incredible physical capacities better harness the emotion that Klaus Kampert is looking for in his photography. A dialogue develops with the model, the body transmits the message and the movement while Klaus Kampert captures the expression sealing the photo with the emotion.
- Creator:Klaus Kampert (1953 - 2024, German)
- Creation Year:Contemporary
- Dimensions:Height: 15.75 in (40 cm)Width: 21.66 in (55 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803115003192
Klaus Kampert
The photographic work of Klaus Kampert is an uninterrupted dialogue between light and the naked bodies of his models, perceived as an infinite repertoire of forms and expressions. In a setting often reduced to the essential, the artist does not cease to explore the images and emotions that might emerge from this dialogue. With his perfect mastery of the light and the collaboration of classical dancers capable of expressing the full range of emotions through their movements, over the years Klaus Kampert has developed a style whose aim seems to be to capture the very essence of our humanity. “My photography approaches the nudity of bodies as a way to get closer to the spirit and emotions of the human being, through body language. The body is the envelope of the soul: it is both the shelter and the interpreter, the ‘teller’.”
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