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Lucien ClergueFemale Nude Study by Lucien Clergue Vintage printcirca 1960 (printed 1968)
circa 1960 (printed 1968)
$695
£531.36
€612.02
CA$973.91
A$1,087.28
CHF 569.72
MX$13,309.34
NOK 7,235.41
SEK 6,822.07
DKK 4,567.60
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About the Item
Nude Female Study 1968
by Lucien Clergue
A nude models breast protrudes from bubbly water as she poses.
Unframed
Matted
Overall size : 12 x 16" inches / 30 x 41 cm
Image Size: 8.5" x 11.'' inches / 22 x 28 cm
Printed 1968
Sheet Fed Photogravure Print
Mint condition
Certificate of authenticity
Framing option available
Shipped securely from London, England.
Lucien Clergue was born in Arles, France. At the age of 7 he began learning to play the violin, and after several years of study his teacher admitted that he had nothing more to teach him. Clergue was from a family of shopkeepers and could not afford to pursue further studies in a college or university school of music, such as a conservatory.
In 1949, he learned the basics of photography. Four years later, at a corrida in Arles, he showed his photographs to Spanish painter Pablo Picasso who, though subdued, asked to see more of his work. Within a year and a half, young Clergue worked on his photography with the goal of sending more images to Picasso. During this period, he worked on a series of photographs of travelling entertainers, acrobats and harlequins, the « Saltimbanques ». He also worked on a series whose subject was carrion.
- Creator:Lucien Clergue (1934, French)
- Creation Year:circa 1960 (printed 1968)
- Dimensions:Height: 16 in (40.64 cm)Width: 12 in (30.48 cm)Depth: 0.2 in (5.08 mm)
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:London, GB
- Reference Number:Seller: JM1stDibs: LU449310257102
Lucien Clergue
French photographer Lucien Clergue’s work is deeply rooted in his home city of Arles. Picking up a camera as a young man in post-war Provence, he took a different route than other artists of his generation, turning his lens on the rubble and destruction of France after the war, often shooting in low-lit, decimated homes. In addition to his scenes of the city, Clergue’s oeuvre includes incisive images of peers such as Pablo Picasso, Jean Cocteau, and other iconic figures in the south of France. It is his faceless female nudes, however—from the subtle eroticism of his beachside scenes to the chic geometries of his black-and-white “Nu Zebre” series—that have become the artist’s signature.
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