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Mark Sink1980s Pencil-Signed Black and White Nude Photograph of Torso with Blowing Shirt1988
1988
$3,250
£2,484.80
€2,861.99
CA$4,554.25
A$5,084.39
CHF 2,664.14
MX$62,237.90
NOK 33,834.64
SEK 31,901.77
DKK 21,359.29
About the Item
This striking nude photograph, titled Torso with Blowing Shirt (3/5), was captured in 1988 by acclaimed contemporary artist Mark Sink (b. 1958). Signed and dated by the artist, this black-and-white image showcases Sink's masterful ability to capture both sensuality and form. The photograph was featured in the 1989 exhibition Twelve Nudes and a Gargoyle at the Willoughby Sharp Gallery in New York City, highlighting its significance in Sink's body of work.
The photograph features model Lani, photographed on a dock in Long Island City—a location Sink frequently visited for its evocative setting. The dynamic image portrays a powerful sense of movement, with the shirt dramatically billowing, further accentuating the figure's curves and lines.
Framed with archival materials and protected by Museum Glass (UV Protection/Anti-reflective), the framed dimensions of this exquisite piece measure 15 ¼ x 15 ¼ x 1 inches. It remains in very good condition, preserving the integrity of this limited-edition print.
This rare photograph is an exceptional example of Mark Sink’s skill in blending fine art, intimacy, and expressive photography, making it a timeless addition to any collection.
- Creator:Mark Sink (1958, American)
- Creation Year:1988
- Dimensions:Height: 15.25 in (38.74 cm)Width: 15.25 in (38.74 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:very good condition.
- Gallery Location:Denver, CO
- Reference Number:Seller: 207471stDibs: LU27311373542
Mark Sink, a Denver-based photographer, had a formative experience in the 1980s working alongside several influential artists in New York City. During this period, he collaborated with Robert Mapplethorpe, known for his bold and intimate portraits, whose work deeply influenced Sink's approach to human subjects. He also worked with Keith Haring, whose vibrant, socially engaged art inspired Sink’s exploration of color and dynamic space in photography. Additionally, Sink was exposed to the creative atmosphere of Andy Warhol's Factory, where he absorbed Warhol’s unique approach to celebrity culture and mass production, shaping his understanding of the art-world persona. Sink also collaborated with Cindy Sherman, whose conceptual photography focused on identity and self-representation, influencing Sink's own exploration of these themes in portraiture. Sink’s collaborations with these and other prominent artists like Jean-Michel Basquiat and Laurie Anderson provided him with a rich artistic foundation. Their innovative work encouraged Sink to experiment with different photographic techniques and to blend fine art, performance, and conceptual photography, a direction that would define much of his career. These experiences in New York City helped shape Sink’s artistic vision, which continues to push the boundaries of traditional photography while exploring identity, memory, and the human experience.
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