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Mitchell FunkSurreal Yellow Nude with Eye1973
1973
$5,500
£4,176.28
€4,775.89
CA$7,684.30
A$8,546.62
CHF 4,462.78
MX$104,003.23
NOK 56,996.48
SEK 53,452.64
DKK 35,644.29
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About the Item
Extreme close up of a eye combined with a full figure nude in a tight and graphic composition. It's an early in-camera multiple exposure using Ektachrome infra red film during the pre-digital era. The stunning eye is actually the real eye of the model.
Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur" . 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color ! American Photography Transformed. Amon Carter Museum . He has had more than 50 Photography Magazine Covers and has had covers on Newsweek and Life Magazine among others.
Signed, dated, numbered lower right, recto. Edition 3 of 15, Unframed. Other size available, printed later, Printed on Hahnemühle Fine Art paper
- Creator:Mitchell Funk (1950, American)
- Creation Year:1973
- Dimensions:Height: 43 in (109.22 cm)Width: 29 in (73.66 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38534227861
Mitchell Funk
Mitchell Funk is a pioneer of color photography. In 1970, he participated in one of the first color photography shows at the Brooklyn Museum titled “Images en Couleur." In 1971, he was included in the visionary books Frontiers of Photography and Color (Life Library of Photography), both published by Time-Life. He has done more than 50 photography magazine covers, including covers for Newsweek and Life.

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Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use a image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. Their cover image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape...
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