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Mitchell Funk
Surreal Yellow Nude with Eye

1973

$5,500
£4,176.28
€4,775.89
CA$7,684.30
A$8,546.62
CHF 4,462.78
MX$104,003.23
NOK 56,996.48
SEK 53,452.64
DKK 35,644.29
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About the Item

Extreme close up of a eye combined with a full figure nude in a tight and graphic composition. It's an early in-camera multiple exposure using Ektachrome infra red film during the pre-digital era. The stunning eye is actually the real eye of the model. Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur" . 1971 Included he was included in the visionary book "Frontiers of Photography" Time Life. Color ! American Photography Transformed. Amon Carter Museum . He has had more than 50 Photography Magazine Covers and has had covers on Newsweek and Life Magazine among others. Signed, dated, numbered lower right, recto. Edition 3 of 15, Unframed. Other size available, printed later, Printed on Hahnemühle Fine Art paper
  • Creator:
    Mitchell Funk (1950, American)
  • Creation Year:
    1973
  • Dimensions:
    Height: 43 in (109.22 cm)Width: 29 in (73.66 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Miami, FL
  • Reference Number:
    1stDibs: LU38534227861

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1970s Abstract Impressionist Nude Photography

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Nude Christ Like Figure on Infinite Road
By Mitchell Funk
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Signed and dated on lower right, numbered on verso, 3/15 Printed later, other size available, unframed . Exhibited, Images Gallery, New York
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1970s Expressionist Figurative Photography

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SciFi Surreal Landscape of Unconscious Dreams
By Mitchell Funk
Located in Miami, FL
Pioneering SciFi photographer Mitchell Funk experiments with altered realms of reality by juxtaposing two landscapes of unnatural color to form a never-before-seen original vision. A single silhouetted figure looks out on a day-glow yellow sea leading to a dreamscape of trees. The yellow of water is picked up in the trees to unify the different perspectives. Published Popular Photography Magazine, February 1976...
Category

1970s Surrealist Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

End of the World. Begining of the World
By Mitchell Funk
Located in Miami, FL
Mitchell Funk is a pioneer of Sci-Fi photography. In the 1980's He did work for the groundbreaking Bob Guccioni magazine Omni. Signed, dated and number LL recto, 3/15 other size ava...
Category

1980s Surrealist Abstract Photography

Materials

Photographic Paper

Modern Photography Cover, Surreal Landscape
By Mitchell Funk
Located in Miami, FL
Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use an image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. They used an image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape breaks the rules of formula magazine cover art...
Category

1980s Surrealist Landscape Photography

Materials

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Modern Photography Cover, Surreal Landscape
By Mitchell Funk
Located in Miami, FL
Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use a image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. Their cover image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape...
Category

1980s Surrealist Landscape Photography

Materials

Photographic Paper

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