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Pete Kelly
"Roman Bridge", Mellor, Cheshire, UK, 2005

2005

$1,250
£948.47
€1,084.49
CA$1,745.91
A$1,941.22
CHF 1,013.60
MX$23,629.32
NOK 12,933.04
SEK 12,117.64
DKK 8,093.76
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About the Item

Landscape, water, black and white, pastoral, bridge, nature, river, England, United Kingdom, UK, countryside, stream, calm, forest, mountainous, remote, bridge, nature, photography, film photography, b&w, black and white, serene, soft light A rickety bridge mimics the sparseness of the bare trees surrounding it. This bleak landscape does not welcome, but challenges, the passerby. Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and power in the beauty of the urban landscape. "I try to see beauty around me, drawing beauty from ugliness by capturing close up textures of fading paint or graffiti, or by reducing the shape of the subject to silhouette." Kelly's fascination with photography, the quality, and flexibility of the medium began at a very early age. Born in England in 1966, and as the son of a military man, Kelly spent most of his childhood growing up in West Germany. After leaving school Kelly enrolled in a photography course with the R. A. F Photographic Unit, based in Wildenrath in Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveller, Kelly initially decided to return to the UK,
to study Graphic Design at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in America,
Kelly began working as a Photographers Assistant. Working closely with a range of photographers allowed him to intrinsically develop his own
refined sense of aesthetic as well as develop and master photographic theory and technique. Now working as a Fine Art Photographer in his own right,
 Pete Kelly utilizes the most cutting edge equipment and techniques,
 painting with photography by compositing and layering photographs digitally. This allows him to enhance and develop his ideas, concepts, compositions and subject matter without losing his initial attraction to it. "Sometimes I shoot things in stages concentrating on a specific part of a scene,
and layer these pieces together later with imagery, matching perfectly the perspective,
focal length, direction of light and camera angle of the former image.
 Ultimately returning the initial ideas into a seamless photograph." Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
  • Creator:
  • Creation Year:
    2005
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
  • More Editions & Sizes:
    11 x 14Price: $1,00020 x 24Price: $1,75030 x 40Price: $3,000
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Hudson, NY
  • Reference Number:
    1stDibs: G1012291183

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"Cobden Edge", Mellor, Cheshire, UK, 2008
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"Shropshire, England", 2009
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Brabyns Mist, Cheshire, England, 2015
By Pete Kelly
Located in Hudson, NY
CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...
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"Brabyns Park I- Marple, U.K.", 2005
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