Edward Weston

Portrait of Sisters In 18th C. Costume, 1909

1909

Code and information in unknown hand (possibly Dody Weston) on back of print. Authenticated by the Cole Weston trust on back of print. Unmounted. Early print.

Museo De Arte Moderno, Mexico Bosque De Chapultepec, Exposicion Inaugural El Dia 20 De Septiembre De 1964’ stamp on verso with artist, title, collection, EW birth/death date, number,...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Negative Code 25PO. Printed later by Cole West...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston. Negative Code 24...

Baba and Nancy Beaton, circa 1926 - Cecil Beaton (Portrait Photography) Silver gelatin print, printed circa 1926, mounted on board 9 1/2 x 7 1/2 inches Cecil Beaton (1904-1980) had ...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Mary and Maude Platt, 1912 15 x 15 inch gelatin silver print Image Size: 10.75 x 11 inches frame size 18 x 18 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

"Nane - Qagyuhl" Native American in Grizzly Costume - Photogravure Print Photogravure of a Native American man from a photo by Edward Sheriff Curtis (American, 1868-1952). The man i...

Vintage Photo - Street of Women is a vintage silver salt photograph realized in the early 20th Century.  Good condition.