Milton Greene

Vintage Marilyn Monroe

c. 1950's

An original photograph printed from the original negative, shot by Milton Greene in 1956, and printed at a later date. It was created for Greene's series entitled "The Black Sitting...

Milton Greene Marlene Dietrich Original vintage photograph on photographic paper, taken from the original negative Photo taken in NY in 1952, Printed in 1979 as dated on the verso Ha...

This piece is an original photograph printed from the original negative by Milton Greene, created in 1956. This photograph depicts Hollywood Icon Marilyn Monroe, who was a close friend and business partner of the artist. This piece is a part of Greene's series entitled "The Black Sitting...

This piece is an original photograph printed from the original negative by Milton Greene, created in 1956. This photograph depicts Hollywood Icon Marilyn Monroe, who was a close friend and business partner of the artist. This piece is a part of Greene's series entitled "The Black Sitting...

Artist/Designer; Manufacturer: Jonathan Bermudes (French, b. 1968) Marking(s); notes: signed; ed. 6/6; 2006 Materials: diasec-mounted gelatin silver print Dimensions (H, W, D): 49"h...

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...

A photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."" When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

Marilyn Monroe (1954) - Silver Gelatin Fibre Print (Photo by Baron/Getty Images) circa 1954: Marilyn Monroe (1926 - 1962), the most famous of Hollywood's female film stars, relaxes...