Mitchell Funk

Women With Hat In Bus Window, San Francisco

2006

Blue Bus. Red Hat. It's a portrait but is more about the interaction of primary colors, shape and precise composition. Signed, dated lower right and numbere...

Street Photographer Mitchell Funk's signature hi-color/design photography merges with photojournalism in this introspective New York City Taxi Portrait. Signed, dated, numbered low...

Street art come to the intersection of street photography. Signed dated and numbered 3/15 lower right recto, other sizes available, unframed, printed later. Printed on Hahnemühle Fin...

Street art comes to the intersection of street photography. Signed dated and numbered 3/15 lower right recto, other sizes available, unframed, printed later. Printed on Hahnemühle Fi...

Black Man Looking Out Bus Window by Michael Ormerod is a 24" x 34" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 ...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

Chromogenic print Signed, numbered, and dated 27.6 x 35.4 inches, sheet (Edition of 5) 19.7 x 23.6 inches, sheet (Edition of 10) This photograph is offered by ClampArt, located in...

Woman on Bus, from the March on Washington, 1963 (printed later) by Leonard Freed, is a 11" x 14" gelatin silver print, signed and stamped on verso (back of photo) by the estate, Brigitte Freed (wife of the photographer). The photo is from Leonard Freed's series This Is the Day: The March on Washington and is on p. 81 of the book (Getty Museum, 2013). American photographer Leonard Freed enjoyed documentary storytelling and was a "concerned photographer" whose work demonstrated humanitarian concerns. Provenance: Freed archive. *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...