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Ruven AfanadorSilver gelatin print from Ruven Afanador "Sombra" series, stamped on verso2003
2003
About the Item
Untitled portrait from Ruven Afanador "Sombra" series, silver gelatin print, artist print.
This work is featured in Afanador's 2004 book 'Sombra" which combines elegant, erotic portraits and nudes of men with a selection of his opulent still-life tableaux that have been inspired by European painting, this is a sumptuous book that revels in the sensuous and the beautiful.
The photograph is in mint condition, framed in a carved hand finished wooden frame.
Framing method is full conservation framing, antireflective, 99% UV filtering plexiglass.
- Creator:Ruven Afanador (1959, Colombian, American)
- Creation Year:2003
- Dimensions:Height: 31 in (78.74 cm)Width: 24.75 in (62.87 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU2059211155652
Ruven Afanador
The flamboyant, imaginative photographs of Colombian-born Ruven Afanador include dramatic celebrity portraits and several series that play with beauty standards and the conventions of gender. Afanador has produced books based on his fine art photography that document bullfighters, flamenco dancers, and Indigenous cultures in Colombia Hijas del Agua, his series capturing the traditions, attire, and environments of 26 Indigenous communities in Colombia, was the subject of a 2021 exhibition at the National Museum of Colombia in Bogotá. Afanador’s book, Ángel Gitano: The Men of Flamenco, includes high-contrast, black-and-white images such as Eduardo Guerrero Gonzales “Cortijo Santa Teresa de Hornia” (2012) that depict male flamenco performers in somewhat unusual costumes and expressive poses. The series followed up on his 2009 Mil Besos series about female flamenco dancers. Afanador’s editorial work includes portraits of President Barack Obama and Oprah Winfrey, and has appeared in numerous publications such as New York magazine, Vanity Fair, Rolling Stone, Vogue, Elle, and The New Yorker.
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The framing is 100% archival, with the use of only acid frame materials.
Glazing, Optium non glare museum plexi.
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