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Stefanie Schneider
Hospital Ward (Suburbia) - Contemporary, Polaroid, Photography

2004

About the Item

Hospital Ward (Suburbia) - 2004, 20x24cm, Edition of 10, digital C-Print based on a Polaroid. Certificate and signature label. Artist Inventory No. 433. Not mounted. This project "Suburbia" was shot on the set of Marc Forster's first feature film directing "Everything put Together' with Radha Mitchell, Michelle Hicks, Megan Mullally, and others. This piece features Radha Mitchell. "Hospital Ward (Suburbia)" (2004) captures a moment suspended in time—eerily quiet, yet heavy with unspoken tension. The scene unfolds in muted tones, where light seeps through in soft, hazy streaks, diffusing across the space like a fading memory. There’s an unsettling stillness, as if the air itself holds the weight of something past, something unresolved. The composition suggests a sterile environment, yet the emotional undercurrents are anything but. The juxtaposition of suburbia—typically associated with comfort and familiarity—against the starkness of a hospital ward creates a quiet dissonance. Is this a place of healing, or a waiting room for something more existential? The ambiguity lingers, inviting the viewer to project their own narratives onto the scene. As in much of Schneider’s work, Hospital Ward (Suburbia) is an exploration of space, memory, and emotion. It’s a glimpse into an in-between world—where reality wavers and the past hums just beneath the surface, waiting to be remembered. Stefanie Schneider earned her MFA in Communication Design from the renowned Folkwang Schule in Essen, Germany, an institution known for its interdisciplinary approach to art and design. Her work has been widely exhibited in prestigious museums and art institutions across Europe and beyond, underscoring her significant impact on contemporary visual culture. Notable exhibitions include the Museum für Photographie in Braunschweig, the Museum für Kommunikation in Berlin, and the Institut für Neue Medien in Frankfurt. Her cinematic and dreamlike imagery has also been featured at the Nassauischer Kunstverein in Wiesbaden, Kunstverein Bielefeld, and the Museum für Moderne Kunst in Passau. Internationally, Schneider’s work has been recognized at Les Rencontres d'Arles—one of the most esteemed photography festivals in the world— and the Foto-Triennale in Esslingen. Her artistic vision extends beyond traditional gallery spaces, as seen in her participation in the Bombay Beach Biennale in 2018, an avant-garde art festival redefining creative expression in the California desert.

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