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Todd BurrisEyeglasses, 19931993
1993
$1,000
£755.88
€868.64
CA$1,392.49
A$1,549.09
CHF 812.05
MX$18,929.53
NOK 10,340.49
SEK 9,734.14
DKK 6,484.04
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About the Item
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1 of 25
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph
This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous.
Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment.
The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City.
Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more.
In “Mercer Street. NYC” we are taken back to the darker days of soho in 1992. A woman is shot from behind, walking down the gravel filled street in a long white flowing cloak, There is a patina of glamour set in the grit of real life. This sense of asymmetry threads throughout the exhibit.
Some of the prints have a purposefully grainy and soft contrast, reminiscent of a newspaper photo. Burris manipulates the film during developing to create an “un-reproduced” effect. The heavy use of toned black and white and selective focus the photographs have a distinctive grainy texture that is reminiscent of a newspaper print.
Black and White, Women, Portrait, Model, Fashion, Glasses, Shadow
- Creator:
- Creation Year:1993
- Dimensions:Height: 14 in (35.56 cm)Width: 11 in (27.94 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:16 x 20Price: $1,25020 x 24Price: $1,75030 x 40Price: $3,000
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: G12040611474

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By Todd Burris
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1 of 25
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Contemporary Portrait Photography
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Crysthansemums, 1995
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Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1 of 25
CURRENT EXHIBITION - runs through May 8th, 2016. Any framed photographs purchased during the show wil...
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Smoke, 1990
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Category
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Minerva, 2000
By Todd Burris
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1 of 25
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Contemporary Portrait Photography
Materials
Silver Gelatin
"New York Times Magazine, Michael", New York, NY, 1993
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose Picayo. The opening reception will be held Wednesday, November 7th, from 6:00pm to 8:00pm. The exhibit will run through January 6, 2019.
In this exhibition, Picayo seeks to revive the concept of unadulterated beauty captured as a single moment in time. An unapologetic user of film, Picayo prides himself on his avoidance of digital processing for personal work. When asked why it remains his preferred medium, Picayo answers, “Digital is so overpoweringly real; photography is more magical to me.” For Picayo, Polaroid film is a medium where he can capture something as is – a moment in time. Just to hold the photograph in his hands is enough.
25 Years of Polaroids showcases Picayo’s most iconic work. This exhibit includes personal photographs of Cuba from 1994, Polaroid image transfers showcasing his impressive use of visual texture and his eye for fashion. Also included are his Atget-esque tree portraits from a New Jersey public arboretum in 2012. Additionally, a selection of 8” x 10” Polaroids from Mugshots 2008, will be included, exploring how a person’s soul can be captured in what appear to be basic photographs. The main questions at the heart of Picayo’s photography stem from the mystery of human perception and the precious things that are lost to time.
The invitational image, Rotating Doll, 1997, features a multi-paneled display of polaroids which cover an entire length of a wall. These 20” x 24” Polaroids appear larger than life and were given much praise in Picayo’s recent exhibit Polaroids 2016 at The Erie Museum in Erie, PA. This series stems from a collection of children’s dolls Picayo has found over the years, each one with its own strange and authentic story to tell. By cultivating a deteriorated look reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the objects we hold dear and how they fall apart as we try to hold onto them.
Picayo speaks of his own influences, crediting photographers Eugène Atget, Walker Evans, and Edward Curtis, Michael Disfarmer, and Torkil Gudnason with impact on both his fine and commercial art. He is well known for his work in fashion, but for Picayo his personal and commercial work are interrelated, each extensions of one another. Born in Cuba, Picayo immigrated to Puerto Rico during his childhood and settled in New York City by the early 80s. After receiving his BFA from Parsons School of Design, Picayo began his professional career as a commercial photographer, shooting for magazines such as Vanity Fair, Sassy, Taxi, and Connoisseur. Picayo’s work has since appeared in Harper’s Bazaar, L.A. Style, New York Times Magazine...
Category
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Materials
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Jane, 1996
By Todd Burris
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1 of 25
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Silver Gelatin
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