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Orientation: Horizontal
Flaming Yellow, Secret World of Plants, German Macro Botanical Photograph
Located in Los Angeles, CA
In this captivating macro photograph, Görner skillfully unveils the intricate interplay between texture and light within the delicate anatomy of a flower. The vibrant yellow hues rad...
Category
2010s Conceptual Still-life Photography
Materials
C Print, Lambda
Flaming Yellow, Secret World of Plants, German Macro Botanical Photograph
Located in Los Angeles, CA
In this captivating macro photograph, Görner skillfully unveils the intricate interplay between texture and light within the delicate anatomy of a flower. The vibrant yellow hues rad...
Category
2010s Conceptual Still-life Photography
Materials
C Print, Lambda
Flaming Yellow, Secret World of Plants, German Macro Botanical Photograph
Located in Los Angeles, CA
In this captivating macro photograph, Görner skillfully unveils the intricate interplay between texture and light within the delicate anatomy of a flower. The vibrant yellow hues rad...
Category
2010s Conceptual Still-life Photography
Materials
C Print, Lambda
"Navigate" - Southern, car, staged photography, abstract, red
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper, Archival Pigment
Identity is an obstacle to overcome 2, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire about framing.
A NEW COLLABORATION
Tina West + Tucker Robbins - Is That You That You See - 2020
The Robin Rice Gallery i...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Blow Up, Untitled 19
By Ori Gersht
Located in New York, NY
From the series Blow Up
Category
2010s Still-life Photography
Materials
Archival Pigment
Dangerous Love, Secret World of Plants, German Macro Botanical Photograph
Located in Los Angeles, CA
In this mesmerizing macro photograph, Görner masterfully captures the delicate interplay between form and color within a flower's intimate landscape. The soft, diaphanous pink petals...
Category
2010s Conceptual Still-life Photography
Materials
C Print, Lambda
Dangerous Love, Secret World of Plants, German Macro Botanical Photograph
Located in Los Angeles, CA
In this mesmerizing macro photograph, Görner masterfully captures the delicate interplay between form and color within a flower's intimate landscape. The soft, diaphanous pink petals...
Category
2010s Conceptual Still-life Photography
Materials
C Print, Lambda
"Martha Stewart Living Magazine, Australian Tree", California, 2005
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
Early 2000s Contemporary Still-life Photography
Materials
Photographic Paper
Person Concerned, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire within.
A NEW COLLABORATION
Tina West + Tucker Robbins 2020
The Robin Rice Gallery is pleased to present a photographic ...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Night at the Inn
Located in Santa Monica, CA
Edition of 3, 2 AP.
Category
21st Century and Contemporary Still-life Photography
Materials
Photographic Film
Anguilla, BWI, 1989
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 5 of 25
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category
1980s Contemporary Still-life Photography
Materials
Silver Gelatin
Cosmic Dance, Secret World of Plants, German Macro Botanical Photograph
Located in Los Angeles, CA
An intimate portrayal of nature’s elaborate choreography, Cosmic Dance is a fine art photograph that invites the viewer into a world of vibrant textures and earthy chromatics. With i...
Category
2010s Conceptual Still-life Photography
Materials
C Print, Lambda
Cosmic Dance, Secret World of Plants, German Macro Botanical Photograph
Located in Los Angeles, CA
An intimate portrayal of nature’s elaborate choreography, Cosmic Dance is a fine art photograph that invites the viewer into a world of vibrant textures and earthy chromatics. With i...
Category
2010s Conceptual Still-life Photography
Materials
C Print, Lambda
Let's Fly Away, Secret World of Plants, German Macro Botanical Photograph
Located in Los Angeles, CA
This exquisite fine art photograph captures the delicate interplay of light and texture, inviting the viewer to explore the ephemeral beauty of nature in intimate detail. A celebrati...
Category
2010s Conceptual Still-life Photography
Materials
C Print, Lambda
Let's Fly Away, Secret World of Plants, German Macro Botanical Photograph
Located in Los Angeles, CA
This exquisite fine art photograph captures the delicate interplay of light and texture, inviting the viewer to explore the ephemeral beauty of nature in intimate detail. A celebrati...
Category
2010s Conceptual Still-life Photography
Materials
C Print, Lambda
Confidence is not pride, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire about the framing from the exhibition,
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Identity is an obstacle to overcome 1, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire within.
A NEW COLLABORATION
Tina West + Tucker Robbins 2020
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka Table” is an Acadian side-table found nearby that was named by the Bamun carvers of Cameroon who likened its circular design to snake walking. Together, West and Robbins make for an installation that invites audiences to sit down and connect to the fine art objects in a manner different from what they are regularly accustomed to at the Robin Rice Gallery.
In speaking of her influences, West cites Josef Sudek as an early inspiration on her work for how he made evocative black and white photographs out of everyday happenings. Sudek himself once remarked, “I like to tell stories about the life of inanimate objects, to relate something mysterious.” This statement resonates well within West’s own work as she demonstrates a similar gift for finding the beauty in the banality of things overlooked. Her work also shares a kindred spirit with the eccentric assemblages of disparate images made by Joseph Cornell and the experimental platinum prints of Jan Groover...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
The Hundred Acre Wood
By Ken Ragsdale
Located in New York, NY
20"x30" available unframed, edition of 5
Signed and editioned
From the series: "The Hundred Acre Wood"
Ragsdale’s process begins with rough sketch...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Archival Pigment
Maximum Effect of Displacement
By Tina West
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
The beauty of Tina West’s latest show lies in the maturity and wonder of her still lives. For every photo, West stages her scene with unique treasures from her vast collection. Allowing them to speak to her, rather than the opposite, each object is chosen not because of an image West is trying to recreate from her mind, but because of each object’s sheer attraction.
The sharp subconscious connection West feels to her still life objects comes across strongly. This produces a magical end product that has both transformed and repurposed the photographed objects entirely. Though still lives are considered a classic image, West exemplifies a charming, experimental take that pushes the boundaries of the historical still life.
The invitational image, entitled “Constraint Inspires Creativity,” embodies the breadth of her work in capturing a warm rich okra-gold “Do Not...
Category
21st Century and Contemporary Still-life Photography
Materials
Archival Pigment
Hive, Santa Fe, NM, 2005
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
Early 2000s Contemporary Black and White Photography
Materials
Silver Gelatin
"Martha Stewart Living Magazine, Sheffield", New York, NY, 2005
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
Early 2000s Contemporary Black and White Photography
Materials
Photographic Paper
Up in Smoke
Located in Brooklyn, NY
Taking inspiration from Robert Mapplethorpe, Max Grant's Smoke images are timeless elegance.
In this mesmerizing photograph, an ethereal dance unfolds as elegant smoke swirls agai...
Category
21st Century and Contemporary American Modern Still-life Photography
Materials
Photographic Paper
Chet (Contemporary Still Life Flower Photograph)
Located in New Orleans, LA
"Chet" 2015
Dorothy Jean Series
18" x 27" archival pigment print
Moab Entrada Rag fine art paper
#7/25 edition
signed and dated
Selected Finalist:
54th Annual Juried Exhibition, Masur Museum of Art, Monroe, LA
The Red Clay Survey: 2017 Exhibition of Contemporary Southern Art, Huntsville Museum of Art, Huntsville, AL
82nd Annual National Exhibition, Cooperstown Art Association, Cooperstown, New York
Manifest International Photography Annual INPHA 6
I proudly exhibited Les Schmidt...
Category
2010s Color Photography
Materials
Archival Pigment
Stargazer - contemporary inkjet xogram x-ray photo chromaluxe print
By Hugh Turvey
Located in London, GB
Edition of 40.
Hugh Turvey is a British artist and photographer who uses x-ray technology to create what he calls Xograms, a fusion of visible light and x-ray imagery.
Hugh trained as a designer / art director but on discovering photography he retrained under iconic photographer Gered Mankowitz. During 1996/1997 he started experimenting with x-ray/shadow photography...
Category
2010s Contemporary Still-life Photography
Materials
Giclée
"Exit Row" 40"x60" photograph, limited Edition of 5
Located in New York, NY
"Exit Row" 40"x60" photograph - edition 1/5 (unframed)
This iconic photograph is from the artist's series: "Brace For Impact: the aftermath of flight 1549." Depicting the wing from...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Photographic Paper, C Print
María Magdalena
Located in Brooklyn, NY
In this poignant photograph, the lens captures the profound essence of an aged Spanish polychromed wood statue of María Magdalena. The weather...
Category
21st Century and Contemporary Renaissance Still-life Photography
Materials
Plexiglass, Archival Ink
"The Abby Garden", Penzance, Cornwall, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
The quietness of strength
Located in Los Angeles, CA
Edition 2/15 +2 AP
Sharon Johnson-Tennant is a photographer living in Los Angeles, California. She received a degree in Fine Arts from Skidmore College in New York and continued wit...
Category
2010s Contemporary Still-life Photography
Materials
Archival Paper
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Paper, Pigment
Orange Flower Petal Detail, Color Nature Photography by Geoffrey Baris, Close-up
Located in New York, NY
Orange Flower Petals, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and number...
Category
2010s Contemporary Color Photography
Materials
Color, Archival Pigment
"1940", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Paper, Pigment
Lotus Fire #12
By Kim Reierson
Located in Hudson, NY
Black and white, Still life, Flower, Botanical, Rose, Abstract, flower, still life, photograph, black and white photograph, abstraction, b&w
All the photographs in a limited edition. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.”
ABOUT
In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work.
On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
"Dartmoor Pony, in Haytor Rock, Dartmoor", Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Silver Gelatin
Bubbles, Adirondacks
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work.
In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative.
The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end.
One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look.
All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white.
Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure.
Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Paper, Pigment
"The Shape of Time", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
Early 2000s Contemporary Still-life Photography
Materials
Archival Pigment
"Cityscape", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Paper, Pigment
Banana Purple Hand Signed Limited Edition
Located in London, GB
Banana Purple Hand Signed Limited Edition Print
Stuart Möller
Beautiful Archival Pigment Print of a banana plant on a summer evening.
40 x 30 inches / 101 x 76 cm paper size - si...
Category
2010s Modern Color Photography
Materials
Archival Pigment
STILL LIFE WITH PLATE OF CHEESE AND BEER STEIN
By Beth Lipman
Located in New York, NY
lambda print mounted on plexi
Edition of 3
Still-life of glass objects
Category
2010s Contemporary Still-life Photography
Materials
Lambda
L'Elegance
Located in Saint Louis, MO
Working with a collection of vintage Barbies, photographer Larry Torno set out to make portraits that showed the interior lives of these dolls. Burdened with the weight of being perf...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Pigment
$2,030
FLOATING GREEN APPLES OVER NAPKIN
Located in New York, NY
hand colored photograph of green apples. Still-Life.
framed in wood with gold leaf corners.
Category
1970s Post-War Color Photography
Materials
Photographic Paper, Color Pencil
'Istan Petals' Hand Signed Limited Edition
Located in London, GB
'Istan Petals' Hand Signed Limited Edition
Stuart Möller
Two fallen bougainvillea petals floating on water in Istan, Spain.
Beautiful Archival Pigment Print.
20 x 16 inches / 41 x...
Category
21st Century and Contemporary Abstract Still-life Photography
Materials
Archival Pigment
Burned Out Series I
Located in West Palm Beach, FL
1/10 One out of a series of Ten signed and numbered Photos mounted on non glare Plexiglas with a wood frame on back to hang floated on wall.
Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel.William is showing his work locally and nationally and being collected in Palm Beach Island, Washington and New York.
Gallery Representation
DTR Modern Galleries 440 S. County, Palm Beach FL 33480
DTR Modern Galleries Boston, MA
NoSo Fine Art, 3716 S. Dixie Hwy West Palm Beach, FL 33405
Gary Rubinstein...
Category
2010s Street Art Color Photography
Materials
Plexiglass, Photographic Paper
"Starburst" Photography 24" x 36" inch Edition 1/15 by Larsen Sotelo
Located in Culver City, CA
"Starburst" Photography 24" x 36" inch Edition 1/15 by Larsen Sotelo
Not framed. Ships in tube
Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish
Shot wi...
Category
21st Century and Contemporary Contemporary Still-life Photography
Materials
Archival Ink, Giclée, Rag Paper
Lisa (Large Contemporary Still Life Flower Photograph)
Located in New Orleans, LA
"Lisa," 2015
Archival Pigment Print on Moab Entrada Rag fine art paper
#3/25 edition
signed and dated
This Photograph Selected Finalist:
54th Annual Juried Exhibition, Masur Museum of Art, Monroe, LA
52nd National Juried Exhibition, St Tammany Art Association, Covington, LA, *Third Place Winner as chosen by juror William Fagaly
I proudly exhibited Les Schmidt...
Category
2010s Still-life Photography
Materials
Pigment
'Istan Petals' Hand Signed Limited Edition
Located in London, GB
'Istan Petals' Hand Signed Limited Edition
Stuart Möller
Two fallen bougainvillea petals floating on water in Istan, Spain.
Beautiful Archival Pigment Print.
30 x 20 inches / 76 x...
Category
21st Century and Contemporary Abstract Still-life Photography
Materials
Archival Pigment
Afar #12
Located in New York, NY
Afar #12, 2016
Digital photography printed on Hahnemuhle paper
16.50h x 81w in
Edition of 5
Lujan Candria is a multidisciplinary artist who uses a wide array of media, such as pain...
Category
2010s Contemporary Still-life Photography
Materials
Digital
'Istan Petals' Hand Signed Limited Edition
Located in London, GB
'Istan Petals' Hand Signed Limited Edition
Stuart Möller
Two fallen bougainvillea petals floating on water in Istan, Spain.
Beautiful Archival Pigment Print.
40 x 30 inches / 101 ...
Category
21st Century and Contemporary Abstract Still-life Photography
Materials
Archival Pigment
Untitled #3
Located in New York, NY
Laura Letinsky
Untitled #3, Guild Hall, 2013
Archival pigment print
Edition of 7
Image: 48 x 37 1/2 inches
Paper: 58 x 48 inches
Category
21st Century and Contemporary Still-life Photography
Materials
Archival Pigment
'Istan Petals' Hand Signed Limited Edition
Located in London, GB
'Istan Petals' Hand Signed Limited Edition
Stuart Möller
Two fallen bougainvillea petals floating on water in Istan, Spain.
Beautiful Archival Pigment Print.
60 x 40 inches / 152 ...
Category
21st Century and Contemporary Abstract Still-life Photography
Materials
Archival Pigment
'Howard Bust' c 1990 SIGNED & LIMITED EDITION
Located in London, GB
'Howard Bust' by Christopher Simon Sykes
One of the many classical sculptures at Castle Howard, Yorkshire, c 1990 captured in the late afternoon with deep contrasting shadows lendin...
Category
1990s Modern Color Photography
Materials
C Print
Covid-Free Cardboard-Photograph
Located in Chesterfield, MI
Photo taken at Eastern Market in Detroit during Covid, 2020--just before the lockdown.
Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.
Category
21st Century and Contemporary Photorealist Still-life Photography
Materials
Photographic Paper
$80 Sale Price
20% Off
Heart
By Omar Torres
Located in Mexico City, CDMX
OMAR TORRES
(Mexico City, 1977)
Lives and works in Mexico City
The artist produces sets for each piece, which he then photographs. This is what makes Omar Torres’s works spectacula...
Category
2010s Contemporary Figurative Photography
Materials
Inkjet
$6,000
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