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Christine SoMidnight Magnolia Triptych (Three 24 x 18 inch cyanotypes)2025
2025
$850
£653.88
€758.96
CA$1,198.70
A$1,342.75
CHF 705.26
MX$16,327.40
NOK 8,930.90
SEK 8,477.82
DKK 5,664.45
About the Item
These are three separate 24 x 18-inch hand-printed photographs using the 170-year-old cyanotype process.
Unframed, side by side, they span 24 x 54 inches”.
Once matted and framed to either 28 × 22” or 30 × 24” each, they would cover 6 feet horizontally. It depends if you use a 2-inch or 3-inch wide mat and the spacing between the panels. Perfect above a sofa or king size bed.
Cyanotypes are a 19th century form of photography.
These photographs are actually the negative of the original, with the dark and light areas reversed. What was originally a daytime image of a dark silhouette of a branch against a morning sky is flipped to look like a night sky with the pale branch illuminated by moonlight.
Printed on heavy 100% cotton watercolor paper and signed on the back.
Unframed.
Signed on the back.
Free shipping to the United States.
- Creator:Christine So (1970, American)
- Creation Year:2025
- Dimensions:Height: 24 in (60.96 cm)Width: 54 in (137.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737216559092
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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