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Lyle Ashton HarrisUntitled (Procession), 1998, rare cibachrome proof print1998
1998
$1,100
£849.94
€982.61
CA$1,554.38
A$1,743.34
CHF 912.96
MX$21,183.28
NOK 11,593.07
SEK 10,991.04
DKK 7,334.68
About the Item
A rare unsigned proof print from Muse X. this is the original Cibachrome print on heavy metallic photography paper.
this is an original vintage color print c print.
Lyle Ashton Harris (born 1965) is an American artist who has cultivated a diverse artistic practice ranging from photographic media, collage, photo montage, installation art and performance art. Born in the Bronx, Harris was raised between New York City and Dar Es Salaam, Tanzania. He graduated with a BA from Wesleyan University and received his MFA from the California Institute of the Arts.
His work explores intersections between the personal and the political, examining the impact of ethnicity, gender and desire on the contemporary social and cultural dynamic. Known for his self-portraits and use of pop culture icons (such as Billie Holiday and Michael Jackson), His work has been exhibited internationally, including at the Whitney Museum of American Art, the Solomon R. Guggenheim Museum and the 52nd Venice Biennale. His work has been acquired by major international museums, most recently by the Museum of Modern Art in New York. His commissioned work has been featured in a wide range of publications, including The New York Times Magazine and the New Yorker. In 2014 Harris joined the board of trustees at the American Academy in Rome and was named the 10th recipient of the David C. Driskell Prize by the High Museum of Art in Atlanta. Born in the Bronx New York City, He currently lives and works in New York City and is an Associate Professor at New York University.
Education
Whitney Museum Independent Study Program, 1992
National Graduate Photography Seminar, Tisch School of the Arts, New York University, 1991
Master of Fine Arts, California Institute of the Arts, 1990
Bachelor of Arts (with Honors), Wesleyan University, 1988
Works in Public Collections
Los Angeles County Museum of Art
Miami Art Museum
Museo de Arte Contemporáneo de Castilla y León, Spain
Museum of Contemporary Art, Los Angeles
Museum of Contemporary Art, San Diego
Museum of Fine Arts, Boston
Museum of Modern Art, New York
Princeton University Art Museum
The Solomon R. Guggenheim Museum, New York
The Studio Museum in Harlem
The Walker Art Center, Minneapolis
The Whitney Museum of American Art, New York
Selected Solo Exhibitions
2010Untitled (Black Power), Cokkie Snoei Gallery, Amsterdam Netherlands
Ghana, CRG Gallery, NY
2008Sketches from the Shore, The Neil L. and Angelica Zander Rudenstine Gallery, Harvard University,Cambridge, MA
2004Lyle Ashton Harris, Galerie Nathalie Obadia, Paris, France
Blow Up, Rhona Hoffman Gallery, Chicago, IL
Rrose is a Rrose is a Rrose: Gender Performance in Photography, The Solomon R. Guggenheim Museum, New York, NY (catalogue) Traveled to The Andy Warhol Museum, Pittsburgh, PA
Bang! The Gun as Image, Museum of Fine Arts, Florida State University, Tallahassee, FL
1998Distillation, Galerie Analix Forever, Geneva, Switzerland
Alchemy, in collaboration with Thomas Allen Harris, New Langston Arts, San Francisco, CA. Traveled to Corcoran Gallery of Art, Washington, DC (catalogue)
1994The Good Life, Jack Tilton Gallery, New York, NY
Face, Broadway Window, New Museum of Contemporary Art, New York, NY
Selected Group Exhibitions
2014Radical Presence: Black Performance in Contemporary Art, The Studio Museum in Harlem, New York
“The Progress of Love”, The Menil Collection, Houston, TX
“The Romare Bearden Project”, The Studio Museum in Harlem, New York, NY
2011 “Hide/Seek: Difference and Desire in American Portraiture”, Brooklyn Museum of Art, Brooklyn, NY (catalogue)
Kreyol Factory, Grande Hale de la Villete, Paris, France (catalogue)
S&M: Shines and Masquerades in Cosmopolitan Times, [Co-Curator], 80 Washington Square East Galleries, New York University, New York, NY
2007 Think with the Senses, Feel with the Mind, 52nd Venice Biennale, Venice, Italy (catalogue)
(NOT) GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY
2005 Male Desire Two, Mary Ryan Gallery, NY
African Queen, The Studio Museum in Harlem, New York, NY
The Squared Circle: Boxing in Contemporary Art, Walker Art Center, Minneapolis, MN
2002 Typical Men: Recent Photography of the Male Body by Men, Gallery of Modern Art, Glasgow
Goddess, Galerie Lelong, New York, NY
Welcome, Curated by Renato Bianchini, Citta Sant’Angelo, Pescara, Italy
1998 Diana.98, Museum fur Gegenwartskunst, Zurich, Switzerland
Millenovecento, Galerie Analix B Polla & C Cargnel, Paris, France
Black Nudes: New Identities, Gay Games Amsterdam 1998, Amsterdam, Netherlands
Portraits, James Graham and Sons, New York, NY
The Paranoid Machine, Shoshana Wayne Gallery, Santa Monica, CA
Published Photographs
Stanley, Alessandra, “Berlusconi, The Return,” The New York Times Magazine, April 15, p. 40, (photographed Silvio Berlusconi)
Hyland, John, “Hot Chicks, Cool Rooms,” The New York Times Magazine’s Fashions of the Times, Spring Issue, p.185
2000Portraits of Cuban Link, Fat Joe, Jermaine Dupri, Jill Scott, Lil’ Bow Wow, Missy Elliot, Mocha, The Roots, and Torrey Carter, Ogunnaike, Lola et al. “Next: Rappers and Proteges.” VIBE Sept. 2000: 128-32. Print.
[Portrait of Yoko Ono] Wallach, Amei. “The Widow Peaks.” The New York Times Magazine 24 Sept. 2000: 59. Print and web
[Self portrait] Ogunnaike, Lola. “What’s Really on the Minds of Americans: A Special Photography Issue.”The New York Times Magazine 7 May 2000
“Chuck Close Master Portraitist: Lyle Ashton Harris at Chuck Close’s Studio in Soho.” aRUDE Winter 1999: 74-6. Print.
Harris, Lyle Ashton and Cindy Sherman. “The Sublime, The Grotesque, The Epic: Lyle Ashton Harris Interviews Cindy Sherman.”
Harris, Lyle Ashton and Holland Cotter. “After Stonewall.” Art in America June 1994
- Creator:Lyle Ashton Harris (1965, American)
- Creation Year:1998
- Dimensions:Height: 11 in (27.94 cm)Width: 14 in (35.56 cm)
- Medium:
- Period:
- Condition:with hairline scuffs visible at certain angles in raking light. (impossible to photograph) and the margins are uneven. I can ship it matted.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210534352
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View AllUntitled (Candles), 1998, rare cibachrome proof print
By Lyle Ashton Harris
Located in Surfside, FL
A rare unsigned proof print from Muse X. this is the original Cibachrome print on heavy metallic photography paper.
this is an original vintage color print c print.
Lyle Ashton Harris (born 1965) is an American artist who has cultivated a diverse artistic practice ranging from photographic media, collage, photo montage, installation art and performance art. Born in the Bronx, Harris was raised between New York City and Dar Es Salaam, Tanzania. He graduated with a BA from Wesleyan University and received his MFA from the California Institute of the Arts.
His work explores intersections between the personal and the political, examining the impact of ethnicity, gender and desire on the contemporary social and cultural dynamic. Known for his self-portraits and use of pop culture icons (such as Billie Holiday and Michael Jackson), His work has been exhibited internationally, including at the Whitney Museum of American Art, the Solomon R. Guggenheim Museum and the 52nd Venice Biennale. His work has been acquired by major international museums, most recently by the Museum of Modern Art in New York. His commissioned work has been featured in a wide range of publications, including The New York Times Magazine and the New Yorker. In 2014 Harris joined the board of trustees at the American Academy in Rome and was named the 10th recipient of the David C. Driskell Prize by the High Museum of Art in Atlanta. Born in the Bronx New York City, He currently lives and works in New York City and is an Associate Professor at New York University.
Education
Whitney Museum Independent Study Program, 1992
National Graduate Photography Seminar, Tisch School of the Arts, New York University, 1991
Master of Fine Arts, California Institute of the Arts, 1990
Bachelor of Arts (with Honors), Wesleyan University, 1988
Works in Public Collections
Los Angeles County Museum of Art
Miami Art Museum
Museo de Arte Contemporáneo de Castilla y León, Spain
Museum of Contemporary Art, Los Angeles
Museum of Contemporary Art, San Diego
Museum of Fine Arts, Boston
Museum of Modern Art, New York
Princeton University Art Museum
The Solomon R. Guggenheim Museum, New York
The Studio Museum in Harlem
The Walker Art Center, Minneapolis
The Whitney Museum of American Art, New York
Selected Solo Exhibitions
2010Untitled (Black Power), Cokkie Snoei Gallery, Amsterdam Netherlands
Ghana, CRG Gallery, NY
2008Sketches from the Shore, The Neil L. and Angelica Zander Rudenstine Gallery, Harvard University,Cambridge, MA
2004Lyle Ashton Harris, Galerie Nathalie Obadia, Paris, France
Blow Up, Rhona Hoffman Gallery, Chicago, IL
Rrose is a Rrose is a Rrose: Gender Performance in Photography, The Solomon R. Guggenheim Museum, New York, NY (catalogue) Traveled to The Andy Warhol Museum, Pittsburgh, PA
Bang! The Gun as Image, Museum of Fine Arts, Florida State University, Tallahassee, FL
1998Distillation, Galerie Analix Forever, Geneva, Switzerland
Alchemy, in collaboration with Thomas Allen Harris, New Langston Arts, San Francisco, CA. Traveled to Corcoran Gallery of Art, Washington, DC (catalogue)
1994The Good Life, Jack Tilton Gallery, New York, NY
Face, Broadway Window, New Museum of Contemporary Art, New York, NY
Selected Group Exhibitions
2014Radical Presence: Black Performance in Contemporary Art, The Studio Museum in Harlem, New York
“The Progress of Love”, The Menil Collection, Houston, TX
“The Romare Bearden Project”, The Studio Museum in Harlem, New York, NY
2011 “Hide/Seek: Difference and Desire in American Portraiture”, Brooklyn Museum of Art, Brooklyn, NY (catalogue)
Kreyol Factory, Grande Hale de la Villete, Paris, France (catalogue)
S&M: Shines and Masquerades in Cosmopolitan Times, [Co-Curator], 80 Washington Square East Galleries, New York University, New York, NY
2007 Think with the Senses, Feel with the Mind, 52nd Venice Biennale, Venice, Italy (catalogue)
(NOT) GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY
2005 Male Desire Two, Mary Ryan Gallery, NY
African Queen, The Studio Museum in Harlem, New York, NY
The Squared Circle: Boxing in Contemporary Art, Walker Art Center, Minneapolis, MN
2002 Typical Men: Recent Photography of the Male Body by Men, Gallery of Modern Art, Glasgow
Goddess, Galerie Lelong, New York, NY
Welcome, Curated by Renato Bianchini, Citta Sant’Angelo, Pescara, Italy
1998 Diana.98, Museum fur Gegenwartskunst, Zurich, Switzerland
Millenovecento, Galerie Analix B Polla & C Cargnel, Paris, France
Black Nudes: New Identities, Gay Games Amsterdam 1998, Amsterdam, Netherlands
Portraits, James Graham and Sons, New York, NY
The Paranoid Machine, Shoshana Wayne Gallery, Santa Monica, CA
Published Photographs
Stanley, Alessandra, “Berlusconi, The Return,” The New York Times Magazine, April 15, p. 40, (photographed Silvio Berlusconi)
Hyland, John, “Hot Chicks, Cool Rooms,” The New York Times Magazine’s Fashions of the Times, Spring Issue, p.185
2000Portraits of Cuban Link, Fat Joe, Jermaine Dupri, Jill Scott...
Category
1990s Contemporary Color Photography
Materials
Color
Untitled (Blue), Alchemy Series, Vintage Cibachrome Print
By Lyle Ashton Harris
Located in Surfside, FL
Original color vintage Cibachrome print, very large size, signed on verso.
Lyle Ashton Harris (born 1965) is an American artist who has cultivated a diverse artistic practice ranging from photographic media, collage, photo montage, installation art and performance art. Born in the Bronx, Harris was raised between New York City and Dar Es Salaam, Tanzania. He graduated with a BA from Wesleyan University and received his MFA from the California Institute of the Arts.
His work explores intersections between the personal and the political, examining the impact of ethnicity, gender and desire on the contemporary social and cultural dynamic. Known for his self-portraits and use of pop culture icons (such as Billie Holiday and Michael Jackson), His work has been exhibited internationally, including at the Whitney Museum of American Art, the Solomon R. Guggenheim Museum and the 52nd Venice Biennale. His work has been acquired by major international museums, most recently by the Museum of Modern Art in New York. His commissioned work has been featured in a wide range of publications, including The New York Times Magazine and the New Yorker. In 2014 Harris joined the board of trustees at the American Academy in Rome and was named the 10th recipient of the David C. Driskell Prize by the High Museum of Art in Atlanta. Born in the Bronx New York City, He currently lives and works in New York City and is an Associate Professor at New York University.
Education
Whitney Museum Independent Study Program, 1992
National Graduate Photography Seminar, Tisch School of the Arts, New York University, 1991
Master of Fine Arts, California Institute of the Arts, 1990
Bachelor of Arts (with Honors), Wesleyan University, 1988
Works in Public Collections
Los Angeles County Museum of Art
Miami Art Museum
Museo de Arte Contemporáneo de Castilla y León, Spain
Museum of Contemporary Art, Los Angeles
Museum of Contemporary Art, San Diego
Museum of Fine Arts, Boston
Museum of Modern Art, New York
Princeton University Art Museum
The Solomon R. Guggenheim Museum, New York
The Studio Museum in Harlem
The Walker Art Center, Minneapolis
The Whitney Museum of American Art, New York
Selected Solo Exhibitions
2010Untitled (Black Power), Cokkie Snoei Gallery, Amsterdam Netherlands
Ghana, CRG Gallery, NY
2008Sketches from the Shore, The Neil L. and Angelica Zander Rudenstine Gallery, Harvard University,Cambridge, MA
2004Lyle Ashton Harris, Galerie Nathalie Obadia, Paris, France
Blow Up, Rhona Hoffman Gallery, Chicago, IL
Rrose is a Rrose is a Rrose: Gender Performance in Photography, The Solomon R. Guggenheim Museum, New York, NY (catalogue) Traveled to The Andy Warhol Museum, Pittsburgh, PA
Bang! The Gun as Image, Museum of Fine Arts, Florida State University, Tallahassee, FL
1998Distillation, Galerie Analix Forever, Geneva, Switzerland
Alchemy, in collaboration with Thomas Allen Harris, New Langston Arts, San Francisco, CA. Traveled to Corcoran Gallery of Art, Washington, DC (catalogue)
1994The Good Life, Jack Tilton Gallery, New York, NY
Face, Broadway Window, New Museum of Contemporary Art, New York, NY
Selected Group Exhibitions
2014Radical Presence: Black Performance in Contemporary Art, The Studio Museum in Harlem, New York
“The Progress of Love”, The Menil Collection, Houston, TX
“The Romare Bearden Project”, The Studio Museum in Harlem, New York, NY
2011 “Hide/Seek: Difference and Desire in American Portraiture”, Brooklyn Museum of Art, Brooklyn, NY (catalogue)
Kreyol Factory, Grande Hale de la Villete, Paris, France (catalogue)
S&M: Shines and Masquerades in Cosmopolitan Times, [Co-Curator], 80 Washington Square East Galleries, New York University, New York, NY
2007 Think with the Senses, Feel with the Mind, 52nd Venice Biennale, Venice, Italy (catalogue)
(NOT) GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY
2005 Male Desire Two, Mary Ryan Gallery, NY
African Queen, The Studio Museum in Harlem, New York, NY
The Squared Circle: Boxing in Contemporary Art, Walker Art Center, Minneapolis, MN
2002 Typical Men: Recent Photography of the Male Body by Men, Gallery of Modern Art, Glasgow
Goddess, Galerie Lelong, New York, NY
Welcome, Curated by Renato Bianchini, Citta Sant’Angelo, Pescara, Italy
1998 Diana.98, Museum fur Gegenwartskunst, Zurich, Switzerland
Millenovecento, Galerie Analix B Polla & C Cargnel, Paris, France
Black Nudes: New Identities, Gay Games Amsterdam 1998, Amsterdam, Netherlands
Portraits, James Graham and Sons, New York, NY
The Paranoid Machine, Shoshana Wayne Gallery, Santa Monica, CA
Published Photographs
Stanley, Alessandra, “Berlusconi, The Return,” The New York Times Magazine, April 15, p. 40, (photographed Silvio Berlusconi)
Hyland, John, “Hot Chicks, Cool Rooms,” The New York Times Magazine’s Fashions of the Times, Spring Issue, p.185
2000Portraits of Cuban Link, Fat Joe, Jermaine Dupri, Jill Scott...
Category
20th Century Contemporary Color Photography
Materials
Photographic Paper, C Print
Seasons 1981 Photo Color Copier Print Photograph Museum Collected Art Xerography
By Leslie Schiff
Located in Surfside, FL
SEASONS (1981)
This is for the single print listed here. (not the outside folder or title sheet)
Title: Woman (with Chinese Fan). This one is hand signed and dated verso.
Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum.
Date: 1980-1981
Medium: vintage color photocopy print.
“I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio.
We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City.
Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics".
She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light.
The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork.
She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada.
Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner.
She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...
Category
1980s Contemporary Color Photography
Materials
Color
Large Cibachrome Color Photograph LA Woman Artist Dress, Feminist, Photo C Print
Located in Surfside, FL
A large scale Cibachrome photograph.
An abstract work from the series titled, "Fairfax Ladies," (the historic old Jewish neighborhood of Los Angeles) produced 1983. The subject was created through by placing diaphanous fashion garments onto photo-sensitive paper, embellishing them with objects, paper bits, and flora, and layering in painterly surfaces with scratches, completely covering the image. The series won a prize in the BCibachrome competition (1985), sponsored by BC Space Gallery (Laguna Beach, CA), and was exhibited at "Robin Valle: From Darkroom to Digital, Works from 1974-2009," posthumously presented August 2009 at El Camino College Gallery (Torrance, CA). Work presented under plexiglass in a custom wood frame.
Work Size: 39.5 x 29.5 in.
Framed Dimensions: 43.5 X 33.5 X 2 in.
Valle, Robin Joy (1953-2009)
After receiving her BA from SMU and an MFA in Photo/Cinematography from the University of Illinois in 1977, she moved to Los Angeles. Valle exhibited her one-of-a-kind Cibachrome photographs at galleries and museums locally and nationally. In 1982, she was selected for the NEA funded, "Life in LA" project, sponsored by the Los Angeles Women's Building. Valle taught photography at many Southland colleges as well as the LA County High School for the Arts. She was one of the first LA based photographers to explore digital media, receiving an Innovative Instruction Grant from Chaffee College in 1989 to create their first photography class in digital media. In 1998 she became a member of the full-time faculty at El Camino College, where she was instrumental in developing the Digital Arts program. Her work ranged from Black and white photographs to colorful, intricately layered patterns that command the gallery walls.
It isn’t surprising that she, along with fellow art instructor, Joyce Dalal, contributed largely to the ECC art department’s merge towards digital art. As one of the first local photographers to explore digital media, she was crucial to the development of the Digital Arts Program.
Before computers became commonplace, Valle’s techniques show a digital influence. “Her work was always inventive”, said ECC art curator, Susanna Meiers. An effect that can easily be done now with a few mouse clicks on Adobe Photoshop, required a long process of rubbing dye into the actual photograph in the ’70s. Her methods of illustrating were just as unique as the topics themselves. Photographs of the violent Chinese protest at Tiananmen Square in 1989 where military response murdered protestors in large numbers included photographing images from her television screen. “Crime Stats/ Hollywood” was a theme she dedicated to the gang violence around her neighborhood in the early ’90s. With washed out gang members as the focal point,
and graffiti as well as mapped out grids of Los Angeles as the backdrop, Valle’s layering, collage-like technique is continued on and more developed. “There is a fanciful, imaginary quality of her work,” said Meiers. From her quirky pieces of birds, zebras, and even dinosaurs enveloped in patterned, colorful, designs to her more serious themed feminist pieces, her eclectic, colorful style breaks through. Her feminism is on display in “Expectations” which illustrates women’s ability to “look good and produce children.” A bright human embryo steals your attention dead center, with a “June Cleaver” type 1950’s woman smirking at you from either side of it. A mustard yellow backdrop, brings the entire piece together illustrating society’s views of women as well as her playfulness as an artist. “Robin was terribly funny and had a laugh that would just set people off,” Meiers said. The art curator designed a section of the gallery similar to Valle’s apartment. A bright pink shelf...
Category
1980s Contemporary Still-life Photography
Materials
C Print
Seasons 1981 Photo Color Copier Print Photograph Museum Collected Art Xerography
By Leslie Schiff
Located in Surfside, FL
SEASONS (1981)
This is for the single print listed here. (not the outside folder or title sheet)
Title: Leopards. This one is hand signed and dated verso.
Seasons explores the season...
Category
1980s Contemporary Color Photography
Materials
Color
Seasons 1981 Photo Color Copier Print Photograph Museum Collected Art Xerography
By Leslie Schiff
Located in Surfside, FL
SEASONS (1981)
This is for the single print listed here. (not the outside folder or title sheet)
Title: Column. This one is hand signed and dated verso.
Seasons explores the seasons ...
Category
1980s Contemporary Color Photography
Materials
Color
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