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Medium: Paper
"Martha Stewart Living Magazine, Peony", New York, NY, 2000
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
Early 2000s Contemporary Paper Still-life Photography
Materials
Photographic Paper
Home Sweet Home
Located in Boston, MA
Artist Commentary:
Original cut and paste collage using imagery from vintage books and magazines.
This collage was created for a social m...
Category
21st Century and Contemporary Modern Paper Still-life Photography
Materials
Paper
YELLOW ROSE (After Georgia O'Keeffe) photograph on plexiglass
Located in Brooklyn, NY
Max Grant's floral macro photography series, aptly titled "(Floral)," serves as a mesmerizing exploration of botanical beauty reminiscent of the legendary artist Georgia O'Keeffe. Th...
Category
21st Century and Contemporary American Modern Paper Still-life Photography
Materials
Photographic Paper, Plexiglass
"Martha Stewart Living Magazine, Australian Tree", California, 2005
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
Early 2000s Contemporary Paper Still-life Photography
Materials
Photographic Paper
Peony, c. 1880's
Located in Santa Monica, CA
Vintage Hand Colored Albumen Print
Paper is 11 1/2 x 9 1/4 inches, Matted to 20 x 16 inches
Category
1880s Paper Still-life Photography
Materials
Photographic Paper
REMBRANDT TULIP (After Georgia O'Keeffe) photograph on plexiglass
Located in Brooklyn, NY
Max Grant's floral macro photography series, aptly titled "(Floral)," serves as a mesmerizing exploration of botanical beauty reminiscent of the legendary artist Georgia O'Keeffe. Th...
Category
21st Century and Contemporary American Modern Paper Still-life Photography
Materials
Plexiglass, Photographic Paper
"Navigate" - Southern, car, staged photography, abstract, red
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
ASHE STREET #6
Located in Three Oaks, MI
"Organic patterns and forms found in nature have an instinctive draw. The theory of fractal geometry, infinite layers of self-similar shapes repeated in every living thing, hold an e...
Category
2010s Contemporary Paper Still-life Photography
Materials
Paper
Calla Lilies • # 3 of 9 • 42 cm x 29 cm
Located in Aramits, Nouvelle-Aquitaine
Calla Lilies • 2005 • Edition of 18 prints in 3 different sizes.
All prints are numbered and signed. Printed on Hahnemühle Archival Paper.
Three different sizes are available, the ...
Category
Early 2000s Contemporary Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Digital Pigment
"COCA-COLA" Photography (FRAMED) 40" x 40" inch Ed. of 20 by Giuliano Bekor
Located in Culver City, CA
"COCA-COLA" Photography (FRAMED) 40" x 40" inch Ed. of 20 by Giuliano Bekor
Print size 40x40 Inches
Artwork finished size 42x42 Inches
Limited edition of 20
Artist proof 2
Medium:
This artwork printed on a highest resolution archival fine art museum quality Kodak optima paper, Printed with a high gloss finish. Mounted on 1/4 Inch non-reflective museum grade acrylic face- mount. 1/8 Inch polished aluminum back-mount. finished with hand polished crystal clear edges for extra depth and dimension. Comes with custom gallery style chrome metal floater frame-face finish. Artwork framed with a stainless metal linner float mount hanger.
ABOUT THE ARTIST
Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art.
Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists.
With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work.
Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style.
For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens.
His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered.
If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous.
The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak.
EXHIBITION HIGHLIGHTS
Giuliano Bekor’s most recent fine art photography solo shows include:
2019 - March Lips The cool HeArt gallery...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Metal
"Red Orange Flower, inscribed 'Happy Holidays!' - Peace in 2005 - Teri & Murray"
By Murray Weiss
Located in Milwaukee, WI
"Red Orange Flower, inscribed 'Happy Holidays!' - Peace in 2005 - Teri & Murray" is a photography card signed by Murray and Teri Weiss. The flower has red veins and orange petals.
Art: 8.5 x 5.5 in
Frame: 13 x 10 in
PROFESSIONAL AND RELATED EXPERIENCE: 1997 Closed Studio, concentrating on personal photography 1987–97 Freelance Studio Photographer 1987 Gallery Lectures, Haggerty Museum of Art, Milwaukee 1985-86 Gallery Lectures and Docent Lectures, Milwaukee Art Museum TEACHING AND ADMINSTRATION: 1986-87 Head, Photography Department, Bennington College, VT 1975-86 Founder/Director, Milwaukee Center for Photography 1977 Photography...
Category
Early 2000s Contemporary Paper Still-life Photography
Materials
Photographic Paper
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Archival Paper, Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Archival Paper
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Archival Paper, Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Archival Paper, Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Archival Paper, Pigment
"Women" Black & White Photography 31" x 31" in Edition of 7 by Olha Stepanian
Located in Culver City, CA
"Women" Black & White Photography 31" x 31" in Edition of 7 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Not framed. Ships in a tube. ...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Archival Paper
Up in Smoke
Located in Brooklyn, NY
Taking inspiration from Robert Mapplethorpe, Max Grant's Smoke images are timeless elegance.
In this mesmerizing photograph, an ethereal dance unfolds as elegant smoke swirls agai...
Category
21st Century and Contemporary American Modern Paper Still-life Photography
Materials
Photographic Paper
Kiss from a Rose
By Harold Davis
Located in Boston, MA
Artist Commentary:
This romantic photograph of mine of a red, red rose has often been mistaken for a reproduction of a painting by the great artist Georgia O'Keeffe.
Words that des...
Category
21st Century and Contemporary Impressionist Paper Still-life Photography
Materials
Photographic Paper
King of Diamonds - Photograph by Emmett Graham - 2020
Located in Roma, IT
The inspiration and story behind this painting. Inspiration came from how two empires clashed, The Aztec Triple Alliance Empire and the Spanish crown.
The first painting I did of thi...
Category
2010s Contemporary Paper Still-life Photography
Materials
Photographic Paper
Once Was by Marcy Palmer, 2022, 24k gold leaf on vellum
Located in Denton, TX
Once Was by Marcy Palmer presents a small bouquet of flower buds, illuminated in a background of gold. This photograph is made of 24k gold leaf on vellum ...
Category
2010s Contemporary Paper Still-life Photography
Materials
Gold Leaf
Untitled
Located in Denton, TX
Cyanotype print, 16 x 12 in.
Signed, dated, print type and numbered in pencil on print verso.
Category
1990s Contemporary Paper Still-life Photography
Materials
Photographic Paper
Burned Out Series I
Located in West Palm Beach, FL
1/10 One out of a series of Ten signed and numbered Photos mounted on non glare Plexiglas with a wood frame on back to hang floated on wall.
Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel.William is showing his work locally and nationally and being collected in Palm Beach Island, Washington and New York.
Gallery Representation
DTR Modern Galleries 440 S. County, Palm Beach FL 33480
DTR Modern Galleries Boston, MA
NoSo Fine Art, 3716 S. Dixie Hwy West Palm Beach, FL 33405
Gary Rubinstein...
Category
2010s Street Art Paper Still-life Photography
Materials
Plexiglass, Photographic Paper
YELLOW TULIP (After Georgia O'Keeffe) photograph on plexiglass
Located in Brooklyn, NY
Max Grant's floral macro photography series, aptly titled "(Floral)," serves as a mesmerizing exploration of botanical beauty reminiscent of the legendary artist Georgia O'Keeffe. Th...
Category
21st Century and Contemporary American Modern Paper Still-life Photography
Materials
Plexiglass, Photographic Paper
The quietness of strength
Located in Los Angeles, CA
Edition 2/15 +2 AP
Sharon Johnson-Tennant is a photographer living in Los Angeles, California. She received a degree in Fine Arts from Skidmore College in New York and continued wit...
Category
2010s Contemporary Paper Still-life Photography
Materials
Archival Paper
ATO>MIC #11, Unique Silver Luminogram Print, Two Spheres; Moon and Sun like...
Located in London, GB
ATO>MIC #11, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: custom made frame with anti-reflective art glass
Print size: 23 x 18 cm
Framed: 38 x 35.5 cm
Unique
Series: ATO>MIC
Signed and dated in pencil on print's verso
Certificate of Authenticity provided
"At first glance the viewer may only see geometric spherical shapes with added lines and rectangles on tea toned Silver Gelatin paper. "The supremacy of pure artistic feeling" rather than the visual depiction of objects assign to the art movement of Suprematism comes to one's mind. Similarly, like a giant of abstract art Kasimir Malevich, Jackson wants the viewer to look further, deeper than one might usually.
The feeling of 'sensation' of the ATO>MIC prints, the sharpness of the forms, the intensity defying its size to condensed 9 x 7 inches' paper, make it all the more dramatic to look at. It takes the viewer to another level of fantastical world of creation."
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G...
Category
2010s Suprematist Paper Still-life Photography
Materials
Archival Paper, Black and White, Photogram, Silver Gelatin
Eugene 7- Floral landscape white dominant contemporary abstract color photo
Located in New York, NY
Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...
Category
2010s Abstract Paper Still-life Photography
Materials
Photographic Paper
Catacombs 2
Located in Brooklyn, NY
Taking inspiration from Robert Mapplethorpe, Max Grant's Catacomb images look at the macabre beauty of the human anatomy, recollecting his time in the Paris Catacombs. This collectio...
Category
21st Century and Contemporary American Modern Paper Still-life Photography
Materials
Photographic Paper
"Starburst" Photography 24" x 36" inch Edition 1/15 by Larsen Sotelo
Located in Culver City, CA
"Starburst" Photography 24" x 36" inch Edition 1/15 by Larsen Sotelo
Not framed. Ships in tube
Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish
Shot wi...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Archival Ink, Giclée, Rag Paper
"Leftover" Southern, turtle, food, conceptual, still life photography, white
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"Exit Row" 40"x60" photograph, limited Edition of 5
Located in New York, NY
"Exit Row" 40"x60" photograph - edition 1/5 (unframed)
This iconic photograph is from the artist's series: "Brace For Impact: the aftermath of flight 1549." Depicting the wing from...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Photographic Paper, C Print
Covid-Free Cardboard-Photograph
Located in Chesterfield, MI
Photo taken at Eastern Market in Detroit during Covid, 2020--just before the lockdown.
Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.
Category
21st Century and Contemporary Photorealist Paper Still-life Photography
Materials
Photographic Paper
$80 Sale Price
20% Off
for intérieur – sang 1
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Photographic Paper
Sweet and spicy (pomme verte et piment 2)
Located in Atlanta, GA
Jerome Grilhot was born and raised in Beziers, France. After a successful career as a chef for over 25 years, Grilhot has been focusing his creative talents on photography for the p...
Category
21st Century and Contemporary Modern Paper Still-life Photography
Materials
Mixed Media, Photographic Paper
Elegant Petals by Marcy Palmer, 2021, 24k gold on vellum
Located in Denton, TX
Elegant Petals by Marcy Palmer depicts a golden stem with budding flowers emerging from a dark background. This photograph is made of 24k gold leaf on vel...
Category
2010s Contemporary Paper Still-life Photography
Materials
Gold Leaf
Lucchese Window Shopping framed and signed original photo by Roman Crescimanno
Located in Dallas, TX
Lucchese Window Shopping offers a refined glimpse into the world of high-end men’s leatherwear and Western fashion brand. Taken through the store window, the image captures a thought...
Category
2010s American Realist Paper Still-life Photography
Materials
Photographic Paper
FLOATING GREEN APPLES OVER NAPKIN
Located in New York, NY
hand colored photograph of green apples. Still-Life.
framed in wood with gold leaf corners.
Category
1970s Post-War Paper Still-life Photography
Materials
Photographic Paper, Color Pencil
Changing Moods bright green 2- Floral landscape contemporary abstract photo
Located in New York, NY
Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...
Category
2010s Abstract Paper Still-life Photography
Materials
Photographic Paper
Firestorm/Time for Change by Marcy Palmer, 2020, 24k gold leaf on vellum
Located in Denton, TX
Firestorm/Time for Change by Marcy Palmer presents a collection of golden seed pods, bursting out from a black background. This photograph is made of 24k ...
Category
2010s Contemporary Paper Still-life Photography
Materials
Gold Leaf
Downtown Dallas framed and signed original photograph by Roman Crescimanno
Located in Dallas, TX
This aerial photograph showcases the Downtown Dallas skyline bathed in the warm, golden hues of a vibrant sunset. The light casts stunning pink and orange reflections across the city...
Category
2010s American Realist Paper Still-life Photography
Materials
Photographic Paper
"Peek" - Southern, landscape, staged photography, abstract, blue, trees
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
Gerber Daisy 4, Color Photograph, Limited Edition, Framed, Botanical, Floral
Located in Riverdale, NY
Gerber Daisy 4, archival pigment print photograph, printed on Fine Art paper by Tim Nighswander. It is 24x24, framed in a white frame to 32x32 with a UV plexiglass. It is a limited...
Category
2010s Contemporary Paper Still-life Photography
Materials
Paper, Archival Pigment
Photograph of a Primitive Shelf titled "Primitive Stillness"
Located in Fredericksburg, VA
This intimate photograph by Fredericksburg native Tom Sauerwein captures the quiet poetry of everyday objects arranged with care. With a sharp eye for light and balance, Sauerwein transforms a primitive shelf...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Photographic Paper
Cactus, Original Photographic Print, 2014
Located in Boston, MA
Artist Commentary:
This image was taken in the desert in Arizona near Scottsdale in the spring
Keywords: purple, cactus, desert, southwest, flower, juxtaposition, opposites, arizon...
Category
21st Century and Contemporary Impressionist Paper Still-life Photography
Materials
Paper, Digital
Peacock 1 - Flower Still Life
By Carol Henry
Located in Carmel, CA
Hand Printed by Artist. One of a kind photograph. Unique
Printed on Cibachrome
Category
2010s Paper Still-life Photography
Materials
Photographic Paper
PEACH TULIP (After Georgia O'Keeffe) photograph on plexiglass
Located in Brooklyn, NY
Max Grant's floral macro photography series, aptly titled "(Floral)," serves as a mesmerizing exploration of botanical beauty reminiscent of the legendary artist Georgia O'Keeffe. Th...
Category
21st Century and Contemporary American Modern Paper Still-life Photography
Materials
Plexiglass, Photographic Paper
"Sugarcoat" - Southern, still life photography, chains, conceptual, sugar, dark
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
5 Layers of Wallpaper-Photograph
Located in Chesterfield, MI
Photograph taken inside the closet of a historic Detroit home. Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.
On auction today is the unframed photograph.
Category
21st Century and Contemporary Paper Still-life Photography
Materials
Photographic Paper
$80 Sale Price
20% Off
'Botanical Rhapsody II' Realistic/Abstract Floral Pattern Photograph Blue/White
Located in Wellesley, MA
"Botanical Rhapsody II" by Judith Allen-Efstathiou is an exquisite photographic cyanotype print in deep blue and white of wildflowers abstracted. Highly intricate and lavishly depic...
Category
2010s Realist Paper Still-life Photography
Materials
Mulberry Paper, Photographic Paper
Yummy Yellow! Photograph.
Located in Chesterfield, MI
Yellow beets are yummy!
Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.
Category
21st Century and Contemporary Paper Still-life Photography
Materials
Photographic Paper
$80 Sale Price
20% Off
"UNTITLED (Red Dot)", digital scan, photo paper, sculpture, assemblage, painting
By Sophia Rauch
Located in Toronto, Ontario
"UNTITLED (Red Dot)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Photographic Paper, Digital, Inkjet
Grape Hyacinths-Anchor Bay, Michigan. Photograph.
Located in Chesterfield, MI
Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.
Category
21st Century and Contemporary Paper Still-life Photography
Materials
Photographic Paper
$80 Sale Price
20% Off
"Protection" - Southern, flowers, botanical, abstract, dark colors
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
Peony, c. 1880's
Located in Santa Monica, CA
Peony, c. 1880's
Vintage Hand Colored Albumen Print
Paper is 11 5/8 x 9 1/2 inches, Matted to 20 x 16 inches
Category
1880s Paper Still-life Photography
Materials
Photographic Paper
Art PG
Located in Boca Raton, FL
Art books bookscape
Category
21st Century and Contemporary Contemporary Paper Still-life Photography
Materials
Plexiglass, Photographic Paper
Red Line framed and signed original photograph by Roman Crescimanno
Located in Dallas, TX
Red line showcases a modern light rail tram, prominently displaying the “RED LINE” in vibrant color on the front, as it stands poised on its tracks. The tram, captured in sharp detai...
Category
2010s American Realist Paper Still-life Photography
Materials
Photographic Paper
Architectural Escape framed and signed original photograph by Roman Crescimanno
Located in Dallas, TX
This photograph captures a mesmerizing perspective looking upward through a geometric architectural skylight, where clean lines and precise angles converge to frame a serene patch of...
Category
2010s American Realist Paper Still-life Photography
Materials
Photographic Paper
Paper still-life photography for sale on 1stDibs.
Find a wide variety of authentic Paper still-life photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add still-life photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Chad Kleitsch, Tyler Shields, Isabelle Menin, and Ian Sanderson. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Paper still-life photography, so small editions measuring 0.5 inches across are also available Prices for still-life photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $48 and tops out at $185,000, while the average work can sell for $2,205.
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