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1950s Still-life Photography

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Period: 1950s
Eggs and Slicer
Located in Buffalo, NY
Edward Weston (American, 1886-1958) Eggs and Slicer, 1930 Gelatin silver print, printed later by Cole Weston; signed, titled, dated and numbered '3E' by Cole Weston in pencil and 'Ed...
Category

Realist 1950s Still-life Photography

Materials

Silver Gelatin

Paris Flower Market from the Paris In Colour Series 1956-61 by Peter Cornelius
Located in London, GB
Paris Flower Market from the Paris In Colour Series 1956-61 By Peter Cornelius 40 x 30 inches / 101 x 76 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...
Category

Modern 1950s Still-life Photography

Materials

Color, Archival Pigment

Pottery, Shop, Street Photography, Black and White, Italy 1950s, 17.8 x 12.4 cm
Located in Cologne, DE
Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...
Category

Modern 1950s Still-life Photography

Materials

Silver Gelatin, Black and White

Mauretania - Silver Gelatin Fibre Print
Located in London, GB
Mauretania - Silver Gelatin Fibre Print (Photo by Topical Press Agency/Getty Images) The Cunard superliner Mauretania being refitted in the dry dock at Southampton. Additional I...
Category

Modern 1950s Still-life Photography

Materials

Black and White, Silver Gelatin

Parisian Park from the Paris In Color Series 1956-61 by Peter Cornelius
Located in London, GB
Parisian Park from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 152 x 101 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography in his hometown Kiel. From the mid fifties, he specialised in colour photography as one of the first color photographers in Germany. In 1960 he became known to a larger public through the special exhibition Magie der Farbe (Magic of Colour) during the Photokina in Cologne. His best known work is a 1961 collection of colour photographs of Paris...
Category

Modern 1950s Still-life Photography

Materials

Color, Archival Pigment

"Paris Still Life" from the Paris In Colour Series 1956-61 by Peter Cornelius
Located in London, GB
Paris Still Life from the Paris In Colour Series 1956-61 By Peter Cornelius large oversize 30 x 30 inches / 76 x 76 cm paper size Printed 2022 Archival pigment print Framing and s...
Category

Modern 1950s Still-life Photography

Materials

Color, Archival Pigment

Venice, Shop, Street Photography, Black and White, Italy 1950s, 17, 8 x 12, 4 cm
Located in Cologne, DE
Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...
Category

Modern 1950s Still-life Photography

Materials

Silver Gelatin, Black and White

Andreas Feininger Monumental B&W Photograph, 1951
Located in Washington, DC
Large and wonderful B & W photograph by American photographer Andreas Feininger (1906-1999). Photograph is of a gorilla rib cage. Printed in 1951, it measures 8ft. 10 in. x 10ft. Photograph is attached to linen and can be rolled for easy storage and shipping. Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew, and the American painter and art educator Lyonel Feininger (1871-1956). His paternal grandparents were the German violinist Karl Feininger (1844–1922) and the American singer Elizabeth Feininger, (née Lutz), who was also of German descent. His younger brother was the painter and photographer T. Lux Feininger (1910–2011) In 1908 the Feininger family moved to Berlin, and in 1919 to Weimar, where Lyonel Feininger took up the post of Master of the Printing Workshop at the newly formed Bauhaus art school.[2] Andreas left school at 16, in 1922, to study at the Bauhaus; he graduated as a cabinetmaker in April 1925. Afterwards he studied architecture, initially at the Staatliche Bauschule Weimar (State Architectural College, Weimar) and later at the Staatliche Bauschule Zerbst. (Zerbst is a city in the German state of Saxony-Anhalt, about 20 km from Dessau, where the Bauhaus moved to in 1926.) The Feininger family moved to Dessau with the Bauhaus. In addition to continuing his architectural studies in Zerbst, Andreas developed an interest in photography and was given guidance by neighbour and Bauhaus teacher László Moholy-Nagy. In 1936, he gave up architecture and moved to Sweden, where he focused on photography. In advance of World War II, in 1939, Feininger immigrated to the U.S. where he established himself as a freelance photographer. In 1943 he joined the staff of Life magazine, an association that lasted until 1962. Feininger became famous for his photographs of New York...
Category

Modern 1950s Still-life Photography

Materials

Linen, Photographic Paper

New England Skiing
Located in Los Angeles, CA
A skier carrying his boots in New Hampshire, 1955. New England Skiing Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aarons Estate. Certific...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

Paris Posters from the Paris In Color Series 1956-61 by Peter Cornelius
Located in London, GB
Paris Posters from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 152 x 101 cm paper size Printed 2022 Archival pi...
Category

Modern 1950s Still-life Photography

Materials

Color, Archival Pigment

Paris Flea Market from the Series Paris In Color 1956-61 by Peter Cornelius
Located in London, GB
Parisian Flea Market from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 152 x 101 cm paper size Printed 2022 Archival pigment print Framing...
Category

Modern 1950s Still-life Photography

Materials

Color, Archival Pigment

The Carlton Hotel
Located in Los Angeles, CA
A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. The Carlton Hotel Black and White Photography Slim Aarons E...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

French Polo Crowd
Located in Los Angeles, CA
A group of spectators at a polo match, France, circa 1950. Slim Aarons French Polo Crowd Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aaro...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

New England Skiing
Located in Los Angeles, CA
A skier carrying his boots in New Hampshire, 1955. New England Skiing Black and White Photography Slim Aarons Estate Edition Numbered and stamped b...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

The Carlton Hotel
Located in Los Angeles, CA
A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. The Carlton Hotel Black and White Photography Slim Aarons E...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

The Carlton Hotel. Florida Cadillac in Cannes, Estate Edition
Located in Los Angeles, CA
A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. The Carlton Hotel Black and White Photography Slim Aarons Estate Edition Numbered and st...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

Audrey Hepburn Washes Car, 1953
Located in New York, NY
Audrey Hepburn Washes Car, c15_29 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot for the December 7, 1953 issue of LIFE. Image size is 10" x 15" (for 11"...
Category

Modern 1950s Still-life Photography

Materials

Giclée

New England Skiing
Located in Los Angeles, CA
A skier carrying his boots in New Hampshire, 1955. New England Skiing Black and White Photography Slim Aarons Estate Edition Numbered and stamped b...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

New England Skiing
Located in Los Angeles, CA
A skier carrying his boots in New Hampshire, 1955. New England Skiing Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aarons Estate. Certific...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

French Polo Crowd
Located in Los Angeles, CA
A group of spectators at a polo match, France, circa 1950. Slim Aarons French Polo Crowd Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aaro...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

French Polo Crowd
Located in Los Angeles, CA
A group of spectators at a polo match, France, circa 1950. Slim Aarons French Polo Crowd Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aaro...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

French Polo Crowd
Located in Los Angeles, CA
A group of spectators at a polo match, France, circa 1950. Slim Aarons French Polo Crowd Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aaro...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

The Carlton Hotel
Located in Los Angeles, CA
A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. The Carlton Hotel Black and White Photography Slim Aarons E...
Category

American Realist 1950s Still-life Photography

Materials

Emulsion, Photographic Paper, ABS, Black and White, Digital, Photogram

Sill Life, Wine Bottle & Bread
Located in Carmel, CA
Rare early print. Printed by Bert Stern 1958 Stamped on Verso
Category

1950s Still-life Photography

Materials

Silver Gelatin

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Beyond
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
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H 16 in W 20 in
Ceramic Pitcher (Still Life Photograph of Lemons, Olives, Zucchini, & Chestnuts)
Located in Hudson, NY
Contemporary color still life photograph of a ceramic pitcher with assorted fruits and vegetables Archival pigment print, ed. of 25 15 x 19.5 inches unframed Signed and editioned, verso In this series, Halliday captures the beauty of everyday life with a contemporary still life image of various objects and vegetation arranged on a wooden plank. The imagery calls to mind a Baroque still life, highlighting the beauty and simplicity found in every day objects. Here a sienna colored ceramic pitcher is captured besides an arrangement of yellow lemons, curly green zucchini, black olives, and brown nuts. The pop of white from the napkin in addition to the stark black background accentuates the simplistic color and shapes of the fruits and vegetables. About the Artist: David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing. More about the work: A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm. Resume: Born 1958, Glen Cove, New York Lives in Schodack Landing, NY EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller Gallery, Provincetown, MA Graficas Gallery, Nantucket, MA 2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY 2008 Arthur Roger Gallery, New Orleans, LA Still-Life, Stephen Cohen Gallery, Los Angeles, CA Carrie Haddad Gallery, Hudson, NY Watermark Gallery, Houston TX Strange Fruit: David Halliday and Greg Kuharic...
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