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Volker Seding
Three Pears and a Bowl

1981

About the Item

hand colored photograph. Edition 4/11

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FLOATING GREEN APPLES OVER NAPKIN
By Volker Seding
Located in New York, NY
hand colored photograph of green apples. Still-Life. framed in wood with gold leaf corners.
Category

1970s Post-War Color Photography

Materials

Photographic Paper, Color Pencil

RAVEN SKULL, Diptych from Comparative Anatomy Portfolio
Located in New York, NY
DIANNE KORNBERG RAVEN SKULL,Diptych from Comparative Anatomy Portfolio, 1993 selenium toned gelatin silver print ed.15 18 x 32 in. 45.7 x 81.2 cm.
Category

1990s Contemporary Still-life Photography

Materials

Silver Gelatin

STILL LIFE WITH PLATE OF CHEESE AND BEER STEIN
By Beth Lipman
Located in New York, NY
lambda print mounted on plexi Edition of 3 Still-life of glass objects
Category

2010s Contemporary Still-life Photography

Materials

Lambda

STILL LIFE WITH GRAPES
By Beth Lipman
Located in New York, NY
Lambda print, mounted on aluminum with glossy laminate of still-life with grapes Edition of 3
Category

2010s Contemporary Still-life Photography

Materials

Acrylic Polymer, Lambda

50 PORTRAITS (2 pages of postage stamps)
By Ruby Rumie
Located in New York, NY
postage stamps from exhibition "Weaving Streets". Edition of 20. each sheet is 7 1/2 x 6 inches.
Category

2010s Contemporary Still-life Photography

Materials

Inkjet

ROSALINA (BACK)
By Ruby Rumie
Located in New York, NY
inkjet print on satin paper, laminted in luster matte. Edition of 5 This body of work was born from a chance encounter between the artist, Ruby Rumié, and Dominga Torres Tehran, a woman who for more than 45 years has walked the city streets selling fish. Dominga caught the attention of the artist for her unique and natural beauty. For nearly half a century this woman worked unnoticed, but at that moment, she completely captivated Rumié. Weaving Streets is an attempt to rescue women like Dominga from oblivion and invisibility - women who have spent valuable years of their lives as ambulant street vendors, permanently wandering the neighborhoods of the city. Aptly named, “Weaving Streets” references the phrase used by grandmothers to describe those who walked the city streets often. Rumié’s goal is to present new views on the vendors and their environment. The viewer’s encounter with these women will be different for the exhibition – it will be special. Viewers will see for the first time what has always been there, like running a thin veil between the visible and the invisible, a veil of old and constant stereotypes that keep us numb, or blind, so we ignore the marvelous and different realities. “Problems such as gender violence, gentrification, social barriers and discrimination constitute a constant concern which I attempt to uncover through my work, by means of large installations where I use repetition as a platform for protest; bodies as objects of mass consumption that reveal the disappearance of our intangible heritage, and photographs to suggest the enigma of social stratification, all of these intend to stimulate reflection, playfulness, visual pleasure, emotion and inquiry” explains Rumié. Rumié condenses the collected material into a Corpus, a historical archival manner, comprised of five volumes that unfold spatially in the gallery. Photo albums picturing each participant, stamp albums...
Category

2010s Contemporary Portrait Photography

Materials

Photographic Paper

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