Volker Seding

Three Pears and a Bowl

1981

Lambda print, mounted on aluminum with glossy laminate of still-life with grapes Edition of 3

Etching, aquatint and sugarlift print of a Still-Life on a table. Edition of 100.

Sepia Aquatint. Edition 15/25 slice of watermelon on a table

lambda print mounted on plexi Edition of 3 Still-life of glass objects

This acrylic painting was created in a photorealistic style by American artist Charles Wildbank. It measures 48 x 60 inches and is signed in the lower left hand corner. It is in exce...

Rich, lush super-realist still life of a pair of pears. Imported from a super-talented Russian painter I have gotten things from before. Sensational realism, down to the little flaw...

This oil painting from 1985 is priced at a fraction of the original price. It was in our storage area and we just decided to put it on sale at a price which is a fraction of the original price. These still life with illusion paintings were originally sold in New York City at the D&D building on 59th street. It was a building that only interior designers were allowed to shop at. the general public could only go in with their interior designer to select an item. This came from the Haller Gallery in that space. It was originally priced at $3500 when at the gallery in the D&D building in NYC. It is oil on canvas and in very subtle colors. The top right area of the canvas show slight lines of cracking to the paint. You can see that on one of the close up images. The pale thick colors (The illusions) give a 3d floating look. We have another Still Life with 4 Pears also on sale this week.

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf, Jan Davidsz de Heem, Abraham van Beijeren...