Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Walter W. Nelson
Rose Orchid Bromeliad

1983

About the Item

Artist: Walter W. Nelson – American (1942- ) Title: Rose Orchid Bromeliad. From the Fleur portfolio Year: 1983 Medium: Dye transfer photograph Sight size: 16.5 x 11 inches. Sheet size: 21.25 x 16.5 inches Matted size: 26.75 x 21.25 inches Edition Size: 25 This one: 9/25 Signature: Reverse Condition: Very good Unframed In the 1980s, Walter Nelson produced a dazzling portfolio of dye transfer color prints of flower still lifes. It was called Fleur, and it quickly sold out. This dye transfer photograph is from that portfolio. It is in very good condition with no flaws to note. For the Fleur Portfolio, Nelson used pastels and gesso on paper for the background element, combining still life floral arrangements with vase and fabric. He then photographed the compositions with an 8 x 10 view camera and printed them, using the unparalleled dye transfer process. The end result was a dye-transfer portfolio of 10 images “Fleur”. Dye transfer prints have a richness, depth, and fidelity unmatched by any other kind of photographic print. They can show extraordinary subtlety of tone and hue, combined with a brightness range of 500:1 from blackest black to whitest white. They offer the viewer a visual richness and depth which cannot be found in ordinary prints. Walter W. Nelson is a multi-disciplined artist working in photography, painting, sculpture, and sculpture-relief paintings. Over the past forty years he has produced five portfolios, including several series of sculpture-relief paintings, paintings on canvas and paper, and photography series both in color, B&W gelatin silver and platinum palladium prints. Two books of his photography have been published: “Ribbons Of Time: The Dalquest Research Site,” in the Big Bend area of Texas; and “The Black Place: Two Seasons,” focused on the area in New Mexico where Georgia O’Keeffe painted and produced one of her most beautiful abstract paintings called “Black Place II”.
  • Creator:
  • Creation Year:
    1983
  • Dimensions:
    Height: 26.75 in (67.95 cm)Width: 21.25 in (53.98 cm)Depth: 0.2 in (5.08 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Very good condition with no flaws to note.
  • Gallery Location:
    San Francisco, CA
  • Reference Number:
    Seller: PM10022020-21stDibs: LU66636842512

More From This Seller

View All
Sunflowers
By Walter W. Nelson
Located in San Francisco, CA
Artist: Walter Nelson – American (1942- ) Title: Sunflowers. From the Fleur portfolio Year: 1981 Medium: Dye transfer color photograph Sight size: 14.25 ...
Category

1980s Realist Still-life Photography

Materials

Dye Transfer

Sweet Pea & Pincushion
By Walter W. Nelson
Located in San Francisco, CA
Artist: Walter W. Nelson – American (1942- ) Title: Sweet Pea & Pincushion. From the Fleur portfolio Year: 1983 Medium: Dye transfer photograph Sight size: 16.25 x 11 inches. Sheet size: 21.25 x 16.5 inches Matted size: 26.75 x 21.25 inches Edition Size: 25. This one: 8/25 Signature: Reverse Condition: Very good Unframed In the 1980s, Walter Nelson...
Category

1980s Realist Still-life Photography

Materials

Dye Transfer

Untitled (Stacked Cups)
By Jed Devine
Located in San Francisco, CA
Artist: Jed Devine American (1944- ) Title: Untitled (Stacked Cups) Date: 1987 Medium: Platinum-palladium print on Japanese rice paper Image size: 9.5 x 7.5 inches (9.25 x 7.25 inches within mat) Sheet size: 12 x 9 inches Framed size: 20.25 x 16.25 inches Signature: signed lower right in pencil Edition: unknown This sublime photograph is by Jed Devine. It is signed in the lower right in pencil. There is a gallery label from the Fraenkel Gallery in San Francisco on the reverse of the framed work. It is framed in a simple metal frame. The photograph, mat and frame are in very good condition. Jed Devine was born in Mount Kisco, New York, in 1944 and raised in Pleasantville, a Westchester County suburb. Devine cites Walter Hahn, his junior high school art teacher, as having an instrumental role in his art career decision: “I don’t know how it happened that a serious artist like Walter Hahn was teaching art at Pleasantville Junior High, but I was most fortunate to have him as a mentor and I’ve always been grateful to him.” In 1967, Jed Devine graduated cum laude from Yale University with a BA in fine arts and began his career as a painter. In 1972, he returned to Yale to study design and photography and was awarded an MFA degree. He joined the Purchase College faculty in 1977. During his tenure at Purchase, several of his students went on to receive recognition as photographers, among them Adam Baer, Gregory Crewdson, Regina DeLuise, Andrea Modica, Deborah Mesa-Pelly, and Roger Newton. Jed Devine’s photography is represented in many major museum, corporate, university, and private collections, including the Metropolitan Museum of Art, New York; Victoria and Albert Museum; London; the International Center of Photography, New York; the San Francisco Museum of Art; the Art Institute of Chicago; the Museum of Fine Arts, Houston; and the Museum of Modern Art, New York. Originally trained as a painter, Devine began taking photographs in 1972 and became fascinated by the effects of light on objects and surfaces, and the sensuality that was possible with the platinum-palladium process. This sensuality is on full display in Devine’s only book, Friendship, a collaboration with the writer Jim Dinsmore, whose 64 images “form an extended sequence that moves from innocence to decay and return. The images emphasize the beauty and primacy of light while capturing the visual drama and irony of the Maine landscape.” Devine also has a long-standing relationship with New York City, which is most evident in his portfolio of panoramic photographs celebrating New York bridges...
Category

1980s Realist Still-life Photography

Materials

Paper, Platinum

Cristo, Tlacochahuaya, Oaxaca
By Paul Strand, 1890-1976
Located in San Francisco, CA
Artist: Paul Strand – American (1890-1976) Title: Cristo, Tlacochahuaya, Oaxaca Year: 1933, printed 1967, Da Capo Press, New York Medium: Photogravure hand-printed from the original plates on BFK Rives paper Publisher: Da Capo Press, 1967, New York Sight size: 10 ¼ x 7 7/8 in. (260 x 200 mm) Sheet size: 15 3/4 x 12 3/8 in. (402 x 313 mm) Framed size: 17 x 14 inches Edition:1000 Condition: Excellent This hand-pulled photogravure is from Paul Strand’s Mexican Portfolio, first published in 1933. This photogravure is from the 2nd edition, published in 1967. It is in excellent condition. It is enclosed in a simple metal frame and Plexiglas only for protection. A seminal work by a legendary figure in 20th century American photography, the photographs taken by the author on his travels through Mexico in 1932-33 show architecture, landscape, the indigenous people, and religious folk sculpture. Strand's work first made its appearance as "Photographs of Mexico" in a limited edition of 250 copies in 1940, with the printing of the steel-faced gravure plates by master platemaker Otto Wackernagel being supervised by Strand himself and executed by Charles Furth and the Photogravure and Color Company. The second edition used the original Wackernagel plates, printed by Albert Delong at the Andersen Lamb Company of Brooklyn. Strand was even more pleased with this version, stating "Delong has made these plates sing." The images are a celebration of the subjects' pride, dignity and endurance. Paul Strand (1890–1976) is considered one of the most significant photographers of the 20th century. His breakthrough work in the 1910s heralded photography’s importance as a modern art form. Early in his career he broke from the soft, impressionistic Pictorialist style to produce among the first abstract images made with a camera. His questioning attitude led him to radically change his work multiple times in his career, always with the highest ambitions for the quality of his photographic prints. In 1932, Carlos Chavez, the director of the fine arts department at the Secretariat of Public Education in Mexico, invited Strand to Mexico. At this time, the Mexican government was concerned with demonstrating a national culture that was reflective of a burgeoning, modern, twentieth-century Mexico. In light of this, Chavez invited Strand to document the new social and physical environment. Over the next two years, Strand travelled around Mexico photographing...
Category

1930s Realist Black and White Photography

Materials

Paper, Photogravure

Winter Mist - Trumpeter Swans
By Thomas Mangelsen
Located in San Francisco, CA
Artist: Thomas Mangelsen – American (1946- ) Title: Winter Mist – Trumpeter Swans Year: 1987 Medium: Color Photograph Sight size: 13.25 x 19.5 inches. ...
Category

1980s Realist Color Photography

Materials

Photographic Film, Photographic Paper

Ross Ice Shelf, Near 'Willy' Field, Antarctica
By Stuart Klipper
Located in San Francisco, CA
Artist: Stuart Klipper (American, 1941-) Title: Ross Ice Shelf, Near ‘Willy’ Field Year: 1989 Medium: C Print (Chromogenic print) Size: 12 x 38 inches image, 16 x 44 inches sheet, 18 x 45 inches matted. Unframed Signature: Signed, titled, dated, artist’s stamp on reverse Condition: Very good This photograph depicts the Ross Ice Shelf near ‘Willy Field.’. It is a chromogenic print, also called a C-print on Kodak paper. Klipper traveled to Antarctica in 1989 under the aegis of the National Science Foundation. Some of his photographs from this trip were later included in a New York MoMA exhibit titled “Projects 26 – Stuart Klipper On Antarctica 1989.” The three-foot-wide color panoramas in this exhibition were selected from the series On Antarctica, which comprised more than 1,000 pictures made in 1989. In the exhibition brochure, curator Peter Galassi writes that the artist’s panoramas present “a landscape that is ravishing in its barren beauty, in its inhospitable grandeur, and in the delicacy of its ever-changing hues. The photographs seem to fuse the epic swoon of romanticism with the impersonal rigor of science.” The photograph is in very good condition. The mat is in very good condition. Unframed. Stuart Klipper was born in the Bronx in 1941. He then lived in Stockholm, Sweden, moved to Minneapolis in 1970 and currently resides there. He has made six visits to Antarctica to photograph, and has also worked in Greenland, Iceland, Svalbard, Alaska and Lapland (in the area irradiated by the Chernobyl disaster). Other major forays have taken him across Northern Australia; the deserts of Israel and Sinai; the tropical rain forests of Costa Rica, Patagonia and Tierra del Fuego; and Sri Lanka and Pakistan. He has logged many thousands of miles at sea, photographing on all of the Earth's oceans... and seas. For over 30 years, he has made photographs in all 50 states, distilling and crystallizing the defining characteristics of American regions. Other undertakings include extensively photographing the First World War cemeteries and memorials of the Western Front, major physics and astronomy research installations throughout the U.S. and the Anasazi ruins of the Southwest. His photographs have been exhibited in, and collected by, major museums in the U.S. and overseas; foremost, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Minneapolis Institute of Arts, the Walker Art Center, The Jewish Museum, the Israel Museum, the Victoria and Albert Museum, the Kunsthalle Bonn and the Moderna Museet. He has been the recipient of several major grants, including two each from the Guggenheim Foundation and the Bush Foundation, and three each from the McKnight Foundation and the Minnesota State Arts Board. He is a recipient of the U.S. Navy's Antarctic Service Medal. He was also visiting professor, Art Department, Colorado College, 1978 to 2008. Solo exhibitions • Disparate Geographies, Schmidt Dean Gallery in Philadelphia, 1998. • Sixteen polar photographs, Arktis -Antarktis, the Kunsthalle des Deutschesrepublic, Bonn, Germany. 1998 • Cardinal Points, at the University of Iowa Museum of Art. (Photographs from polar regions: Antarctica and Greenland, the tropical rain forests, the desert regions of Israel and the Sinai, the agricultural Great Plains)-- an exhibition catalogue was published. 1998 • At Sea Near the Poles, at the Spencer Gallery, Wickford, R.I. 1999 • Antarctica 99/00, Yancey Richardson Gallery, NYC, 2000 • Selected Antarctic Work, Berler Gallery, Washington D.C., 2001 (Also shown in Denver and Christchurch, N.Z. • Selected American photographs, The Center for American Places, Harrisonburg, Va., 2001 • Photographs from the Arctic and Antarctica, Smith-Dean Gallery, Phila., PA, 2001 • Wyoming, Univ. of Wyoming Museum Art, Minneapolis Institute of Art, 2001/02 • In the Australian Outback, Gallery 360, Minneapolis, 2002 • The United States, Candace Perich Gallery, Katonah, NY, 2002 • Rock art, bush fire, termite mounds and other aspects of the outback of the Top End of Australia, Gallery 360, Mpls.,2002 • Portraits about Pakistan, 1987, Icebox Gallery, Mpls., 2002 • Antarctic 1: Views Along Antarctica’s First Highway, Center for Land Use Interpretation, Los Angeles, 2002 • The Louisiana Purchase, Groveland Gallery, Minneapolis & Olson-Larsen Gallery, Des Moines, 2003 • Selected photographs, Medtronics Corp. corporate headquarters, Minneapolis, 2006 • Antarctica, Electrolift Artworks, Minneapolis, Minn. 2006 (+ other venues) • 20 Years of photographing Louisiana, The Ogden Museum, New Orleans, 2008 • Antarctic Photographs, City Museum of Charleston, S.C., 2009 • Local Places – Remote Terrains, Olson Larsen Gallery, Des Moines, Iowa, 2009 • The Dead Sea Region, Israel, The Basilica of St. Mary, Minneapolis, 2010 Group exhibitions • Photography of New York City, Minneapolis Institute of Art. 1998 • Sea Change, The Center for Creative Photography, Univ. of Arizona, Tucson. (An eponymous book was published in conjunction with the exhibition and is in national distribution), 1998/99 • American farms and farming, Candace Perish Gallery, Katonah, NY. (Traveled to Washington D. C.), 1998/99 • Views from the Edge of the World, Marlborough Gallery, NYC. 1999 • Claiming Title: Australian Aboriginal Artists and the Land, St, Olaf & Carleton Colleges, Northfield, Minn., 1999 • The Infinite and the Intimate; Waterscapes of Stuart Klipper and Frank Gohlke, Dorsky Gallery, N.Y.C. 1999 • An Eclectic Focus: Photographs from the Vernon Collection ( + catalogue), Santa Barbara Museum of Art, 1999 • Aqua, Gallerie Thierry Marlat, Paris, France 1999 • Restructuring the Prairie, Grinnell College, 1999 • The Mural as Muse, Deutsches Bank Gallery, NYC, 2000 • earth sky, Jackson Fine Art, Atlanta, GA, 2000 • Western Panoramas, Huntington Museum, Sta. Barbara, CA, 2001 • I Love New York (W. T. C benefit), NYC, 2001 • Melodrama, inaugural show, ARTIUM, Vitoria, Spain, 2002 • Contemporary Desert Photography...
Category

1980s Realist Color Photography

Materials

C Print

You May Also Like

"Trois grains de poivre", photography by Thierry Genay, 2020
Located in Paris, France
"Trois grains de poivre" by Thierry Genay Thierry Genay's photography is heir to a style of painting which, in the absence of noble and sublime moti...
Category

2010s Realist Still-life Photography

Materials

Pigment

"Deux tomates", photography by Thierry Genay, 2016
Located in Paris, France
"Citron et verre" by Thierry Genay Thierry Genay's photography is heir to a style of painting which, in the absence of noble and sublime motifs, is nour...
Category

2010s Realist Still-life Photography

Materials

Pigment

"Nappe, assiette et trois fruits", photograph by Thierry Genay, 2020
Located in Paris, France
"Nappe, assiette et trois fruits" by Thierry Genay Thierry Genay's photography is heir to a style of painting which, in the absence of noble and sublime...
Category

2010s Realist Still-life Photography

Materials

Pigment

"Myrtille et assiette", photograph by Thierry Genay, 2017
Located in Paris, France
"Myrtille et assiette" by Thierry Genay 2017 Thierry Genay's photography is heir to a style of painting which, in the absence of noble and sublime motif...
Category

2010s Realist Still-life Photography

Materials

Pigment

Untitled (2917): still life photograph w/ vases, cast hands & feet, and shadows
Located in Bryn Mawr, PA
This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the artist's "Still Life" series, which i...
Category

2010s Realist Still-life Photography

Materials

Archival Ink, Archival Paper, Inkjet, Archival Pigment

Hand & Foot: black & white photograph w/ glove, leopard print & tree bark, feet
By Jenny Lynn
Located in Bryn Mawr, PA
"Hand & Foot" is a black & white framed silver gelatin print (photograph) studio still life with glove, leopard print fur, and tree bark textures from artist Jenny Lynn...
Category

Early 2000s Realist Black and White Photography

Materials

Photographic Paper, Silver Gelatin

Recently Viewed

View All