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(after) Salvador DaliSalvador Dali Daum Pate de Verre with Gold, Glass Plate Sculpture Crystal Artc.1970
c.1970
About the Item
Salvador Dali for Daum (French, Nancy, founded 1878),
"Ceci n'est pas une assiette" or “This is not a plate” plate in dusky rose pink glass pate de verre with gold lettering and design.
Dali's signature is at the bottom
On the back, Daum and Made in France.
Diameter 26.5cm
Bibliography: "Dali - The hard and the soft" by Robert & Nicolas Descharnes
From legendary glassmaker master craftsmen. Daum has kept alive for more than a century a love relationship with the greatest artists of its time, giving their work of art a second life of crystal and colours. From the Ecole de Nancy, from Art Nouveau to Art Deco from Louis Majorelle to Dali, Arman and Hilton McConnico, Daum has not missed any of the magic rendez-vous of the artistic creation and modern savoir-faire, which has always renewed the alliance of art and art craft. Michel Coste, Pierre-Yves Rochon, Richard Orlinski have all released work as part of their artist editions.
Salvador Dali Biography 1904-1989
Salvador Dali is considered as the greatest original artist of the surrealist art movement and one of the greatest masters of art of the twentieth century.
Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him.
Surreal Art
In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness.
By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. Along with Rene Magritte his is considered the greatest of the Surrealists. His great craftsmanship allowed him to execute his paintings in a nearly photo realistic style. No wonder that the artist was a great admirer of the vintage Italian Renaissance painter Raphael. Meeting Gala was the most important event in the artist's life and decisive for his future career. She was a Russian immigrant and ten years older than Dali. When he met her, she was married to Paul Eluard. In 1933 Salvador Dali had his first one-man show in New York. One year later he visited the U.S. for the first time supported by a loan of US$500 from Pablo Picasso. To evade World War II, Dali chose the U.S.A. as his permanent residence in 1940. He had a series of spectacular exhibitions, among others a great retrospective at the Museum of Modern Art in New York.
Dali became the darling of the American High Society. Celebrities like Jack Warner or Helena Rubinstein gave him commissions for portraits. His art works became a popular trademark and besides painting he pursued other activities - jewelry and dated clothing designs for Coco Chanel or film making with Alfred Hitchcock.
In 1948 Dali and Gala returned to Europe, spending most of their time either in their residence in Ligate/Spain or in Paris/France or in New York. Dali developed a lively interest in science, religion and history. He integrated things into his art that he had picked up from popular science magazines. Another source of inspiration were the great classical masters of painting like Raphael, Velasquez or the French painter Ingres.
The Dali Museum in St. Petersburg in Florida/U.S.A.
This art museum was founded in 1971 by the Dali collector A. Reynolds Morse and his wife Eleanor.
Dali Museum-Theater in Figueres, Spain
The Museum was the former Municipal Theater of Figueres.
Since 1970 the artist had dedicated his energy to transform the former Municipal Theater into a museum and art gallery. In 1974 the Theatro Museo Dali was officially opened.
- Creator:(after) Salvador Dali (1904 - 1989, Spanish)
- Creation Year:c.1970
- Dimensions:Height: 10.5 in (26.67 cm)Width: 10.5 in (26.67 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear. roughness to edges inherent to manufacture. please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214912182
(after) Salvador Dali
Salvador Dali (1904 – 1989) was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship and the striking and bizarre images in his work. Born in Figueres, Catalonia, Dali received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, The Persistence of Memory, was completed in August 1931, and is one of the most famous Surrealist paintings. Dali lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he developed his "nuclear mysticism" style, based on his interest in classicism, mysticism and recent scientific developments. Dali's artistic repertoire included painting, graphic arts, film, sculpture, design and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science and his closest personal relationships. Some trends in Dali's work that would continue throughout his life were already evident in the 1920s. Dali was influenced by many styles of art, ranging from the most academically classic, to the most cutting-edge avant-garde. His classical influences included Raphael, Bronzino, Francisco de Zurbaran, Vermeer and Velazquez. Exhibitions of his works attracted much attention and a mixture of praise and puzzled debate from critic
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