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Alex HodgeTribute to Astarte and Her Spirit of Tenacity. Large Carved Porcelain Vase2015
2015
$4,000
£3,071.83
€3,520.28
CA$5,631.01
A$6,307.98
CHF 3,280.93
MX$76,944.31
NOK 41,770.63
SEK 39,386.73
DKK 26,274.38
About the Item
This vessel is part of the Unsung Muses series, and it illustrates various versions of the Goddess Astarte in juxtaposition with rows of pattern and text. The text on the body of the vase is comprised of transgender women’s names who have been killed in hate crimes. Astarte is the goddess of both Love and War, a true Warrior Goddess, which perfectly represents the kind of protection and veneration that these trans women deserved in life, as well as in death. The neck of the vase has two quotes from trans women, one of whom is Laverne Cox. They both lament the fact that trans women are most often attacked just walking outside, living their lives.
Unsung Muses is a group of large-scale vessels, wall pieces, and small sculptures which comprised a solo exhibition at the University of Georgia's School of Art in October 2015. The works were accompanied by an excerpt from an Adrienne Rich poem titled ""Transcendental Etude."" The excerpt reads: ""But in fact we were always like this, rootless, dismembered: knowing it makes the difference. Birth stripped our birthright from us, tore us from a woman, from women, from ourselves so early on and the whole chorus throbbing at our ears like midges, told us nothing, nothing of origins, nothing we needed to know, nothing that could re-member us.""
Alex Hodge is an artist-ceramist primarily interested in creating work that juxtaposes the canon of Western art with the lived experiences of contemporary women. As a queer woman growing up in the rural south, she became familiar with the feeling of being on the periphery, spending her youth wandering the woods, collecting material for small sculptures and creating stories for herself.
Alex Hodge grew up on a blueberry farm in South Georgia where she learned the value of cultivating the earth. Currently based in Miami, Florida, Hodge focuses on prioritizing women’s narratives in all aspects of her work. Her poetic porcelain objects examine and reimagine the history of art in a way that values women, not only in body, but in wholeness, power, and love. By combining sculptural and drawn elements, such as carved and painted patterns, her works create a dialogue between space and line, form and surface for a dynamic viewing experience. Often limiting her color palette to black and white, she uses the carving technique called sgraffito to incise her pieces with drawings, her own text, and pattern. Focusing on the narrative qualities of art-making, Hodge weaves stories into the clay which are both personal and universal. Through the decorative and symbolic details, she hints at narratives without completing them to invite the viewer to participate in creating meaning. The women she invents exist in the present but are of the imagined future in which we all have room to flourish, tell our stories, give and receive love, and express the beauty and pain of the human condition. Fundamentally, her artworks are a celebration of the tenacity and vulnerability of women and clay, an interplay of history and hope.
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