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Anna Hepler
Handfull

2017

$3,200List Price

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Teardrop Vessel by Beatrice Wood (INV# NP4054)
By Beatrice Wood
Located in Morton Grove, IL
Beatrice Wood Teardrop Vessel (INV# NP4045) stoneware and glaze 6.25 x 4.5" signed by artist
Category

21st Century and Contemporary Contemporary Sculptures

Materials

Stoneware, Glaze

Oribe Sake Bottle with Signed Box (INV# NP5596)
Located in Morton Grove, IL
Oribe Sake Bottle with Signed Box (INV# NP5596) Ryoji Koie wood-fired stoneware, and Oribe glaze 9 x 2.25 x 2" date unknown signed Born in Tokoname in 1938, one of the oldest cerami...
Category

Early 2000s Contemporary Sculptures

Materials

Stoneware, Glaze

Untitled figure by Robert "BOB" Brady
By Robert Brady
Located in Morton Grove, IL
ROBERT BRADY terracotta 20.75 x 5 x 7.5” signed by artist date unknown
Category

Early 2000s Contemporary Figurative Sculptures

Materials

Ceramic

Mug by John Gill (INV# NP3731)
By John Gill
Located in Morton Grove, IL
John Gill Mug (INV# NP3731) stoneware and glaze 4.75 x 5.5 x 4.25 2015 signed by artist
Category

2010s Contemporary Sculptures

Materials

Stoneware, Glaze

Oblong Mug (INV# NP3732)
By John Gill
Located in Morton Grove, IL
John Gill Oblong Mug (INV# NP3732) stoneware and glaze 2002 signed by artist
Category

Early 2000s Contemporary Abstract Sculptures

Materials

Stoneware, Glaze

Closed Form by Toshiko Takaezu (INV# NP3927)
By Toshiko Takaezu
Located in Morton Grove, IL
Toshiko Takaezu Closed Form (INV# NP3927) 4.5 x 5 x 5" date unknown signed by artist Toshiko Takaezu (June 17, 1922 – March 9, 2011) was an American ceramic artist and painter. She ...
Category

2010s Contemporary Abstract Sculptures

Materials

Glaze, Porcelain

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FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
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"CUBE, PYRAMID & SPHERE", sculpture, clay, abstract, geometric, installation
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CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...
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NEW YORK NIGHTS, a ceramic relief sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. The relief is ready to be mo...
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HER DREAM, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is ch...
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