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Size: Miniature
"Jagged", gestural, ceramic, sculpture, brown, white, cream, stoneware
Located in Natick, MA
Sara Fine-Wilsons ”Jagged” is a gestural 16 x 9.5 x 6 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and pinched...
Category

2010s Contemporary Abstract Sculptures

Materials

Stoneware, Glaze, Clay, Slip

Dorothy Mayhall, Monument 1, 1995, Terracotta, Acrylic Paint
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category

1990s Abstract Geometric Abstract Sculptures

Materials

Terracotta, Acrylic

Bridge Book-Fulgurite
Located in Mill Valley, CA
A handmade book object.
Category

2010s Contemporary Abstract Sculptures

Materials

Metal

Nancy Baker, Fewer Answers 2, 2017, paper, acrylic, digital pigment print
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Paper, Acrylic, Digital Pigment

Inquisition
Located in Edinburgh, GB
A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...
Category

2010s Abstract Abstract Sculptures

Materials

Clay

Numberless the stars swam on their shadowy field - granite abstract sculpture
Located in Doetinchem, NL
Numberless the stars swam on their shadowy field (work no. HVP01294) is a contemporary modern abstract geometric granite sculpture by acclaimed Dutch constructivist Henk van Putten, ...
Category

Early 2000s Constructivist Abstract Sculptures

Materials

Granite

Goodbye - aluminum contemporary modern abstract geometric sculpture
Located in Doetinchem, NL
Goodbye (work no. HVP01142) is a small size contemporary modern abstract geometric aluminum sculpture by acclaimed Dutch constructivist Henk van Putten, who was born in The Netherlan...
Category

1990s Constructivist Abstract Sculptures

Materials

Metal

Brutalist Hand Forged Iron Mosaic Sculpture Menorah Israeli David Palombo
Located in Surfside, FL
Hand Forged Iron Stone Mosaic Hanukah Menorah Candelabra David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati, General Exhibition, Art in Israel 1960 Tel Aviv Museum of Art Artists: Naftali Bezem, Nachum Gutman, Shraga Weil...
Category

Mid-20th Century Arte Povera Abstract Sculptures

Materials

Iron

Steel Harmony, Clay-infused fabric sculpture, for wall installation
Located in Tel Aviv, IL
Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...
Category

2010s Contemporary Abstract Sculptures

Materials

Ceramic, Clay, Fabric, Cotton, Paint, Glaze

Woodman
Located in Edinburgh, GB
A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...
Category

Early 2000s Abstract Abstract Sculptures

Materials

Marble, Bronze

"Wild Cherry" (2024) By Carolyn Barlock, Original Gold and Porcelain Sculpture
Located in Denver, CO
"Wild Cherry" (2024) by Carolyn Barlock is an original, handmade sculpture made with Persian luster and 22kt gold on porcelain. About the Artist: Carolyn L. Barlock was born in Den...
Category

2010s Abstract Sculptures

Materials

Gold

Limpopo, 2021
Located in Palm Desert, CA
Style: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"
Category

21st Century and Contemporary Conceptual Abstract Sculptures

Materials

Metal

Limpopo, 2021
Limpopo, 2021
$960 Sale Price
20% Off
Lacescape V - Contemporary Wall Hung Sculpture w/ Amazing Texture (Green + Pink)
Located in Gilroy, CA
"Lacescape V" is an original wall-hanging sculpture by Spanish artist Elisa Ortega Montilla. This contemporary piece is made with an expert assemblage of sculpted plywood and reclaim...
Category

2010s Contemporary Abstract Sculptures

Materials

Textile, Wood

Modern Cross, Hand-Carved Wooden Sculpture by Antonovici c1950
Located in Long Island City, NY
Romania-born Antonovici is best-known as Constantin Brancusi’s protege. He worked closely with the master sculptor in his studio until he emigrated to the USA in 1953. Modern Cross,...
Category

Mid-20th Century Modern Abstract Sculptures

Materials

Wood

American Contemporary Ceramic Sculpture - Linda Stein, Rose Knight 238
Located in New York, NY
This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. Stein's works are in mor...
Category

2010s Contemporary Abstract Sculptures

Materials

Ceramic

Russian Contemporary Sculpture by Valentin Korzhov - S014-005-S
Located in Paris, IDF
Fiberglass & Chrome Edition 1/5 Valentin Korzhov is a Russian artist born in 1975 who lives & works in Moscow, Russia. Valentin Korzhov is known for his multi-media works combining...
Category

2010s Contemporary Abstract Sculptures

Materials

Fiberglass

"Por Ahí Voy I, Knife Drawing", hand scored giclée print, metallic paper
Located in Philadelphia, PA
This piece titled "Por Ahí Voy I, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 12"h x 12"w ...
Category

21st Century and Contemporary Contemporary Mixed Media

Materials

Giclée, Paper

"Por Ahí Voy III, Knife Drawing", hand scored giclée print, metallic paper
Located in Philadelphia, PA
This piece titled "Por Ahí Voy III, Knife Drawing" is an original piece by Lucha Rodríguez and is made from hand scoring giclée print on metallic paper. This piece measure 12"h x 12"...
Category

21st Century and Contemporary Contemporary Mixed Media

Materials

Giclée, Paper

Dorothy Mayhall, Monument #43, 1993, Terracotta, Acrylic Paint
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category

1990s Abstract Geometric Abstract Sculptures

Materials

Terracotta, Acrylic

Karen Schiff, Hypercubic, 2016, Wood, Gouache
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Wood, Gouache

L'Escalier Restant bronze wood figure
Located in Palm Desert, CA
These sculptures were inspired by the spirituality of the twelve-step programs and the eight-fold path of Buddhism.  Meshing these philosophies with meditation led me to express these small sculptures to achieve the connection between art and spirit. Wire figures...
Category

21st Century and Contemporary Abstract Abstract Sculptures

Materials

Bronze

Rose Gold Clay Balloon Sculpture handmade for wall, ceiling, Small
Located in Tel Aviv, IL
This High Gloss Handmade ceramic balloon sculpture is a balloon for life and an art collectors piece. Its Vivid glossy color enhances sophisticated and cheerful space environment. Fo...
Category

2010s Contemporary Figurative Sculptures

Materials

Ceramic, Clay, Coating, Glaze

Golden Apples 39
Located in Santa Fe, NM
Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...
Category

2010s Abstract Abstract Sculptures

Materials

Ceramic

Liz Sweibel, Untitled (Scrapings #2), 2016, Wood, Paint, Found Objects
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category

2010s Abstract Expressionist Abstract Sculptures

Materials

Wood, Paint, Found Objects

'Protected by Spirits' original stone Shona sculpture by Marowa & Chideu
Located in Milwaukee, WI
'Protected by Spirits' is an original springstone sculpture by the Zimbabwean artists Tendai Marowa and Stanley Chideu. The sculpture presents a tall and curving face with a ring-sha...
Category

Early 2000s Contemporary Figurative Sculptures

Materials

Stone

Fritz Horstman, Formwork for Branching Stream, 2017, Wood, Walnut
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category

2010s Conceptual Abstract Sculptures

Materials

Wood, Walnut

Eugene Caples "Bronze Sculpture I" Abstract Bronze Sculpture
Located in Detroit, MI
This small exquisite "Bronze Sculpture I" is in excellent condition and a perfect example of Eugene Caples craftsmanship. Although it is mainly abstract, there are bits that look figurative either an arm or a leg attempting to emerge from a fold or attempting to hold a pose such as in yoga. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things. Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), and Paul Evans (Created Brutalist-inspired sculpted metal furnishings.) Gene worked...
Category

Late 20th Century American Modern Abstract Sculptures

Materials

Bronze

Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Abstract Sculptures

Materials

Thread, Dye, Found Objects

Patricia Miranda, Seeing Red Lace, 2020, egg tempera on panel
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Abstract Sculptures

Materials

Fabric, Plastic, Dye

1202-03 yellow - contemporary modern abstract geometric ceramic object sculpture
Located in Doetinchem, NL
Sculpture SC1202-03 (yellow) is a contemporary modern abstract geometric object sculpture by Dutch visual artist Let de Kok. This sculpture consists of three ceramic elements and bot...
Category

2010s Contemporary Abstract Sculptures

Materials

Ceramic

John Albert Murphy Porcelain "Dark Days Ahead" Sculptural Nested Bowls
Located in Detroit, MI
"Dark Days Ahead" is in fact a glorious paper-thin porcelain sculpture with fluted sides. The "two bowls and one ball" are nestled and permanently fixed. The black and white linear design to the porcelain is relieved by the movement of the fluted sides of the "bowls." This complex design is both light and airy while being visually weighted by the innermost "ball" being covered in a silver glaze suggesting heavy stainless steel. The ceramic piece is slip cast porcelain, masking tape stenciled and glazed in the style of abstract expressionism, specifically Pointillism.  It was fired in oxidation at 2230 degrees Fahrenheit.  The sphere in the center has luster glaze. John Albert Murphy...
Category

21st Century and Contemporary Assemblage Abstract Sculptures

Materials

Porcelain, Glaze

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Abstract Sculptures

Materials

Fabric, Thread, Plaster, Dye, Found Objects

Richard Bottwin, Parallel #6, 2006, Wood Veneers and Acrylic
Located in Darien, CT
Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...
Category

21st Century and Contemporary Post-Minimalist Abstract Sculptures

Materials

Wood, Acrylic

Tell-Tale PhotoTotem: stacked wood cube sculpture w/ black & white photographs
Located in Bryn Mawr, PA
"Tell-Tale PhotoTotem" is a sculpture created from four solid wood cubes, with each of the 16 visible sides holding a different original black & white silver gelatin print (photograph) from artist Jenny Lynn...
Category

2010s Abstract Abstract Sculptures

Materials

Photographic Paper, Silver Gelatin, Wood

Homage to Bach - contemporary modern abstract geometric cube sculpture
Located in Doetinchem, NL
Homage to Bach is a unique small size contemporary modern cube sculpture by the famous Dutch artist couple Nel Haringa and Fred Olijve. The cube sculpture consists of a few dozen han...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Plexiglass

Profiterole
Located in London, GB
Cast aluminium with latex paint, brass, 1989, signed, titled, dated, and numbered by incision on a brass disk in base, from the edition of 75 (there are also 25 artist’s proofs), pub...
Category

1980s Pop Art Abstract Sculptures

Materials

Metal, Brass

Masterpiece Swiss Contemporary Blown Matte Glass Sculpture Vase
Located in Surfside, FL
Thomas Blank was born in Berne, Switzerland, in 1973. He is a master of transformation, who has been investigating the nature of glass for 20 years now, without losing his fascinatio...
Category

21st Century and Contemporary Post-Modern Abstract Sculptures

Materials

Blown Glass

Porcelain Vase, Sculpture, Korean American, Flared Cloud Vase by Sam Chung, 2023
Located in St. Louis, MO
Porcelain Vase, Sculpture, Korean American, Flared Cloud Vase by Sam Chung, 2023 Sam Chung lives and works in Tempe, AZ. He is a ceramic artist and Professor of Art at Arizona State...
Category

2010s Contemporary Sculptures

Materials

Ceramic, Porcelain, Paint

Andra Samelson, Microcosm 2, 2016, Canvas, Wood, Found Objects, Acrylic Paint
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Canvas, Wood, Found Objects, Acrylic

Liz Sweibel, Untitled (Scrapings #3), 2016, Wood, Paint, Found Objects
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consist...
Category

2010s Abstract Abstract Sculptures

Materials

Wood, Paint, Found Objects

Abstract Relief: flat sculpture for wall or shelf, painted
Located in Bryn Mawr, PA
This is an abstract painted plaster cast relief sculpture designed to be mounted directly to the wall or installed on a shelf. It is reminiscent of a fossil or natural or scientific curiosity in a "Wunderkammer," or historical cabinet of curiosities. It is signed on the back. Ava Blitz...
Category

2010s Abstract Abstract Sculptures

Materials

Plaster, Acrylic

Herinnering 2 Memory 2 Bronze People on Bench Figurative Sculpture Contemporary
Located in Utrecht, NL
Herinnering 2 Memory 2 Bronze People on Bench Figurative Sculpture Contemporary Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, sil...
Category

21st Century and Contemporary Contemporary Figurative Sculptures

Materials

Stone, Bronze

Nancy Baker, Bulwark, 2019, painting, collage, cut out board, 15 x 15 x 2 inches
Located in Darien, CT
These new paintings and works on paper are the outgrowth of experimentation that seeks to bring the work to a newer outpost of Baker’s search for an honest self-revelation. The new s...
Category

2010s Rococo Abstract Sculptures

Materials

Acrylic, Board, Archival Pigment, Wood Panel

Mural " Interlocked " Abstract Wall Sculpture Metal Aluminium
Located in Benahavis, ES
The modern Wall Sculpture " Interlocked ” is a unique metal Mural made from a burnout mold by David Marshall in 2019, sand cast in aluminium and steel in our foundry, handcrafted by...
Category

2010s Contemporary Abstract Sculptures

Materials

Metal

Diane Englander, White and Yellow Wood 2018, scrapwood and acrylic, 7 x 11.25 in
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition. Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more. A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm. “I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.” In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time. She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Acrylic, Wood

Diane Englander, White and Wood 13 2015, scrapwood and acrylic , 7.25 x 12 x 1.25
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Wood, Acrylic

Diane Englander, White and Wood IX, 2014, Wood, Mixed Media
Located in Darien, CT
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...
Category

2010s Arte Povera Mixed Media

Materials

Wood, Mixed Media, Acrylic

Disc for Apollo 2
Located in Santa Fe, NM
Hand Built and glazed ceramic. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating wheel thrown vessels. After several...
Category

2010s Abstract Abstract Sculptures

Materials

Ceramic

Golden Apples 37
Located in Santa Fe, NM
Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...
Category

2010s Abstract Abstract Sculptures

Materials

Ceramic

Dorothy Mayhall, Monument 4, 1994, Terracotta, Acrylic Paint
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category

1990s Abstract Geometric Abstract Sculptures

Materials

Terracotta, Acrylic

Dorothy Mayhall, Monument 5, 1995, Terracotta, Acrylic Paint
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category

1990s Abstract Geometric Abstract Sculptures

Materials

Terracotta, Acrylic

Nature II : Abstract, Bronze, Wood Sculpture by Indian sculptor "In Stock"
By Pradip Mondal
Located in Kolkata, West Bengal
Pradip Mondal - Nature (II) - 15 x 15 inches Medium - Wood & Bronze Single edition. About the Artist and his work : Born : 1977 in West Bengal. Education : 2001-02 : BVA (Modellin...
Category

Early 2000s Contemporary Abstract Sculptures

Materials

Bronze

When It's Said You're Square
Located in Phoenix, AZ
"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...
Category

2010s Abstract Abstract Sculptures

Materials

Cotton, Resin, Vinyl

"Scaffolding with Yellow", Contemporary, Porcelain, Sculpture, Glaze, Porcelain
Located in St. Louis, MO
My work explores transformation using the kiln as a vehicle for deconstruction. The porcelain grid systems become an architecture over which to stretch a fluid skin that warps or col...
Category

2010s Contemporary Sculptures

Materials

Ceramic, Clay, Porcelain, Glaze

Swimming in Black and White: painted abstract relief sculpture for wall or shelf
Located in Bryn Mawr, PA
This is a plaster cast relief sculpture painted with black and white designed to be mounted directly to the wall or installed on a shelf. It is an abstract image evoking flowing water and sea life. It is reminiscent of a fossil or natural or scientific curiosity in a "Wunderkammer," or historical cabinet of curiosities. It is signed on the back. Ava Blitz...
Category

2010s Abstract Abstract Sculptures

Materials

Plaster, Acrylic

Dorothy Mayhall, Monument #26, 1993, Terracotta, Acrylic Paint
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category

1990s Abstract Geometric Abstract Sculptures

Materials

Terracotta, Acrylic

"Mia" Ceramic Abstract Sculpture 16" x 3" inch by Lika Brutyan
Located in Culver City, CA
"Mia" Ceramic Abstract Sculpture 16" x 3" inch by Lika Brutyan Medium: Clay Lika Brutyan is American photographer, was born in a family of scientists and artists in Yerevan, Armeni...
Category

21st Century and Contemporary Contemporary Abstract Sculptures

Materials

Clay

Oddly
Located in Edinburgh, GB
A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...
Category

Early 2000s Abstract Abstract Sculptures

Materials

Bronze

"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

Fritz Horstman, Glacier Face, 2016, Wood, Walnut
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category

2010s Conceptual Abstract Sculptures

Materials

Wood, Walnut

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