Beverly Morrison

Sora, Clay Abstract Sculpture, 2019

2019

Vessel in White and Gold - No 119, Abstract Ceramic Sculpture, 2022 17" x 12" x 7" (HxWxD) This ceramic vessel is formed in an organic shape, with its rounded shape almost resemblin...

Artist Commentary: Stoneware; Cone 5/6 Oxidation Firing; Slips & Oxides Keywords: abstract, contemporary, clay, ceramic, vessel, brown, black, white, abstract, minimal, surface texture, zen, meditative Artist Biography: Beverly Morrison...

Artist Commentary: Black stoneware; cone 5/6 oxidation firing "Inspired by my nieces voluptuous pregnant belly " Keywords: vessel, ceramic, classic, minimal, clay, black, classical, minimal, round Artist Biography: Beverly Morrison...

Artist Commentary: Stoneware and clay slip; Cone 5/6 Oxidation Firing; Slips & Oxides Keywords: abstract, textured, ceramic, clay, expressive, black, blown, white, zen, meditative, nature, vessel Artist Biography: Beverly Morrison...

“Contemplation” is an abstract clay sculpture of a female. The figure has both arms and legs extended, but the dignified pose suggests an intimate rather than a sexual moment. The sculpture is delicately rendered, but monumental in pose and clean composition reminiscent of the English artist Henry Moore. The surface is warm and slightly rough to the touch. This sculpture is in the round and beautifully balanced geometrically with the hands clasped behind the head forming a slightly flattened polygon shape that is echoed in the positioning of the legs and draped fabric of a presumed dress. The figure draws the viewer into her contemplation, peace and confidence. An exceptional piece by Midener. Walter Midener...

Clay relief of abstracted nude couple by California artist Joe Funk (American, 1918-1981). Monogram signature on individual reliefs and signed on verso. included with photograph and description in his catalog. Catalog with photos of sculpture, and artist biography are included. Ceramics: each 7.25"H x 3.25"W. Overall Size: 10.50"H x 14"W x 5.75"D Joe Funk was an American artist and print maker born in Los Angeles, California, to Polish and German immigrant parents. He died in 1981 in Santa Cruz, California. As a young person in Los Angeles, Joe Funk showed an interest in art. He studied at the Otis and Chouinard Art Institutes and worked on several murals throughout Los Angeles in the Works Progress Administration. He served in the United States Army, from 1943 to 1946, in Korea and Okinawa a s a heavy anti-aircraft artillery mechanic and instructor, warehouseman, and artist, publicist, and graphic designer for special events at Headquarters Company, Asiatic Command. At the ASCOM University in Korea, he was an instructor in pencil sketching. It was during his time in Korea that he developed a lifelong interest in Asian art. Using the G.I. Bill, after the Korean War, he earned a Masters Degree in fine art from the University of Southern California. In the 1950s, Joe met Lynton Kistler and worked at Kistler’s facility in Los Angeles, the only lithographic press open for business on the west coast at that time. During his time as an apprentice, Joe printed for many well-known artists, such as Jean Charlot, man Ray, Max Ernst, Emerson Woelffer and June Wayne. When June Wayne opened the Tamarind Lighography Workshop in Los Angeles in 1960, she offered the status of fellow printer to Joe Funk. At Tamarind, he began work printing lithographs for guest artists and training future printmakers. After Tamarind, Joe became the technical director at Kanthos Press from 1961-1962, where he printed for Jose Cuevasand and Aubrey Schwartz. In 1964, he became co-owner of Joseph Press and was printmaker for Sam Francis, Arnold Belkin and Rico Lebrun. From 1962-1964, Joe taught at the Chouinart Art Institute. Joe established a non-profit corporation in Venice, California in the late 1960s, called Joseph Graphics. Here, he trained apprentice printmakers and printed for numerous artists including Joyce Treiman...

Signed and dated. Nils Erichsen Martin's ceramics has a distinct style. He takes on a scientific approach with his artwork, researching into the different aspects of how form is per...

Signed and dated. «Waited for someone, for something, for anything, for too long» was part of O. F. Hvidsten's first solo-exhibition «This will n...