Carlos Otero

Untitled

2018

Otto Piene, Rastersonne Contemporary, 21st Century, Gold varnish, Limited Edition Gold varnish on clay Edition of 99, each piece is unique 47 x 47 x 2 cm (18.5 x 18.5 x 0.8 in) Stamped and numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the images. The pictures are only for illustrative reasons. Fire, earth, and metal: these elementary forces played a very important role in the oeuvre of Otto Piene. After many years of artistic productions in 2006, he discovered a new material for his artworks: ceramic. "With my artworks I want to transmit energy” — Otto Piene He created wonderful mural reliefs in ceramic. He dropped viscous varnish through different raster-barriers on a prepared clay platter. Not only the setting of the platinum drops creates the individual and unique look of each work but also their convex and interleaving forms. The slight convexity of the platinum varnish drops reflects the light and gives the artwork a discreet white shine. With the mélange of archaic and modern elements, Piene achieves an impressing artwork with this powerful material. OTTO PIENE Otto Piene is one of the most important German post-war artists.In 1957- Otto Piene and Heinz Mack founded the group ZERO. Otto Piene is one of the most important German post-war artists. Born in 1929 Otto Piene was brought up in Lübeck (Germany) and, after his studies at the Academy of Fine Arts in Munich and Düsseldorf, he completed his academic education with studies on philosophy at the University of Cologne. In 1957- Otto Piene and Heinz Mack founded the group ZERO; which Günther Uecker joined in 1961. Their aim was to create a recommencement of contemporary art, starting at the point ZERO with new artworks emphasizing predominantly on light. Piene primarily aimed in his artworks to visualize light, fire, and air; so he started to create Op-Art inspired raster paintings, followed by smoke and fire...

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