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Jan Maarten Voskuil
Cuts in Orange

2022

$10,000
£7,682.63
€8,827.25
CA$14,066.24
A$15,802.79
CHF 8,256.98
MX$192,880.43
NOK 104,839.55
SEK 98,684.35
DKK 65,872.25

About the Item

acrylic on linen 24 x 24 x 2.5 inches Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the circle, the square, and the rectangle. He stretches the frames with linen and usually paints them in monochrome colors. With a minimum of means, he manages to develop a broad spectrum with his work whereby he partly stands in the tradition of the constructive, minimal, and concrete art of the twentieth century. His work is labeled as spatial object, sculpture, autonomous design or even architecture. He himself consistently continues to call the work painting because his frame of reference is painting. Spatial or not, “It remains paint on canvas, and deals with the limitations of the flat surface,” he argues. “Conversely, you would call Carl Andre’s work sculpture even though it’s mostly flat, wouldn’t you?” Still, there is something to be said for seeing in Voskuil not just a painter. Over the years, his ingenious stretchers have become primarily modular constructions, which can sometimes be assembled in various ways. This makes him not only a painter but also a “builder” of paintings, which brings him very close to architecture. In his latest series of works the exploration of space is accompanied by the (re)introduction of emptiness into the painting. The modules are no longer connected to each other. Although this disintegration already made its appearance in the series Dynamic Monochromes, from 2012 onwards, in the form of indentations between the modules, this in-between space is now much more thematized.
  • Creator:
    Jan Maarten Voskuil (1964, Dutch)
  • Creation Year:
    2022
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 24 in (60.96 cm)Depth: 2.5 in (6.35 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Phoenix, AZ
  • Reference Number:
    Seller: 2022040531stDibs: LU13712945652

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b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
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