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Laura Ellen Bacon
"Poise" Laura Ellen Bacon, Woven Willow Abstract Basket

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Soul of a Big Blue Bowl, Contemporary Wall Sculpture by Jin-Sook So
By Jin-Sook So
Located in Wilton, CT
Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...
Category

2010s Contemporary Abstract Sculptures

Materials

Silver, Steel, Gold Leaf

15 Black Boxes, Wall Sculpture by Jin-Sook So
By Jin-Sook So
Located in Wilton, CT
This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...
Category

2010s Contemporary Abstract Sculptures

Materials

Silver, Steel, Gold Leaf

Black Shell, woven abstract wall sculpture by Federica Luzzi
Located in Wilton, CT
Black Shell, Federica Luzzi, cotton, wool, 60” x 49” x 9”, 2009 Federica Luzzi (b. 1970, Italy) is known for her woven sculptures, which she creates using her own personal knotting ...
Category

Early 2000s Contemporary Abstract Sculptures

Materials

Textile, Cotton, Wool

"Last Light" Mary Merkel-Hess, Contemporary Abstract Textile Sculpture
By Mary Merkel-Hess
Located in Wilton, CT
"Last Light" Mary Merkel-Hess, paper, paper chord, 14” x 31” x 15”, 2018. This colorful contemporary textile sculpture was done by American fiber artist, Mary Merkel-Hess. Merkel-Hess' work is often reflective of the natural landscapes from her childhood in the Midwest. Her work, "Last Light", was specifically inspired by a line from Willa Cather...
Category

2010s Contemporary Abstract Sculptures

Materials

Textile, Paper, Mixed Media

"El abrazo" Carolina Yrarrázaval, Contemporary woven textile wall sculpture
Located in Wilton, CT
"El abrazo" Carolina Yrarrázaval, jute, linen, 40" x 14" x 7", 2017. This woven Contemporary textile sculpture was done by Chilean fiber artist, ...
Category

2010s Contemporary Still-life Sculptures

Materials

Fabric, Textile, Jute, Linen

"Golden Crater" Norma Minkowitz, Contemporary mixed media textile sculpture
By Norma Minkowitz
Located in Wilton, CT
This mixed media sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). Minkowitz combined various materials while employing her own i...
Category

Early 2000s Contemporary Abstract Sculptures

Materials

Mixed Media

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Mushroom #3, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT This Charred white oak mushroom acts as a stool or end table. “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood...
Category

2010s Contemporary Abstract Sculptures

Materials

Wood, Driftwood

Vibration, Amagansett, NY 2020
Located in Hudson, NY
ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category

2010s Contemporary Abstract Sculptures

Materials

Wood, Driftwood

Wave Totem, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
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2010s Contemporary Still-life Sculptures

Materials

Wood

Stamen #1, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
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Concentric, Amagansett, NY, 2020
Located in Hudson, NY
ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category

2010s Contemporary Still-life Sculptures

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"JAMÓN JAMÓN I (Reliquary Generalife)", ceramic sculpture, porcelain vessel, urn
By Andrew Cornell Robinson
Located in Toronto, Ontario
"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...
Category

21st Century and Contemporary Contemporary Abstract Sculptures

Materials

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