Bronze Abstract Sculptures

De Wereld Is Zo Klein, Twee Staartjes The World Is Small Bronze Sculpture The sculpture has an edition of 8 (plus 4 Epreuves Artistes) The Sculpture Edition 6/8 can be delivered in...

A sculpture by Seth Kaufman. "Lignum Spire" is a contemporary sculpture, bronze with green patina by American Conceptual artist Seth Kaufman. Seth Kaufman lives and works in Southern California. He teaches sculpture and design at Art Center College of Design in Pasadena, CA. Kaufman has had solo exhibitions at, Long Beach University Art Museum, Long Beach, CA; Finesilver Gallery, San Antonio, TX and Post Gallery, Los Angeles, CA. His works have been included in numerous two-person and group exhibitions such as, “Installations Inside/Out 20th Anniversary Exhibition,” Armory Center for the Arts, Pasadena, CA; “Natural Artifice,“ Torrance Art Museum, Torrance, CA; “Extreme Materials,” Memorial Art Museum, Rochester, NY; “Seth Kaufman – John Morris,” Anthony Meier...

Moonlight Bronze Figurative Abstract Geometric Grey Head Contemporary Junghans (1956, Recklinghausen) creates abstract sculptures in stone, w...

Spinning-top is a tall abstract resin sculpture made by Patrice Breteau, a French contemporary artist.This sculpture is available in eight different colors, all resistant to UV expos...

Tête Bronze Sculpture Tete Head Face KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), France 2014). H...

Explosion (l 'argo) Bronze Sculpture Abstract Contemporary Art KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), France 2014). ...

The sculpture is patinated bronze with naturally occurring smokey quartz crystals. Unique edition. Half torso. The cementitious pedestal base is unique and hand-made in the artists' studio under the watchful eyes of the artist. The artist is James Edward Lomax who is English in his early 30’s who is internationally recognized for his prodigious talent and individuality He studied art in Cornwall in the Southwest of England, where he specialized in sculpture. His prodigious talent was soon recognized, and he developed his own unique and exquisite approach to sculpting. He is currently based in Bali, Indonesia where he continues to experiment with different natural materials creating mystical sculptures for his many international collectors. He has exhibited at the Royal Horticultural Show in London for many years and is represented at The Englishman Fine Art...

Dutch, b. 1938 Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as an artist-mystic whose work -- with i...

Edition: 4 of 8 Created in 2002 21 x 17,5 x 11 Upon his arrival in Paris in 1957, Adami befriended the sculptors Collamarini and Renato Ischia at the Ecole des Beaux-Arts, and met ...

Edition: 1 of 6 Created in 1998 24 x 15,5 x 15,5 Upon his arrival in Paris in 1957, Adami befriended the sculptors Collamarini and Renato Ischia at the Ecole des Beaux-Arts, and met...

Growing up immersed in creativity, Mia Fonssagrives-Solow has been making art nearly her entire life, working with any material she had available. Sol...

3 bronze parts on a Cedar of Lebanon base Unique Stamped with monogram signature and uniquely numbered 837 The exposed edges in natural bronze are fin...

Original Aircraft Sculpture - Bronze- Deep Sea Green Patina Part of the Aerogenic series of bronze sculptures, a progression in the HERRINGKEL seri...

Bronze Sculpture 'Bolas II' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Polished Certificate of authenticity Numbered and sign...

Bronze on a composite base Unique variation Stamped with monogram signature and numbered 755A Apertures are formed by bronze finding it’s own boundaries because the space is too thin...

Bronze on a Cumbrian slate base Unique variation Stamped with monogram signature and uniquely numbered 713A The lunar crescent in different positions on each face is finished with me...

Bronze freely rotating on a Cumbrian slate base Series of variations Stamped with monogram signature and uniquely numbered 627A The polished bronze spheres require care as they will ...

Bronze freely rotating on a slate composite base Series of unique variations Stamped with monogram signature and uniquely numbered 624B The polished bronze spheres require care as ...

Bronze on a cherrywood base Stamped with monogram signature and uniquely numbered 634A The natural bronze edge is treated with a translucent golden brown finish before lacquering for...

Sculptures 'Wandobjekt' by Carola Eggeling Abstract sculpture with beautiful curved lines. Set of 3 German aluminum and bronze sculptures Finishes: - Aluminum white lacquered - Al...

Year 2016 73 x 26 high x 18 cm Bronze freely rotating on a scorched yew base. Series of individual variations Stamped with monogram signature and uniquely numbered 619A Parts of th...

Bronze Edition of 9 Stamped with monogram signature and uniquely numbered 393, 5/9 The natural bronze edges are finely rubbed before lacquering for protection and to prevent natural ...

Unique Bronze freely rotating on a scorched yew base Stamped with monogram signature and uniquely numbered 561A The natural bronze ends of the ring are finely rubbed and lacquered. W...

Bronze on a MDF base with LED light Unique Stamped with monogram signature and uniquely numbered 388 The LED light has a driver operating between 100 and 240 volts. The power lead i...

Bronze Series of variations Stamped with monogram signature and uniquely numbered 682A The natural bronze elements of this sculpture are finely rubbed and lacquered clear Weight: 5....

Bronze Series of variations Stamped with monogram signature and uniquely numbered 681A The natural bronze elements of this sculpture are finely rubbed and lacquered clear Weight: 4....

"Family of Whales" Abstract Bronze Sculpture (3 Pieces) by Eman Barakat 3 pieces: 5" x 13" x 6" inch Eman Barakat is an Egyptian Postwar & Contemporary artist who was born in 1988...

Edition : 4 of 6 Created in 1998 21,5 x 13,5 x 13,5 Upon his arrival in Paris in 1957, Adami befriended the sculptors Collamarini and Renato Ischia at the Ecole des Beaux-Arts, and ...

Bronze

Eran Shakine Chair 2014 Bronze Sculpture He was born in 1962 in Israel to a French father and Hungarian mother. He has lived in Paris, London and for seven years in New York City, wh...

White Bronze Sculptures 'OPUS' by Carola Eggeling. Abstract sculptures with beautiful curved lines. German bronze sculptures Bronze Lacquered...

"Sisters" Bronze Sculpture 14" x 6" x 4" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. H...

"Secret Box" Bronze Sculpture 15" x 7" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979...

"Artist Book" Bronze Sculpture 13" x 10.5" x 3.5" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in...

"Glyphs" Bronze Sculpture 9" x 7" x 2" in by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He started exhibiting in individual and group exhibitions in Alexandria since 1980 and up until now. Sarkis Tossoonian won the second prize in Sculpture in the 5th Biennale of Port Said in 2001. Sarkis Tossoonian excels in blending two different mediums in his works like non shiny bronze with shiny golden brass. His figures stand for both male and female dressed...

"Equine Spirit II" Bronze sculpture 23" x 14.5" inch by Ibrahim Abd Elmalak Equine Spirit II, 1997 Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic...

Abstract sculpture

"Torso & Mirror" Bronze Sculpture 13" x 19" x 5.5" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture i...

Cast bronze Trays Ø 28, 35, 47 cm Ø 11”, 13”7/8, 18”1/2 in.

Heroic Vision 568 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of bronze and is from an ed...

La Coppia Bronze Sculpture Set The Couple Heads Figurative Abstract In Stock KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), F...

La Coppia Bronze Sculpture Head One Piece KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), France...

This lyrical and elegant contemporary sculpture is by David Chamberlain whose work is collected and admired around the world. Hand forged in patinated bronze and steel, the flowing c...

Hyun Ae Kang (South Korea, 1965) combines traditional Korean painting with Western abstract imagery using natural materials to create innovate mixed-media works that are rich in both...

Sculpture of abstract boat

Cast bronze sculpture with classic green patina on black marble base. Edition of 3 at this size. Other sizes and patina finishes are also available by commission, please inquire for more details. Pisapia's "Expedition Series," inspired by sea voyages, is about meeting life’s challenges with courage and purpose. It connects to the idea expressed by J.W. Goethe: “Character is formed in the stormy billows of the world.” Taking up life’s tasks can require one to go against the wind. The feeling of determination to achieve and continue steering through obstacles is poured into the pure forms; a dynamic balancing of the straight and curve on different axes. "With a rounded starting point," Pisapia explains, "I add on a variety of disparate angles, diverse curves, and twisting planes. I carve and smooth the surfaces, bringing out particular tensions and transitions." Flavius Valone Pisapia is an Italian-Romanian artist born in Bucharest in 1981. He completed his higher education in the UK, with an MA in Transpersonal Arts & Therapy, 2014; a Diploma in Transformative Arts, 2011; and a BA (Hons) in Film and Video, 2005. Pisapia studied sculpture throughout his higher education and appreciated several sculptor mentors in the UK. Since 2016, he has resided in India, where he is currently an artist in residence at Studio Sukriti in Jaipur. He has had several solo exhibitions in India and his artwork is found in private collections worldwide. "It's important for me to experience the world at a deeper level by penetrating the veil of the senses. Through an immersive process the essence, beauty and the pure form of an idea are gradually revealed to me. The emerging awareness flows into my artwork imbuing it with a higher reality. To achieve this awareness in my creative process, I go through three stages: imagination, inspiration and intuition." - Flavius Pisapia

A grand new Erdman bronze sculpture! Without beginning or ending, this bronze sculpture has a calm, meditative quality, enhanced by the richness of its captivating patina. Now availa...

Arturo Di Modica, Italian/American (1941 - ) - Abstract Figures, Year: 1980-81, Medium: Bronze sculpture, signature, numbering and date inscribed, Edition: 1/1, Size: 55 x 36 x 3...

Spirit of the Wind, by Allan Houser, apache, abstract, sculpture, limited edition lifetime bronze casting excellent condition

Pleasant Memories, bronze, sculpture, Allan Houser, Apache, contemporary, modern GLENN GREEN GALLERIES' LONG ASSOCIATION WITH ALLAN HOUSER Allan Houser was represented by Glenn Gree...

The Shy One, bronze, sculpture, by Allan Houser, mother, child, Apache, Native limited edition bronze casting lifetime casting wood base GLENN GREEN GALLERIES' LONG ASSOCIATION WIT...

Brad Howe - outdoor bronze sculpture

Brad Howe - outdoor bronze sculpture

Reclining Figure II, by Allan Houser, Apache, abstract, figurative, bronze Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty...

Observant, by Allan Houser, bronze, sculpture, limited edition, blanketed figure GLENN GREEN GALLERIES' LONG ASSOCIATION WITH ALLAN HOUSER Allan Houser was represented by Glenn Gre...

"Terracotta" by Joel Perlman Abstract sculpture in bronze Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While minimali...

Large Vibration is a bronze sculpture by contemporary artist Martine Demal, dimensions including base are 206 × 103 × 45 cm (81.1 × 40.6 × 17.7 in). The sculpture is signed and numb...

Signs and Writings No. 2 is a monumental bronze sculpture by contemporary artist Martine Demal, dimensions including patinated brass base are 235 × 70 × 45 cm (92.5 × 27.6 × 17.7 in)...

Beverly Pepper is an American sculptor known for her monumental works, site specific and land art. She remains independent from any particular art movement. She was married to the writer Curtis Bill Pepper. Pepper was born Beverly Stoll on December 20, 1922, in Brooklyn, New York. At sixteen, she entered the Pratt Institute in Brooklyn, New York to study advertising design, photography, and industrial design. She then embarked on a career as a commercial art director. She studied at Art Students' League and attended night classes at Brooklyn College, including art theory with György Kepes, who introduced her to the work of Lasló Moholy-Nagy and Man Ray. It was also at this time, in her mid twenties, that she met the environmental artist Frederick Kiesler. Drawn to post-war Europe in 1949, she studied painting in Paris at the Académie de la Grande Chaumière. There she attended classes with cubist painter André L'Hôte, and with Fernand Léger at his atelier. She also visited the studios of Ossip Zadkine and Brâncuși. Pepper began her career as a painter, but after a trip to Angkor Wat, Cambodia in 1960, she was so awed by the temple ruins surviving beneath the jungle growth that she turned to sculpture. She made her debut in 1962 with an exhibit of carved tree trunks at a gallery in Rome. After several exhibitions in New York and Rome, she was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Pietro Consagra, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. Beverly Pepper has had a long and extraordinary career. Like her contemporaries Louise Bourgeois and Louise Nevelson, Pepper forged a unique path as a mid-century feminist artist. As the 1960s progressed, Pepper turned to polished stainless steel. In some of the first works, she used a torch to carve used one-inch thick elements of stainless steel. From there, her pieces evolved into highly polished stainless with painted interiors. She was, in fact, one of the first artists, if not the first, to incorporate Cor-Ten steel into sculpture. Beginning in the 1970s, and to the present day, she has lived a bi-continental life traveling between Europe and the United States. Western Washington University outdoor sculpture collection. The collection has some pieces which qualify as "land art" including Alice Aycock's 1987 "The Islands of the Rose Apple Tree Surrounded by the Oceans of the Word, for You, Oh My Darling," and Nancy Holt's 1977-1978 "Stone Enclosure: Rock Rings." Other artists in the collection include Beverly Pepper, Robert Morris, Richard Serra, Isamu Noguchi, Bruce Nauman, Tom Otterness, and Mark di Suvero. Pepper's works have been exhibited and collected by major museums and galleries throughout the world, including: deCordova Sculpture Park and Museum, Lincoln, Massachusetts The Metropolitan Museum of Art, New York The Whitney Museum of American Art, New York Brooklyn Museum of Art, Brooklyn, New York The Albright-Knox Art Gallery, Buffalo, New York The White House Sculpture Garden, Washington, D.C. The Hirshhorn Museum and Sculpture Garden The National Museum of American Art, Smithsonian Institution, Washington, D.C. The Walker Art Center, Minneapolis, Minnesota The San Francisco Museum of Modern Art, California Denver Art Museum, Colorado Columbus Museum of Art, Ohio The Georgia Museum of Art, Athens, Georgia Centre Georges Pompidou, Paris, France Les Jardins du Palais Royal, Paris, France Palazzo degli Uffizi, Florence, Italy Galleria Nazionale d’Arte Moderna, Rome, Italy Forte Belvedere, Florence, Italy The Albertina Museum, Vienna, Austria The Museum of Modern Art, Barcelona, Spain The Wohl Rose Garden, Jerusalem, Israel The Contemporary Sculpture Center, Tokyo, Japan The Museum of Modern Art, Sapporo, Japan Europarkas Sculpture Park, Vilnius, Lithuania The Bradley Foundation, Milwaukee, Wisconsin The Gori Collection, Pistoia, Italy Nasher Sculpture Center, Dallas, Texas The City of Todi, Italy Indianapolis Museum of Art, Indianapolis Museu d'Art Contemporani de Barcelona, Barcelona, Spain Casal Solleric, Majorca, Spain Laumeier Sculpture Park, St. Louis, Missouri The Seattle Art Museum, Olympic Sculpture...

Maqueta Armonía de Volúmenes y Espacios -La Hoyada- BMPC-002, 1980(1982) Edition /25 Bronze 48 x 37 x 26 cm 18.8 x 14.5 x 10.2 in. ABOUT THE ARTIST Narváez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narváez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narváez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narváez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narváez’s public output continued with works such as the statue of Fermín Toro, La Educación, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narváez, Maderas, Piedras y Bronces” (Francisco Narváez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narváez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narváez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narváez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narváez is a path: the path that Venezuelan sculpture...