Metal Abstract Sculptures

Dimensions include base STANISŁAW WYSOCKI (b. 1949) Wysocki studied at the Academy of Fine Arts in Poznań (1978-1980) and then at the Hochschule der Kunste in Berlin under prof. J....

"The Holy Family II" Bronze Sculpture 13" x 11" x 5" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture ...

"Maquette" Abstract Bronze Sculpture 10" x 7" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in...

"Copernicus' Midnight Sun" from "Worlds in Collision" Large Sculpture Series by Isobel Folb Sokolow Welded steel, welding rod and gold leaf Sokolow welds organic abstract forms fro...

This steel and glass pedestal sculpture is from Bella Feldman's "War Toys" series, which began in the aftermath of the Persian Gulf War and has continued into...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

"MIES" is a sculptural floor lamp designed by Iskandar Jani, inspired by the structural columns of the German Pavilion, designed by Mies van der Rohe for the 1929 International Expos...

"Deep Reverie" Abstract Sculpture 74" x 18" x 18" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art f...

Gary Kahle (American, 1942- ) Metal abstract sculpture on black base, Hand signed and dated 1984 25 1/2" H x approximately 18" W x and 12 1/2" D. Proven...

Carabela sculpture, signed and dated, edition 20/60 with certificate. Edgar Negret was born in 1920-2012 Colombia. He studied at the School of Fine Arts ...

Aluminum

Platonic Dialogue Bronze Sculpture Abstract Head Portrait In Stock Philosophy Each Edition of Casting is different, Each Sculpture is Unique. Junghans (1956, Recklinghausen) creates abstract sculptures in stone...

Beautiful bronze Cosanti bell by Paolo Soleri. In wonderful condition with a lovely patina. Signed and very unique. Measures 22 inches high. Bell is 5 inches high and 4 inches across...

steel sculpture by the Spanish artist Ferran SORIANO. Ferran Soriano - Sculptor (Barcelona, 1944) Ferran Soriano has been exhibiting his works of art since 1970 around the world (in...

A life size, two-piece powder coated mild steel sculpture on steel footings. Edition of 7. Available in different colours or finishes on request.

One of a Kind, French Patinated Brass Sculpture, (Weight 7kg). About the Artist: Graduate in ceramic design and metal sculpture (2001, 2003), he worked during two years with the sculptor Hervé Wahlen...

" Nimbus Ascendente ", 2015 Unique 69 x 38 cm Rafael Barrios, sculptor, and founder of the Virtualism movement. From the beginning, his work has been ...

Eli Ilan (אלי אילן), 1928-1982 was an Israeli sculptor. Abstract organic pod shape. in either steel or iron mounted on a wooden plinth. Ilan was born in Winnipeg, Manitoba. He enrolled in a premedical curriculum at the University of British Columbia in Vancouver and emigrated to Israel in 1948. He then studied prehistoric archaeology and physical anthropology at the Hebrew University of Jerusalem. In 1956, he returned to Canada to study sculpture at the Ontario College of Art & Design. He lived in Kibbutz Sasa from 1959 to 1963. He died in 1982 in Caesarea, Israel. Education 1955 Hebrew University, Jerusalem, pre-historic archaeology and physical anthropology 1956 Ontario College of Art, Toronto, Canada, sculpture under Thomas Bowie 1959 Training College, Ottawa, criminal identification techniques 1969 Art Festival, Painting & Sculpture in Israel. Ganei Hataarucha, Tel Aviv Artists: Chana Orloff, Eli Ilan, Zvi Aldouby, Jacob El Hanani, Ludwig Blum, Aharon Bezalel, Koki Doktori, Israel Hadany, Marcel Janco, Dov Feigin, Abel Pann, Esther Peretz Arad, Reuven Rubin, Ivan Schwebel, Jakob Steinhardt, Boris Schatz, Bezalel (Lilik) Schatz, Louise Schatz...

David Hostetler cast this bronze from an original wood carving, as most of his bronzes originate. This sculpture was the original model for unique ver...

The width dimensions are variable. the tallest height is 11.5 inches. Family group. A suite of three bronze sculptures. Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome[…] the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Pissaro, Modigliani, Pascin, Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo, Yehiel Shemi, Aharon Bezalel and Igael Tumarkin. Many Jewish sculptors from all parts of the world, beginning with Antokolski, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Glicenstein, Loutchansky, Constant and Indenbaum from Western Europe; Glid from Yugoslavia; Zorach, Gross and Harkavy from the United States; and most of the outstanding sculptors of Israel : Ben-Zvi, Lishansky, Ziffer, Lehmann, Feigin, Sternschuss, Palombo ( who executed the iron gate...

You could make a case that Rude's work is somewhere between western realism, abstract openness, and the notebook of an anthropologist in The Twilight Zone...

Virus Lamp Tripod - Set Our Virus luminaire is a spherical luminaire on pedestals with a color filter attachment for indoor use. The tubular sectional steel has been arranged here a...

"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...

Linda Stein, Spoon to Shell 891: Spoons Only - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 891: Spoons Only is from Linda Stein's Holocaust Heroes: Fierc...

The modern Outdoor / Indoor Sculpture " Fissure ” is a unique Mural made from a burnout mold by David Marshall in 2024, sand cast in aluminium in our foundry, handcrafted by the Art...

Abstract metal rhino head metal sculpture by Mexican artist and sculptor. Signed and editioned by artist at the left side. Artist Biography: Sergio Bustam...

As the sunlight reflects upon this sculpture, the three-dimensional quality of the ground surface allows us to stop and be in awe of its beauty. It is made from 12-gauge sheet metal ...

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

Composition is an original decorative object realized by Nino Franchina in the second half of the XX century. Original iron and wood. Iron sculpture c...

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

Enrique "Sebastian" Carbajal (Born 1947) bronze sculpture Brilliant bronze sculpture by listed Mexican artist Enrique "Sebastian" Carbajal. This Mexican modernist bronze sculpture sits atop a marble base. Signed in the bronze. The base measures: 4.5" wide x 3" deep. The sculpture stands 24" tall. Sebastián (born Enrique Carbajal González...

A limited edition, powder coated mild steel sculpture on a white steel base. With slight touch, the sculpture is capable of bouncing (see video). Edition 1/5. Available in different ...

"Discovery 2018-2" by Kug Kyung Oh Medium: Bronze Edition: 3 of 6 Dimensions: 26 x 26 x 129 cm / 10.2 x 10.2 x 50.8 in Year: 2018 "Discovery 2018-2" by Kug Kyung Oh is a sculptural m...

A unique wall-hanging steel sculpture by Preston Abernathy (American XXth). The work is a solid panel of brushed, polished and etched stainless steel in a geometric pattern with gre...

A limited edition nickel plated, reflective steel sculpture. Edition 5/7.

Edgar Tafur (Colombian, 1929 - 2007) Chrome Over Bronze Sculpture Undated, signed on side near bottom, abstract sculpture Dimensions: Height: 12 3/4 inches, Width: 4 inches, Depth: 3 3/4 inches Mod Space Age Chrome over Bronze Abstract Architectural Totem Cast Sculpture Edgar Alonso Tafur, Latin American artist born and raised in Cali. Colombia, was first trained as an architect at the University of the Andes, but shortly thereafter switched his focus to sculpture. It is this work which brought Tafur to the United States, first to study at the University of Florida and then to Oklahoma where he was featured in a solo exhibition at the Oklahoma Art Center in 1966. Alluding his architectural roots, Tafurs sculptures possess a marked structural form, drawing on themes of positive and negative space. In addition to his work as a sculptor, Tafur was well known for his modernist concept designs, consisting of fountains and architectural murals commissioned by fellow architects. “Each of his works is an understatement of the principles of architecture, which is itself sculptural. Tafur’s sensitivity towards the play of light and shadow on the surfaces, his relationship of positive and negative spaces, and his fluid play of rhythms all lend themselves dramatically to an exciting visual statement. His simplicity and modernism evokes the opinion of the renowned architect, Mies Van der Rohe: ‘less is more.'” Patric Shannon, Director, Oklahoma Art Center While some of his work has a brutalist quality to it it is generally more abstract geometric, masculine with polished chrome surfaces, enamel and some with great, strong colors. This has an abstract flora, cactus like shape to it. He is from the generation of Colombian artists who rose to prominence in the mid 20th century which included Fernando Botero, Doris Salcedo, Oscar Murillo, Antonio Caro...

" Hang Tide " This unique sculpture was created by David Marshall and Jennifer Baker from sand cast aluminium and cast glass. Mounted on sandstone base. Certified authentic by both ...

"Pump" by Kevin Barrett Abstract wall relief sculpture in painted aluminum Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoo...

Ana Guitel Nigri, Universe2, Wall sculpture, stainless steel, Abstract sculpture, mettalic sculpture, spiritual elevation, Brazilian-Israeli artist,

Story Teller by Carol Gold Abstract Figurative Bronze Maquette: 24x14x14" ed/10 ABOUT THE ARTIST: Carol Gold was born in Hartford, Connecticut and grew u...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson...

Imagination of the YinYang symbol in zinc The two semicircles are shown differently in this design than in the original YinYang symbol Masculinity is (also) represented in this desig...

A series of works .. ANCIENT ... this series has a magical connection. They have the ancient spirit of past civilizations and sections of different corners of history. Looking at eac...

A life size, powder coated mild steel sculpture in bright green, edition 2/7. Available in different colours on request.

Andrew Hayes grew up in Tucson, Arizona and studied sculpture at Northern Arizona University. The desert landscape inspired much of his early sculptural work and allowed him to culti...

Slow Curve 352 is from Linda Stein’s Knights of Protection series, which are shield-like forms made of mixed media that hang on the wall. They function simultaneously as defenders in...

Olympiad. Hand fabricated steel with patina, bronze rod. Unique, one of a kind. 19 x 19 x 14" sculpture. Powder coated steel base, 3"h, 12"w, 9"d. There are two sides to any circle:...

"Twin Strikes" by John Ruppert Cast bronze and pine, from a fragment of a tree struck by lightning Over the past 35 years, John Ruppert has been working in cast metals; manufactured...

Guillaume ROCHE The artist translates movement and energy through the dynamism of assemblages and seeks the balance of composition. His sculptures offer aerial movements, round sh...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

A civil engineer for 30 years, Holmes has been exhibiting and selling his sculptures since 1975 in the United States, Europe, South America, and Asia. He is now very well-known for h...

Bench (work no. HVP01145) is a small size contemporary modern abstract geometric aluminum sculpture by acclaimed Dutch constructivist Henk van Putten, who was born in The Netherlands...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage techniques. Encouraged by Johnson, who had sent her magazines through the mail, she scissored patterns into images of pin-up girls and muscle men until they resembled doilies or snowflakes, as Wilson called them. She decorated her hotel room and later her studio on West 23rd Street with these and other manipulated, found object images. Around this time, she also began her series of neo Dada "Ridiculous Portraits", for which she would ride the subway to Times Square, where she made exaggerated faces in photo booths. She then would cut and paste her photo-booth face onto postcards, along with Old Master reproductions, fashion shoots, and softcore Playboy magazine pornography. Long before artists such as Cindy Sherman and Yasumasa Morimura embarked on similar critical projects, Wilson's "Ridiculous Portraits" sent up the ubiquitous sexism and ageism that exists in popular and fine-art images of women. At the age of 70, she converted a nude photograph of herself into a stamp that she pasted on envelopes. Her collages and humorous self-portraits were made as gifts and mail-art items for her friends and were not widely known until after her death. Her work was contemporaneous with the Arte Povera artists Jannis Kounellis and ‎Michelangelo Pistoletto. She was also an innovator of junk art assemblages that incorporated real objects, such as high-heel shoes, bed sheets, sauce pans, toasters, liquor bottles, ice trays, and wrapped baby dolls. Her sculptures were inspired by Surrealist and Dada practices and are similar in spirit to Yayoi Kusama's contemporary accumulations. Wilson was the subject of a 1969 experimental documentary by Amalie R. Rothschild, "Woo Hoo? May Wilson". Since her death, May Wilson's work has been featured in numerous exhibitions and retrospectives at the Baltimore Museum of Art, Maryland; Gracie Mansion Gallery, New York; the Morris Museum, Morristown, N.J.; the Pavel Zoubok Gallery, New York City; and The University of the Arts, Philadelphia. Selected Exhibitions 2010 "Seductive Subversion: Women Pop Artists, 1958-1968", University of the Arts, Philadelphia (traveling exhibition) 2008 "1968/2008: The Culture of Collage", Pavel Zoubok Gallery, New York, City 2008 "Ridiculous Portrait: The Art of May Wilson", Morris Museum, Morristown, New Jersey 2008 "Woo Who? May Wilson", Pavel Zoubok Gallery, New York City 1995 [Retrospective], The Baltimore Museum of Art, Maryland 2001 "May Wilson: Ridiculous Portraits and Snowflakes", Gracie Mansion Gallery, New York, City 2001 "Inside Out: Outside In-The Correspondence of Ray Johnson and May Wilson", Sonoma Museum of Visual Art, California 1991 "May Wilson: The New York Years", Gracie Mansion Gallery, New York City 1973 "Sneakers", Kornblee Gallery, New York City 1973 "Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art", RISD Museum, Providence, Rhode Island 1971 Corcoran Gallery of Art, Washington, D.C. 1970 "Sculpture Annual 1970", Whitney Museum of American Art, New York City 1965 The Baltimore Museum of Art, Baltimore, Maryland 1962 The Johns Hopkins University, Baltimore, Maryland 1957 Bookshop Gallery, Baltimore, Maryland Public collections Whitney Museum of American Art (New York City) The Baltimore Museum of Art (Baltimore, Maryland) Brooklyn Museum (Brooklyn, New York) References William S. Wilson, "May Wilson: Constructing Woman (1905-1986)", in Ann Aptaker, ed., Ridiculous Portrait: The Art of May Wilson, ed. Ann Aptaker, Morristown, N.J.: Morris Museum, Camhi, Leslie, "Late Bloomer", Village Voice, December 18, 2001 Giles, Gretchen, "Cosmic Litterers: Artists Ray Johnson and May Wilson: Taking the Cake", "Northern California Bohemian," June 14–20, 2001 McCarthy, Gerard, "May Wilson: Homespun Rebel", Art in America, vol. 96, no. 8, September 2008, pp. 142–47 Sachs, Sid and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia: The University of the Arts, 2010, ISBN 978-0789210654 Wilson, William S. Art is a Jealous Lover: May Wilson: 1905-1986, andy warhol...

Incredible Brutalist torch-cut wall mountable sculpture by artist Gene Montez Flores. Designed to hang as shown. Produced during in the early 1960s in his California studio. Has neve...

Madame, MONSIEUR! is a wall sculpture fabricated in welded aluminum and painted in enamel paints. It is comprised of four sections which give the appearance of one, unified piece whe...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

Pareja 05 is a unique contemporary modern abstract sculpture by Spanish artist Eduardo Lacoma from his latest series Pareja, Spanish for couple. The sculpture consists of two handmade constructions from cut, welded and polished steel, that are mounted together to form a true complementary couple. The outer element is 5 mm carbon steel which has been varnished, the inner element is 5 mm corten steel which has been oxidized. Due to the manual process of building and finishing, each element has its own characteristic look, sometimes very smooth, sometimes a little rough but always very sophisticated. From all sides it offers intriguing views, now more closed, then more open. It fits perfectly in a contemporary modern interior setting, on a side table, on a shelf or even on a plinth. It evokes feelings of mid-century modern design whilst being a one-of-a-kind 21st century piece. Eduardo Lacoma (1968, Spain) is a practicing sculptor since many years, in addition to his career as an electronics technician. Being profoundly inspired by art during a trip to Barcelona in his teens, he taught himself the fine art of sculpting, combining materials such as iron, steel and stone. Living and working in Pamplona in the Basque region of Spain, he was originally inspired by the architecture of Gaudi. Gradually his interest shifted however to the sculptural forms of Eduardo Chillida and Jorge Oteiza...

A unique, wall mounted steel sculpture made of painted aluminium.